Genre: cityscape - YCBA Collections Search Search Results

1701. Nantes

Creator:: William Wyld, 1806–1889
Date:: undated
Materials & Techniques:: Watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 9 5/8 inches (17.1 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1702. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 6 5/8 × 18 1/4 inches (16.8 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1703. View of the Pantheon, taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown, laid paper
Dimensions:: Sheet: 7 x 17 1/8in. (17.8 x 43.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1704. View from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Mount: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1705. View of the Village of Chaillot, etc., taken from Pont de la Concorde

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 5 × 19 inches (12.7 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1706. View of the Palace and Village of Choisi, on the Banks of the Seine

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 16 3/4 × 26 3/4 inches (42.5 × 67.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1707. On the Banks of the Marne below the Bridge at Charenton

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 6 1/4 × 10 1/8 inches (15.9 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1708. View of the Tuilleries and Bridge, taken from the Quai d'Orsay

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 9 1/2 × 20 1/2 inches (24.1 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1709. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 8 × 21 3/4 inches (20.3 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1710. View of the Louvre and Bridge of the Tuilleries, taken from Pont Neuf

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 7 × 18 inches (17.8 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1711. A View of Pont Neuf, the Mint, etc.

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1802
Materials & Techniques:: Graphite tracing on thin, brown, laid paper
Dimensions:: Sheet: 8 1/4 × 21 inches (21 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1712. View of the Gate of St. Denis taken from the Suburbs

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 9 3/4 × 19 1/4 inches (24.8 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1713. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of Four Nations

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 6 7/8 × 21 inches (17.5 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1714. Edgar's Tower at Worcester

Creator:: Print made by M. Coote, ca. 1758/62–1801
Date:: before 1786
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 8 1/4 inches (15.3 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1715. Covent Garden Market

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1795 and 1810
Materials & Techniques:: Watercolor with pen and red-brown and brown ink, and graphite, with pen and gray line and gray wash on border; verso: watercolor blots and pen and ink lines on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/16 x 9 9/16 inches (15.7 x 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1716. St. Paul's Cathedral, from St. Martin's-le-Grand, London

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Gray wash and watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 19 3/4 x 15 5/16 inches (50.2 x 38.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1717. Bank of England, London

Creator:: Bruce Davidson, born 1933
Date:: 1960
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 11 × 13 7/8 inches (27.9 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

1718. London

Creator:: Bruce Davidson, born 1933
Date:: 1960
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 11 x 14 inches (27.9 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

1719. London

Creator:: Bruce Davidson, born 1933
Date:: 1960
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 11 x 14 inches (27.9 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

1720. London

Creator:: Bruce Davidson, born 1933
Date:: 1960
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 11 x 14 inches (27.9 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

1721. London

Creator:: Bruce Davidson, born 1933
Date:: 1960
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 11 x 14 inches (27.9 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Richard S. and Jeanne Press

1722. Tarbert, Scotland

Creator:: Bruce Davidson, born 1933
Date:: 1960
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 11 x 14 inches (27.9 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

1723. View of Kingswear, from Dartmouth, Devon

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 x 16 1/8 inches (24.8 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1724. Pete

Creator:: Bruce Davidson, born 1933
Date:: 1965
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 11 x 14 inches (27.9 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

1725. Girl Next to Tombstone with Eyes Closed

Creator:: Bruce Davidson, born 1933
Date:: 1965
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 11 x 14 inches (27.9 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

1726. Woman Looking Over her Shoulder on Empty Street

Creator:: Bruce Davidson, born 1933
Date:: 1965
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 11 x 14 inches (27.9 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

1727. Woman Holding a Child's Face

Creator:: Bruce Davidson, born 1933
Date:: 1965
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 11 x 14 inches (27.9 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

1728. Boy with Glasses Pushing Carriage

Creator:: Bruce Davidson, born 1933
Date:: 1965
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 11 x 14 inches (27.9 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

1729. Whitby, Yorkshire

Creator:: Bruce Davidson, born 1933
Date:: 1960
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ralph and Nancy Segall

1730. Whitby, Yorkshire

Creator:: Bruce Davidson, born 1933
Date:: 1960
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 11 x 14in. (27.9 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ralph and Nancy Segall

1731. Whitby, Yorkshire

Creator:: Bruce Davidson, born 1933
Date:: 1960
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ralph and Nancy Segall

1732. The North

Creator:: Bruce Davidson, born 1933
Date:: 1960
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ralph and Nancy Segall

1733. St. Bride's, Fleet Street, London

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1801
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 3/16 x 5 5/8 inches (10.6 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1734. Ouse Bridge, York

Creator:: Thomas Girtin, 1775–1802
Date:: 1800
Materials & Techniques:: Watercolor with pen and brown ink over graphite, with scratching out on medium, rough, beige wove paper
Dimensions:: Sheet: 12 15/16 x 20 5/8 inches (32.9 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1735. Ripon Minster, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: 1800
Materials & Techniques:: Watercolor with pen and black and brown ink and scraping over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 10 13/16 x 17 3/16 inches (27.5 x 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1736. Sketch for the Eidometropolis: Panorama, Great Surrey Street and Christchurch, Southwark

Creator:: Thomas Girtin, 1775–1802
Date:: between 1797 and 1802
Materials & Techniques:: Graphite and pen and brown ink, squared for transfer on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 19 3/4 inches (29.2 x 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1737. London from Highgate Hill

Creator:: Thomas Girtin, 1775–1802
Date:: 1792
Materials & Techniques:: Watercolor with pen and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 3/8 x 19 1/4 inches (34 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1738. Plaza Real and Procession

Creator:: David Roberts, 1796–1864
Date:: 1835
Materials & Techniques:: Watercolor and gouache over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 15in. (26 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1739. Outposts of Britain: A Postman in the Pool of London

Creator:: Edward McKnight Kauffer, 1890–1954
Date:: 1937
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 19 7/8 x 25 inches (50.5 x 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

1740. The Alcazaba from the Mole, Malaga

Creator:: David Roberts, 1796–1864
Date:: 1839
Materials & Techniques:: Watercolor and gouache with some gum over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 x 11 5/8in. (21.6 x 29.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1741. Seville

Creator:: David Roberts, 1796–1864
Date:: undated
Materials & Techniques:: Watercolor, graphite, and red gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 14 1/2 inches (10.2 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1742. Inverness

Creator:: David Roberts, 1796–1864
Date:: 1859
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 15/16 × 7 1/16 inches (12.5 × 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1743. On the Thames

Creator:: David Roberts, 1796–1864
Date:: 1860
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 × 6 7/8 inches (12.7 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1744. From London Bridge

Creator:: David Roberts, 1796–1864
Date:: 1860
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 7/8 × 7 1/8 inches (12.4 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1745. Saint Lo

Creator:: David Roberts, 1796–1864
Date:: ca. 1825
Materials & Techniques:: Watercolor with some gouache over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 x 13 1/2in. (25.4 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1746. Suez

Creator:: David Roberts, 1796–1864
Date:: 1839
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 1 5/8 × 9 9/16 inches (4.1 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1747. View of Kom Ombo

Creator:: David Roberts, 1796–1864
Date:: 1838
Materials & Techniques:: Watercolor and gouache, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 19 3/8 inches (33 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1748. View of St. Peters, Rome

Creator:: David Roberts, 1796–1864
Date:: undated
Materials & Techniques:: Watercolor over graphite with some scratching out on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 1/16 x 36 1/4 inches (38.3 x 92.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1749. A Trading Brig Preparing to Set Sail on the Thames, Warships Running Down the Estuary Beyond

Creator:: Samuel Atkins, active 1787–1808
Date:: between 1787 and 1808
Materials & Techniques:: Watercolor, pen, black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 × 13 1/4 inches (23.2 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

1750. View of Tivoli

Creator:: Hercules Brabazon Brabazon, 1821–1906
Date:: undated
Materials & Techniques:: Gouache, blue chalk and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/8 x 6 1/8 inches (11.1 x 15.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

1751. Industrial Landscape

Creator:: Print made by Thomas Austen Brown, 1857–1924
Date:: undated
Materials & Techniques:: Color woodblock print on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 6 5/8 x 8 1/8 inches (16.8 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel and Pearl K. Bell

1752. Shepherd Market

Creator:: Charles Ginner, 1878–1952
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on parchment
Dimensions:: Sheet: 18 3/4 x 13 1/4 inches (47.6 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

1753. Edinburgh

Creator:: Fred Taylor, 1875–1963
Date:: undated
Materials & Techniques:: Lithograph on medium, slightly textured, beige wove paper mounted on linen
Dimensions:: Sheet: 39 5/8 x 24 3/4 inches (100.6 x 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

1754. La Morgue Paris

Creator:: Print made by Charles Meryon, 1821–1868
Date:: 1854
Materials & Techniques:: Etching on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 9 3/8 inches (27.3 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

1755. The Foundling Hospital

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1756. A Prospect of St. James's Park

Creator:: Nathaniel Parr, active 1742–1751
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1757. A Perspective View of Whitehall

Creator:: John Maurer, active 1713–1761
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1758. A Perspective View of the Parade, in St. James's Park, Shewing the New Buildings for the Horse Guards, The Treasury, and the Admiralty Office; 1. St. Martin's Church, 2. Admiralty office, 3. Horse Guard, 4. Whitehall, 5. King's Gate, 6. Treasury

A Perspective View of the Parade, in St. James's Park, Shewing the New Buildings for the Horse Guards, The Treasury, and the Admiralty Office; 1. St. Martin's Church, 2. Admiralty office, 3. Horse Guard, 4. Whitehall, 5. King's Gate, 6. Treasury

Creator:: John Maurer, active 1713–1761
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1759. A Perspective of ye Royal Palace of Somerset next ye River

Creator:: John Maurer, active 1713–1761
Date:: 1742
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1760. View of the New Trinity House on Tower Hill. Samuel Wyatt Esqr. Architect. The first Stone of this Noble Building was laid on the 12th of September 1793, by the Right Hon'ble William Pitt, First Lord of the Treasury and Master of this Corporation

View of the New Trinity House on Tower Hill. Samuel Wyatt Esqr. Architect. The first Stone of this Noble Building was laid on the 12th of September 1793, by the Right Hon'ble William Pitt, First Lord of the Treasury and Master of this Corporation

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 11 1/2 × 17 inches (29.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1761. A North West View of the Tower of London

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1762. A View of Westminster Bridge from Lambeth. 1. Westminster Abby. 2. St. Margaret's Church. 3. Westminster Hall. 4. St. Martin's Church

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1763. The Prospect of ye Town of Dundee

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 3/4 x 16 3/4in. (27.3 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1764. King's College, Cambridge, from Trinity

Creator:: Print made by John Piper, 1903–1992
Date:: ca. 1954
Materials & Techniques:: Lithograph on moderately thick, moderately textured, white wove paper
Dimensions:: Sheet: 20 3/8 x 26 7/8 inches (51.8 x 68.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1765. Seaport Scene

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/4 × 9 inches (14.6 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

1766. Como

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and gouache, with stumping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 14 5/8 inches (26.3 × 37.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1767. Boat with Cityscape and Cathedral in Background

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and graphite on thin, slightly textured, cream wove paper
Dimensions:: Frame: 13 1/2 × 16 1/2 inches (34.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen

1768. Isola Bella, Lago Maggiore

Creator:: Charles Gore, 1729–1807
Date:: ca. 1776
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 7 5/8 x 22 1/4 inches (19.4 x 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1769. Protest March to Chinese Embassy

Creator:: Lewis Morley, 1925–2013
Date:: 1960s
Materials & Techniques:: Gelatin silver print on resin-coated photographic paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

1770. Protest March to Chinese Embassy

Creator:: Lewis Morley, 1925–2013
Date:: 1960s
Materials & Techniques:: Gelatin silver print on resin-coated photographic paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

1771. Hymettos

Creator:: Print made by Eileen Hogan, born 1946
Date:: 1972
Materials & Techniques:: Lithograph on medium, slightly textured, white wove paper
Dimensions:: Frame: 24 × 18 × 1 inches (61 × 45.7 × 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Stuart Bennett

1772. Beaugency

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 12 1/16 inches (21.9 × 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1773. Nantes

Creator:: Print made by William Miller, 1796–1882
Date:: 1833
Materials & Techniques:: Etching with chine collé; open etched state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 5/16 × 8 9/16 inches (33.8 × 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1774. Beaugency

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching and engraving; early engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 × 8 7/8 inches (15.2 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1775. Tours

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (c) on moderately thick, textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1776. Tours, Looking Backwards

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 17 1/8 inches (28.9 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1777. Tours, Looking Backwards

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Etching and engraving; early engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 9/16 × 11 3/4 inches (21.7 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1778. Tours, Looking Backwards

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Etching and engraving; engraver's proof (2) on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 × 10 3/4 inches (20.3 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1779. Rietz, near Saumur

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching and engraving; early engraver's proof on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/8 × 8 7/16 inches (15.6 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1780. Tours, Looking Backwards

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (4) on moderately thick, textured, beige wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1781. Tours, Looking Backwards

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (3) on moderately thick, textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 inches (30.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1782. Havre

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1834
Materials & Techniques:: Etching and engraving, with graphite, white chalk, and scraping out; touched engraver's proof (2) on moderately thick, slightly textured, cream wove paper on mount
Dimensions:: Sheet: 4 5/8 × 6 1/8 inches (11.7 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1783. Rouen, Looking Down the River

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving; early engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 5 1/2 inches (10.5 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1784. Rouen Cathedral

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1834
Materials & Techniques:: Etching and engraving; engraver's proof, before (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 8 7/8 inches (14.9 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1785. Rouen Cathedral

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof, before (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1786. Rouen Cathedral

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1834
Materials & Techniques:: Etching and engraving, with graphite, scraping out, and chine collé; early touched engraver's proof, before (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 9 1/2 inches (17.1 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1787. Honfleur

Creator:: Print made by John Cousen, 1804–1880
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (aa) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1788. Honfleur

Creator:: Print made by John Cousen, 1804–1880
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 16 7/8 inches (30.5 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1789. Vernon

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 1/2 inches (30.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1790. Vernon

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching and engraving; early engraver's proof on moderately thick, slighlty textured, cream wove paper
Dimensions:: Sheet: 12 × 17 inches (30.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1791. Vernon

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching and engraving, with graphite and scraping out; touched engraver's proof (3) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 8 1/4 inches (14 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1792. View on the Seine, between Mantes and Vernon

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1835
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 9 inches (15.2 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1793. View on the Seine, between Mantes and Vernon

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé; early engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/8 × 10 5/8 inches (20.6 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1794. Mantes

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835
Materials & Techniques:: Etching and engraving; engraver's proof (1) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 × 16 7/8 inches (30.5 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1795. Mantes

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé; finished engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1796. Beaugency

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Etching and engraving on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1797. Wolf's Hope

Creator:: Print made by James H. Kernot, 1802–1858
Date:: 1836
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1798. Summer Eve, the Rainbow

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1799. Porta S. Giovanni, Rome

Creator:: William Leighton Leitch, 1804–1883
Date:: 1837
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 18in. (22.9 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1800. Castletown Harbour, Isle of Man

Creator:: William Leighton Leitch, 1804–1883
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 15/16 x 11 15/16in. (20.2 x 30.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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1701. Nantes

1702. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal

1703. View of the Pantheon, taken from the Arsenal

1704. View from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance

1705. View of the Village of Chaillot, etc., taken from Pont de la Concorde

1706. View of the Palace and Village of Choisi, on the Banks of the Seine

1707. On the Banks of the Marne below the Bridge at Charenton

1708. View of the Tuilleries and Bridge, taken from the Quai d'Orsay

1709. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

1710. View of the Louvre and Bridge of the Tuilleries, taken from Pont Neuf

1711. A View of Pont Neuf, the Mint, etc.

1712. View of the Gate of St. Denis taken from the Suburbs

1713. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of Four Nations

1714. Edgar's Tower at Worcester

1715. Covent Garden Market

1716. St. Paul's Cathedral, from St. Martin's-le-Grand, London

1717. Bank of England, London

1718. London

1719. London

1720. London

1721. London

1722. Tarbert, Scotland

1723. View of Kingswear, from Dartmouth, Devon

1724. Pete

1725. Girl Next to Tombstone with Eyes Closed

1726. Woman Looking Over her Shoulder on Empty Street

1727. Woman Holding a Child's Face

1728. Boy with Glasses Pushing Carriage

1729. Whitby, Yorkshire

1730. Whitby, Yorkshire

1731. Whitby, Yorkshire

1732. The North

1733. St. Bride's, Fleet Street, London

1734. Ouse Bridge, York

1735. Ripon Minster, Yorkshire

1736. Sketch for the Eidometropolis: Panorama, Great Surrey Street and Christchurch, Southwark

1737. London from Highgate Hill

1738. Plaza Real and Procession

1739. Outposts of Britain: A Postman in the Pool of London

1740. The Alcazaba from the Mole, Malaga

1741. Seville

1742. Inverness

1743. On the Thames

1744. From London Bridge

1745. Saint Lo

1746. Suez

1747. View of Kom Ombo

1748. View of St. Peters, Rome

1749. A Trading Brig Preparing to Set Sail on the Thames, Warships Running Down the Estuary Beyond

1750. View of Tivoli

1751. Industrial Landscape

1752. Shepherd Market

1753. Edinburgh

1754. La Morgue Paris

1755. The Foundling Hospital

1756. A Prospect of St. James's Park

1757. A Perspective View of Whitehall

1758. A Perspective View of the Parade, in St. James's Park, Shewing the New Buildings for the Horse Guards, The Treasury, and the Admiralty Office; 1. St. Martin's Church, 2. Admiralty office, 3. Horse Guard, 4. Whitehall, 5. King's Gate, 6. Treasury

1759. A Perspective of ye Royal Palace of Somerset next ye River

1760. View of the New Trinity House on Tower Hill. Samuel Wyatt Esqr. Architect. The first Stone of this Noble Building was laid on the 12th of September 1793, by the Right Hon'ble William Pitt, First Lord of the Treasury and Master of this Corporation

1761. A North West View of the Tower of London

1762. A View of Westminster Bridge from Lambeth. 1. Westminster Abby. 2. St. Margaret's Church. 3. Westminster Hall. 4. St. Martin's Church

1763. The Prospect of ye Town of Dundee

1764. King's College, Cambridge, from Trinity

1765. Seaport Scene

1766. Como

1767. Boat with Cityscape and Cathedral in Background

1768. Isola Bella, Lago Maggiore

1769. Protest March to Chinese Embassy

1770. Protest March to Chinese Embassy

1771. Hymettos

1772. Beaugency

1773. Nantes

1774. Beaugency

1775. Tours