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701. King Charles's Statue, Whitehall

King Charles's Statue, Whitehall
Creator:
unknown artist
Date:
ca. 1815
Materials & Techniques:
Watercolor on medium, rough, beige wove paper
Dimensions:
Sheet: 5 3/8 x 9 inches (13.7 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

702. A Village Street

A Village Street
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 6 inches (15.2 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

703. Louth, Lincolnshire

Louth, Lincolnshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

704. Louth, Lincolnshire

Louth, Lincolnshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

705. Louth, Lincolnshire

Louth, Lincolnshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

706. Louth, Lincolnshire

Louth, Lincolnshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

707. Stamford, Lincolnshire

Stamford, Lincolnshire
Creator:
Print made by William Miller, 1796–1882
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

708. Stamford, Lincolnshire

Stamford, Lincolnshire
Creator:
Print made by William Miller, 1796–1882
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

709. Stamford, Lincolnshire

Stamford, Lincolnshire
Creator:
Print made by William Miller, 1796–1882
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

710. Bedford, Bedfordshire

Bedford, Bedfordshire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

711. Bedford, Bedfordshire

Bedford, Bedfordshire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1831
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

712. Plymouth, Devonshire

Plymouth, Devonshire
Creator:
Print made by William John Cooke, 1797–1865
Date:
1832
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

713. Margate, Kent

Margate, Kent
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Line engraving, with scraping out, touched with graphite (Engraver's Proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

714. Chatham, Kent

Chatham, Kent
Creator:
Print made by William Miller, 1796–1882
Date:
1832
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

715. Margate, Kent

Margate, Kent
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof, early
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

716. Margate, Kent

Margate, Kent
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

717. Tamworth Castle, Staffordshire

Tamworth Castle, Staffordshire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1832
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

718. Tamworth Castle, Staffordshire

Tamworth Castle, Staffordshire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1832
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

719. View of the City of San Cristoval de la Laguna as Seen from the Road to Las Mercedes

View of the City of San Cristoval de la Laguna as Seen from the Road to Las Mercedes
Creator:
Alfred Diston, active 1818–1829
Date:
1819
Materials & Techniques:
Pen and ink, watercolor on moderately thick, smooth beige wove paper
Dimensions:
Sheet: 10 5/8 × 14 3/8 inches (27 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

720. Coventry, Warwickshire

Coventry, Warwickshire
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof, touched with graphite
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

721. St. Paul's From the River

St. Paul's From the River
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 8 1/8 inches (12.7 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

722. Lago Maggiore

Lago Maggiore
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1828 to 1837
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

723. Lago Maggiore

Lago Maggiore
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1828-1837
Materials & Techniques:
Line engraving, first published state on medium, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 8 15/16 × 11 7/8 inches (22.7 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

724. Nantes

Nantes
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1828-1837
Materials & Techniques:
Line engraving, engraver's proof on moderateny thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

725. Saumur

Saumur
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 17 1/16 inches (30.5 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

726. Saumur

Saumur
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

727. Nantes

Nantes
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1828-1837
Materials & Techniques:
Line engraving, engraver's proof
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

728. St. Germain-en-Laye

St. Germain-en-Laye
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828-1837
Materials & Techniques:
Line engraving, engraver's proof on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

729. Ehrenbreitstein

Ehrenbreitstein
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

730. Destruction of Both Houses of Parliament

Destruction of Both Houses of Parliament
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 16 1/8 × 11 1/2 inches (41 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

731. Florence from the Chiesa al Monte

Florence from the Chiesa al Monte
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1831
Materials & Techniques:
Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 5/8 × 17 3/16 inches (29.5 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

732. Florence from the Chiesa al Monte

Florence from the Chiesa al Monte
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 1/16 × 15 inches (30.6 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

733. Honfleur

Honfleur
Creator:
Print made by John Cousen, 1804–1880
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

734. Calais

Calais
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1836
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

735. Lebanon from Tripoli

Lebanon from Tripoli
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

736. Nazareth

Nazareth
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

737. Bethlehem

Bethlehem
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

738. Jerusalem, with the Walls

Jerusalem, with the Walls
Creator:
Print made by William Finden, 1787–1852
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

739. Jerusalem from the Mount of Olives

Jerusalem from the Mount of Olives
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

740. Jerusalem, Pool of Bethesda

Jerusalem, Pool of Bethesda
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof (touched)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

741. Sidon

Sidon
Creator:
Print made by William Finden, 1787–1852
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

742. Jerusalem from the Latin Convent

Jerusalem from the Latin Convent
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

743. Rhodes

Rhodes
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

744. Summer Eve - The Rainbow

Summer Eve - The Rainbow
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

745. Prague - Kosciusko

Prague - Kosciusko
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

746. Heriot's Hospital

Heriot's Hospital
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1822
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 1/2 × 20 1/16 inches (34.3 × 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

747. Ehrenbreitstein (Vignette)

Ehrenbreitstein (Vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

748. Southampton and Northam from the River Itchen

Southampton and Northam from the River Itchen
Creator:
Jonathan Fisher, active 1763–1809
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 x 10 3/4 inches (17.5 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

749. Old London Bridge and St. Paul's Cathedral From the Thames

Old London Bridge and St. Paul's Cathedral From the Thames
Creator:
David Cox, 1783–1859
Date:
ca. 1808
Materials & Techniques:
Brown wash with scratching out on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 4 1/8 x 7 inches (10.5 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

750. The Church of St. Laurent

The Church of St. Laurent
Creator:
John Skinner Prout, 1806–1876
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink and white gouache on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 21 5/8 × 13 inches (54.9 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

751. Rome, Castle of St. Angelo (vignette)

Rome, Castle of St. Angelo (vignette)
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828 to 1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

752. Rome, Castle of St. Angelo (vignette)

Rome, Castle of St. Angelo (vignette)
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/8 × 12 1/8 inches (44.1 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

753. Venice (vignettes)

Venice (vignettes)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 18 × 12 inches (45.7 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

754. Florence (vignettes)

Florence (vignettes)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 5/8 inches (43.8 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

755. Florence (vignette)

Florence (vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving with graphite; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 9 5/8 inches (37.5 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

756. Venice (vignettes)

Venice (vignettes)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/2 × 11 7/8 inches (41.9 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

757. Venice (vignettes)

Venice (vignettes)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

758. Harwich, Essex

Harwich, Essex
Creator:
William Daniell, 1769–1837
Date:
ca. 1820
Materials & Techniques:
Brown wash, brown ink, and white chalk over graphite on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 6 3/8 x 9 1/2 inches (16.2 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

759. Nottingham, Nottinghamshire

Nottingham, Nottinghamshire
Creator:
Print made by William John Cooke, 1797–1865
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

760. Coventry, Warwickshire

Coventry, Warwickshire
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1833
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

761. Nottingham, Nottinghamshire

Nottingham, Nottinghamshire
Creator:
Print made by William John Cooke, 1797–1865
Date:
1833
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

762. Arundel Castle and Town, Sussex

Arundel Castle and Town, Sussex
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1834
Materials & Techniques:
Line engraving, with scraping out and touched with graphite (First Published State)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

763. Arundel Castle and Town, Sussex

Arundel Castle and Town, Sussex
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1834
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

764. Arundel Castle and Town, Sussex

Arundel Castle and Town, Sussex
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1834
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

765. Worcester, Worcestershire

Worcester, Worcestershire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof (completed)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

766. Lyme Regis

Lyme Regis
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1836
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

767. Harlech Castle, North Wales

Harlech Castle, North Wales
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1836
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

768. Crickieth Castle, North Wales

Crickieth Castle, North Wales
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1837
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

769. The Tower of London

The Tower of London
Creator:
Print made by William Miller, 1796–1882
Date:
1831
Materials & Techniques:
Line engraving, first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 5/16 × 14 15/16 inches (28.7 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

770. Ehrenbreitstein

Ehrenbreitstein
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 13/16 × 17 3/16 inches (30 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

771. Nantes

Nantes
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1828-1837
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 3/8 × 16 7/8 inches (31.4 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

772. Nantes

Nantes
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1828-1832
Materials & Techniques:
Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

773. St. Germain-en-Laye

St. Germain-en-Laye
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828-1837
Materials & Techniques:
Line engraving, engraver's proof (touched) on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 8 3/4 × 11 1/16 inches (22.2 × 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

774. Destruction of Both Houses of Parliament

Destruction of Both Houses of Parliament
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

775. Ehrenbreitstein

Ehrenbreitstein
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Line engraving, engraver's proof on moderatelythick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

776. Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.

Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 15 1/2 × 22 inches (39.4 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

777. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and line engraving with graphite; early engraver's proof, touched on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 × 27 1/8 inches (50.8 × 68.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

778. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and line engraving with graphite and white chalk; early engraver's proof, touched on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 3/4 × 25 1/2 inches (45.1 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

779. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 23 × 29 7/8 inches (58.4 × 75.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

780. The Custom House

The Custom House
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1827
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 5/16 inches (30.2 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

781. The Custom House

The Custom House
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1827
Materials & Techniques:
Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 5/8 inches (30.2 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

782. Cologne

Cologne
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching; engraver's proof, open etched state on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 19 3/4 × 27 1/4 inches (50.2 × 69.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

783. Tivoli, a Composition

Tivoli, a Composition
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching; open etched state (earlier than R.207 engraver's proof) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 23 3/8 × 34 7/8 inches (59.4 × 88.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

784. Tivoli, a Composition

Tivoli, a Composition
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 24 1/2 × 33 7/8 inches (62.2 × 86 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

785. View of Rochester

View of Rochester
Creator:
Thomas Girtin, 1775–1802
Date:
1791
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/4 × 7 1/2 inches (13.3 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

786. Rochester, Kent: from the North

Rochester, Kent: from the North
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1790
Materials & Techniques:
Watercolor with pen and black ink over graphite on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 17 5/16 x 23 inches (44 x 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

787. Covent Garden Market

Covent Garden Market
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1795 and 1810
Materials & Techniques:
Watercolor with pen and red-brown and brown ink, and graphite, with pen and gray line and gray wash on border; verso: watercolor blots and pen and ink lines on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/16 x 9 9/16 inches (15.7 x 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

788. Dr Syntax outside the Halfway House

Dr Syntax outside the Halfway House
Creator:
Thomas Rowlandson, 1756–1827
Date:
1821
Materials & Techniques:
Watercolor and graphite with pen and brown ink and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/8 x 6 3/4 inches (10.5 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

789. View of the Seine

View of the Seine
Creator:
Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 × 21 inches (21.6 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

790. View of Arundel, Sussex

View of Arundel, Sussex
Creator:
Bernard Lens III, 1682–1740
Date:
ca. 1720
Materials & Techniques:
Gray wash and graphite on three joined sheets of medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 37 inches (40.6 × 94 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

791. A View of Susa, Italy, from the West

A View of Susa, Italy, from the West
Creator:
John Ruskin, 1819–1900
Date:
1858
Materials & Techniques:
Watercolor, gouache, graphite and pen and black ink on thick, smooth, brown wove paper
Dimensions:
Sheet: 11 1/2 x 14 5/8 inches (29.2 x 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

792. Rodes Near Prades

Rodes Near Prades
Creator:
John Piper, 1903–1992
Date:
1958
Materials & Techniques:
Watercolor, sharpie and acrylic on very thick, smooth, cream card
Dimensions:
Sheet: 14 1/4 x 21 1/4 inches (36.2 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Libra Foundation, from the family of Nicholas and Susan Pritzker

793. La Morgue Paris

La Morgue Paris
Creator:
Print made by Charles Meryon, 1821–1868
Date:
1854
Materials & Techniques:
Etching on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 x 9 3/8 inches (27.3 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

794. Industrial Landscape

Industrial Landscape
Creator:
Print made by Thomas Austen Brown, 1857–1924
Date:
undated
Materials & Techniques:
Color woodblock print on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 6 5/8 x 8 1/8 inches (16.8 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Daniel and Pearl K. Bell

795. Shepherd Market

Shepherd Market
Creator:
Charles Ginner, 1878–1952
Date:
undated
Materials & Techniques:
Pen and black ink and watercolor on parchment
Dimensions:
Sheet: 18 3/4 x 13 1/4 inches (47.6 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

796. Place des Victoires, Paris

Place des Victoires, Paris
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1783
Materials & Techniques:
Watercolor in pen and black ink over graphite on medium, moderately textured, cream antique laid paper
Dimensions:
Sheet: 13 3/4 x 21 inches (34.9 x 53.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

797. Edinburgh

Edinburgh
Creator:
Fred Taylor, 1875–1963
Date:
undated
Materials & Techniques:
Lithograph on medium, slightly textured, beige wove paper mounted on linen
Dimensions:
Sheet: 39 5/8 x 24 3/4 inches (100.6 x 62.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

798. Porta S. Giovanni, Rome

Porta S. Giovanni, Rome
Creator:
William Leighton Leitch, 1804–1883
Date:
1837
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 18in. (22.9 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

799. Customs House at Boulogne

Customs House at Boulogne
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790s
Materials & Techniques:
Watercolor with pen and gray and black ink over graphite; verso: graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 x 11 9/16 inches (20.3 x 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

800. Castletown Harbour, Isle of Man

Castletown Harbour, Isle of Man
Creator:
William Leighton Leitch, 1804–1883
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 15/16 x 11 15/16in. (20.2 x 30.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection