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1401. Abingdon, from the Thames Navigation

Abingdon, from the Thames Navigation
Creator:
Print made by William Byrne, 1743–1805
Date:
1805
Materials & Techniques:
Etching and engraving with chine collé; published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 15 3/4 inches (29.8 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1402. Distant View of Chester

Distant View of Chester
Creator:
Print made by William Byrne, 1743–1805
Date:
1810
Materials & Techniques:
Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 14 1/8 inches (28.9 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1403. Distant View of Chester

Distant View of Chester
Creator:
Print made by William Byrne, 1743–1805
Date:
1810
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 15 inches (27.6 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1404. Windsor from the Forest, Berks

Windsor from the Forest, Berks
Creator:
Print made by John Greig, active 1803–1853
Date:
1804
Materials & Techniques:
Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/8 × 10 1/8 inches (32.1 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1405. Inverary

Inverary
Creator:
Print made by James Heath, 1757–1834
Date:
1805
Materials & Techniques:
Etching and engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 9 1/2 inches (17.1 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1406. Windsor from the Forest, Berks

Windsor from the Forest, Berks
Creator:
Print made by John Greig, active 1803–1853
Date:
1804
Materials & Techniques:
Etching and engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 9 inches (29.8 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1407. High Street, Oxford

High Street, Oxford
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1811
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 23 3/8 × 35 inches (59.4 × 88.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1408. High Street, Oxford

High Street, Oxford
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1812
Materials & Techniques:
Etching and engraving; engraver's proof (b) on medium, slightly textured, cream wove paper, mounted to thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 3/8 × 24 5/8 inches (49.2 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1409. High Street, Oxford

High Street, Oxford
Creator:
Print made by W. E. Albutt, active 1836–1863
Date:
1828
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 7/8 × 14 1/4 inches (27.6 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1410. Venice

Venice
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/2 × 12 1/8 inches (44.5 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1411. Florence

Florence
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1412. East and West Looe, Cornwall

East and West Looe, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1818
Materials & Techniques:
Etching; early first proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1413. East and West Looe, Cornwall

East and West Looe, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1818
Materials & Techniques:
Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 21 1/8 inches (37.8 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1414. Brighton

Brighton
Creator:
Print made by George Cooke, 1781–1834
Date:
1814 to 1826
Materials & Techniques:
Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/8 × 20 inches (34 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1415. Brighton

Brighton
Creator:
Print made by George Cooke, 1781–1834
Date:
1825
Materials & Techniques:
Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 14 1/4 inches (27.9 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1416. Brighton

Brighton
Creator:
Print made by George Cooke, 1781–1834
Date:
1814 to 1826
Materials & Techniques:
Etching and engraving with chine collé; intermediate engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/8 × 19 5/8 inches (33.3 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1417. The Rialto, Venice

The Rialto, Venice
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1820
Materials & Techniques:
Etching and engraving; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 × 17 3/8 inches (28.6 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1418. The Rialto, Venice

The Rialto, Venice
Creator:
Print made by John Pye, 1782–1874
Date:
1820
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 5/8 inches (29.8 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1419. The Rialto, Venice

The Rialto, Venice
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1820
Materials & Techniques:
Etching and engraving with graphite; touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 9/16 inches (27.9 × 42.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1420. The Rialto, Venice

The Rialto, Venice
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1820
Materials & Techniques:
Etching; engraver's proof, 2nd state on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 17 3/8 inches (29.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1421. Rome, Bridge, and Castle of St. Angelo, on the Tyber

Rome, Bridge, and Castle of St. Angelo, on the Tyber
Creator:
Print made by George Hollis, 1792–1842
Date:
1818
Materials & Techniques:
Etching with chine collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 9/16 × 12 3/4 inches (24.3 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1422. The Rialto, Venice

The Rialto, Venice
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1820
Materials & Techniques:
Etching with chine collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 11/16 × 15 inches (27.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1423. The Roman Forum, from the Tower of the Capitol

The Roman Forum, from the Tower of the Capitol
Creator:
Print made by George Cooke, 1781–1834
Date:
1818-1820
Materials & Techniques:
Etching with chine collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 14 3/4 inches (27.6 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1424. Rome, Bridge, and Castle of St. Angelo, on the Tyber

Rome, Bridge, and Castle of St. Angelo, on the Tyber
Creator:
Print made by George Hollis, 1792–1842
Date:
1818
Materials & Techniques:
Etching and engraving with chine collé; first published state on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1425. The Roman Forum, from the Tower of the Capitol

The Roman Forum, from the Tower of the Capitol
Creator:
Print made by George Cooke, 1781–1834
Date:
1818
Materials & Techniques:
Etching and engraving with chine collé; early engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1426. Leaving Home

Leaving Home
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1427. Rome from the Farnesean Gardens

Rome from the Farnesean Gardens
Creator:
Print made by John Le Keux, 1783–1846
Date:
1818-1820
Materials & Techniques:
Etching with chine collé; open etched state on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 3/4 × 15 1/4 inches (27.3 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1428. Rome from Monte Mario

Rome from Monte Mario
Creator:
Print made by John Byrne, 1786–1847
Date:
1820
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/16 × 17 1/4 inches (28.7 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1429. Naples, from the Mole

Naples, from the Mole
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/4 × 19 9/16 inches (33.7 × 49.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1430. Florence, from the Ponte alla Carraia

Florence, from the Ponte alla Carraia
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1818-1820
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1431. Rome from Monte Mario

Rome from Monte Mario
Creator:
Print made by John Byrne, 1786–1847
Date:
1818-1820
Materials & Techniques:
Etching with chine collé; open etched state on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1432. Florence, from Fiesoli

Florence, from Fiesoli
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1820
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 17 1/4 inches (28.3 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1433. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching with chine collé; open etched state on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 1/4 inches (26.7 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1434. Florence, from Fiesoli

Florence, from Fiesoli
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1820
Materials & Techniques:
Etching with chine collé; open etched state on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 × 14 3/8 inches (25.4 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1435. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (aa) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1436. Naples, from the Mole

Naples, from the Mole
Creator:
Print made by George Cooke, 1781–1834
Date:
1819
Materials & Techniques:
Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1437. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1823
Materials & Techniques:
Etching and engraving; engraver's proof on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/4 × 19 7/8 inches (33.7 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1438. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1823
Materials & Techniques:
Etching on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 1/16 × 11 1/8 inches (20.5 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1439. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1823
Materials & Techniques:
Etching and engraving, with graphite and chine collé; touched engraver's proof on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 9/16 × 20 1/8 inches (39.5 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1440. A Village – Evening

A Village – Evening
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 11 11/16 inches (43.5 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1441. Leaving Home

Leaving Home
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1442. A Village Fair

A Village Fair
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 15/16 × 11 7/8 inches (43 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1443. High Street, Edinburgh

High Street, Edinburgh
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1819
Materials & Techniques:
Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 7/8 × 19 3/8 inches (32.7 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1444. Heriot's Hospital

Heriot's Hospital
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1822
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 22 1/2 inches (37.8 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1445. Temple Bar

Temple Bar
Creator:
Thomas Hosmer Shepherd, 1792–1864
Date:
undated
Materials & Techniques:
Watercolor, brown ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 × 7 5/8 inches (14.6 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1446. Chiswick

Chiswick
Creator:
John Varley, 1778–1842
Date:
1814
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 21 5/8 inches (24.4 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequeathed by Weyland Wells Williams, Yale BA 1910, transfer from the Yale University Art Gallery

1447. West Cowes, Isle of Wight

West Cowes, Isle of Wight
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Brown and gray wash and pen brown ink on medium, smooth, cream wove paper mounted on card
Dimensions:
Sheet: 5 5/8 x 9 1/4 inches (14.3 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Miss Elizabeth Manwaring

1448. Brighton: the front and the chain pier seen in the distance

Brighton: the front and the chain pier seen in the distance
Creator:
Frederick William Woledge, active 1840
Date:
undated
Materials & Techniques:
Graphite, pen and ink, gum arabic, watercolor, gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 × 10 inches (13.7 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1449. Barges of the Embassy Being Raised from One Canal to Another on Their Way from Han-Tcheou-Foo to Tchu-San, 16 November 1793

Barges of the Embassy Being Raised from One Canal to Another on Their Way from Han-Tcheou-Foo to Tchu-San, 16 November 1793
Creator:
William Alexander, 1767–1816
Date:
1793
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/16 x 14 5/8 inches (26.5 x 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1450. Roman Ruins

Roman Ruins
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Red chalk on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 6 1/2 inches (16.5 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

1451. Views of the Gates of Rome; The Light Horse Gate formerly Pasterula: 1. St. Peters Church 2. the Pontifical Palace 3. the Quarters of the Light Horse Guards 4. part of the Palace of the Holy Offices

Views of the Gates of Rome; The Light Horse Gate formerly Pasterula: 1. St. Peters Church 2. the Pontifical Palace 3. the Quarters of the Light Horse Guards 4. part of the Palace of the Holy Offices
Creator:
unknown artist
Materials & Techniques:
Etching
Dimensions:
Sheet: 10 x 15 1/2in. (25.4 x 39.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1452. The Gate of the Holy Spirit: 1. the Church of the Holy Spirit 2. the summer House in the Barbarini Gardens

The Gate of the Holy Spirit: 1. the Church of the Holy Spirit 2. the summer House in the Barbarini Gardens
Creator:
unknown artist
Materials & Techniques:
Engraving
Dimensions:
Sheet: 10 1/16 x 15 3/8in. (25.6 x 39.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1453. Prota del Popolo or People Gate formerly Flaminia: 1. the Church of St. maria del Popolo

Prota del Popolo or People Gate formerly Flaminia: 1. the Church of St. maria del Popolo
Creator:
unknown artist
Materials & Techniques:
Engraving
Dimensions:
Sheet: 7 5/8 x 9 9/16in. (19.4 x 24.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1454. St. John's Gate formerly Caelmontana, The Entrance from the Antient latin Causeway

St. John's Gate formerly Caelmontana, The Entrance from the Antient latin Causeway
Creator:
unknown artist
Materials & Techniques:
Engraving
Dimensions:
Sheet: 7 11/16 x 9 9/16in. (19.5 x 24.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1455. The Holy Gate formerly Viminalis, The road to Nomentena

The Holy Gate formerly Viminalis, The road to Nomentena
Creator:
unknown artist
Materials & Techniques:
Engraving
Dimensions:
Sheet: 7 3/4 x 9 5/8in. (19.7 x 24.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1456. A Perspective View of St. Peter's Church at Rome

A Perspective View of St. Peter's Church at Rome
Creator:
unknown artist
Materials & Techniques:
Etching printed in brown ink
Dimensions:
Sheet: 7 3/4 x 10 7/8in. (19.7 x 27.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1457. A Perspective View of the Seat of Lodovisi with Part of the City of Rome

A Perspective View of the Seat of Lodovisi with Part of the City of Rome
Creator:
unknown artist
Materials & Techniques:
Engraving
Dimensions:
Sheet: 7 3/8 x 10 7/8in. (18.7 x 27.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1458. A Perspective View of Marcellus's Theatre &c., at Rome

A Perspective View of Marcellus's Theatre &c., at Rome
Creator:
unknown artist
Materials & Techniques:
Engraving
Dimensions:
Sheet: 7 3/8 x 10 7/8in. (18.7 x 27.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1459. The Church of St. Mary the Great at Rome, with the additional Buildings on each side; Also the Antique Column brought hither from the Temple of Peace, by Pope Paul, V

The Church of St. Mary the Great at Rome, with the additional Buildings on each side; Also the Antique Column brought hither from the Temple of Peace, by Pope Paul, V
Creator:
unknown artist
Materials & Techniques:
Engraving
Dimensions:
Sheet: 7 3/8 x 10 7/8in. (18.7 x 27.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1460. A View of Trajan's Pillar at Rome &c.

A View of Trajan's Pillar at Rome &c.
Creator:
unknown artist
Materials & Techniques:
Engraving
Dimensions:
Sheet: 7 3/8 x 10 7/8in. (18.7 x 27.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1461. A Perspective View of the Place & Church of St. John of Lateran at Rome

A Perspective View of the Place & Church of St. John of Lateran at Rome
Creator:
unknown artist
Materials & Techniques:
Engraving
Dimensions:
Sheet: 7 3/8 x 10 7/8in. (18.7 x 27.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1462. A View of the Common Place Embellish'd with New Buildings and a View of the City of Rome as it is at this Present Time.

A View of the Common Place Embellish'd with New Buildings and a View of the City of Rome as it is at this Present Time.
Creator:
unknown artist
Materials & Techniques:
Engraving
Dimensions:
Sheet: 10 1/16 x 15 3/8in. (25.5 x 39cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1463. A Perspective View of the Church and Hospital of the Holy Ghost at Rome

A Perspective View of the Church and Hospital of the Holy Ghost at Rome
Creator:
unknown artist
Materials & Techniques:
Engraving
Dimensions:
Sheet: 7 3/8 x 10 7/8in. (18.7 x 27.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1464. A Perspective View of the Seat of Belevedere in Vaticano near Rome

A Perspective View of the Seat of Belevedere in Vaticano near Rome
Creator:
unknown artist
Materials & Techniques:
Engraving
Dimensions:
Sheet: 7 3/8 x 10 7/8in. (18.7 x 27.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1465. A Perspective View of St. Martins Church also the Arch of Neptimius Severus at Rome.

A Perspective View of St. Martins Church also the Arch of Neptimius Severus at Rome.
Creator:
unknown artist
Materials & Techniques:
Engraving
Dimensions:
Sheet: 7 3/8 x 10 7/8in. (18.7 x 27.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1466. Bishop's Bridge, Norwich

Bishop's Bridge, Norwich
Creator:
James Pattison Cockburn, 1779–1847
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 5/8 x 11 3/4 inches (19.4 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1467. Greenwich

Greenwich
Creator:
David Cox, 1783–1859
Date:
between 1820 and 1829
Materials & Techniques:
Watercolor with scratching out on thick, smooth, cream wove paper
Dimensions:
Sheet: 7 5/8 x 11in. (19.4 x 27.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1468. Balloon over Holland Street, Kensington, 22 July 1835, 7 p.m.

Balloon over Holland Street, Kensington, 22 July 1835, 7 p.m.
Creator:
Dr. William Crotch, 1775–1847
Date:
1835
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 x 7 7/8in. (17.8 x 20cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1469. Whitehall Showing Holbein's Gate and Banqueting Hall

Whitehall Showing Holbein's Gate and Banqueting Hall
Creator:
Thomas Sandby, 1721–1798
Date:
ca. 1760
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 23 1/2 inches (39.4 x 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1470. Opening of the Liverpool and Manchester Railway

Opening of the Liverpool and Manchester Railway
Creator:
Isaac Shaw, active 1830
Date:
ca. 1830
Materials & Techniques:
Brown wash, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 3/16 × 8 1/2 inches (15.7 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1471. Railway Office, Liverpool

Railway Office, Liverpool
Creator:
Isaac Shaw, active 1830
Date:
ca. 1830
Materials & Techniques:
Brown wash, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/16 × 8 5/8 inches (15.4 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1472. Old Houses at St. Albans

Old Houses at St. Albans
Creator:
C. John M. Whichelo, 1784–1865
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/16 × 9 9/16 inches (31 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1473. View on the Liverpool and Manchester Railway with the Locomotive "Twin Sisters" in a Siding

View on the Liverpool and Manchester Railway with the Locomotive "Twin Sisters" in a Siding
Creator:
Isaac Shaw, active 1830
Date:
ca. 1830
Materials & Techniques:
Brown wash, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/8 × 8 11/16 inches (15.6 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1474. Bridge over the Irwell and Entrance into Manchester

Bridge over the Irwell and Entrance into Manchester
Creator:
Isaac Shaw, active 1830
Date:
ca. 1830
Materials & Techniques:
Brown wash, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 × 8 5/8 inches (16.5 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1475. View on the Line of the Liverpool and Manchester Railway

View on the Line of the Liverpool and Manchester Railway
Creator:
Isaac Shaw, active 1830
Date:
ca. 1830
Materials & Techniques:
Brown wash, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 × 8 5/8 inches (15.6 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1476. Warwick: The Town and Castle from the Priory Gardens

Warwick: The Town and Castle from the Priory Gardens
Creator:
Canaletto, 1697–1768
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 14 1/4 x 36 3/4 inches (36.2 x 93.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1477. Le Pont Royal, Paris

Le Pont Royal, Paris
Creator:
Thomas Shotter Boys, 1803–1874
Date:
ca. 1828
Materials & Techniques:
Watercolor with pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 9 1/2 inches (14.3 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1478. City Scene with Buildings

City Scene with Buildings
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 5/8 × 11 1/4 inches (21.9 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1479. Street Scene, Lined with Buildings

Street Scene, Lined with Buildings
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 7 3/8 × 10 1/16 inches (18.7 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1480. View of the Thuilleries and Bridge, taken from the Quai d'Orsai

View of the Thuilleries and Bridge, taken from the Quai d'Orsai
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 3/4 inches (40 × 62.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1481. View of the City with the Louvre & Taken from Pont Marie

View of the City with the Louvre & Taken from Pont Marie
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Etching and aquatint with tracing on verso on medium, slightly textured. cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1482. View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.

View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1483. View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1484. View of the Pont St. Michael, taken from the Pont Neuf

View of the Pont St. Michael, taken from the Pont Neuf
Creator:
Etched by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Image: 10 x 17 7/8in. (25.4 x 45.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1485. View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1486. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame.

View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame.
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Soft-ground etching and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:
Plate: 11 3/4 × 22 1/4 inches (29.8 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1487. A General View of Paris, taken from Chaillot 1803.

A General View of Paris, taken from Chaillot 1803.
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1488. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1489. View of the Gate of St. Denis Taken from the Suburbs.

View of the Gate of St. Denis Taken from the Suburbs.
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Soft-ground etching and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 24 1/2 inches (39.7 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1490. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 24 5/8 inches (39.7 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1491. Views of the Pantheon, taken from the Arsenal

Views of the Pantheon, taken from the Arsenal
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint over soft ground etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 24 1/2 inches (39.7 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1492. View of the Palace and Village of Choisi, on the Banks of the Siene

View of the Palace and Village of Choisi, on the Banks of the Siene
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1493. On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
Creator:
after Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 24 5/8 inches (39.7 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1494. View of the Pont St.Michel, taken from the Pont Neuf

View of the Pont St.Michel, taken from the Pont Neuf
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Graphite tracing on thin, brown, laid paper
Dimensions:
Sheet: 7 1/8 x 12 3/16in. (18.1 x 31cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1495. View of the Village of Chaillot & C. taken from Pont de la Concorde

View of the Village of Chaillot & C. taken from Pont de la Concorde
Creator:
Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1496. The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1497. Town Scene on River

Town Scene on River
Creator:
Thomas Sully, 1783–1872
Date:
undated
Materials & Techniques:
Watercolor, gouache and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 9/16 × 12 3/16 inches (21.7 × 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1498. Roundstone, Connemara

Roundstone, Connemara
Creator:
Jack Butler Yeats, 1871–1957
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 × 7 1/8 inches (13 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1499. Windsor Castle from the Brocas

Windsor Castle from the Brocas
Creator:
Henry Edridge, 1769–1821
Date:
1802
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 1/4 × 11 3/8 inches (21 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1500. Capri

Capri
Creator:
Isaac Weld, 1774–1856
Date:
ca. 1818
Materials & Techniques:
Graphite, pen and black ink, gray ink, and gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 × 29 3/4 inches (25.4 × 75.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection