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Genre figure study

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Height [cm] 57

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Two Figures
Creator:
Dame Barbara Hepworth, 1903–1975
Date:
1951
Materials & Techniques:
Oil and pencil on panel
Dimensions:
Frame: 22 1/2 × 27 inches (57.2 × 68.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Oliver Radford, Yale BA 1982, in honor of his parents Roger and Jennifer Radford
On View:
Not on view
Fowl, Lateral View with Most Feathers Removed (Finished Study for Table X)
Creator:
George Stubbs, 1724–1806
Date:
between 1795 and 1806
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper, with a strip of same wove paper joined to bottom edge
Dimensions:
Sheet: 22 1/4 x 16 inches (56.5 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate 10
Creator:
Adrian Wisniewski, Born 1958
Date:
1991
Materials & Techniques:
Etching, aquatint, sugar-lift, and spitbite on 350gsm Zerkall white wove paper
Dimensions:
Sheet: 22 1/2 x 21 1/4in. (57.2 x 54cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Booth-Clibborn

4. Plate 8

Plate 8
Creator:
Adrian Wisniewski, Born 1958
Date:
1991
Materials & Techniques:
Etching, aquatint, and stop-out on 350gsm Zerkall white wove paper
Dimensions:
Sheet: 22 1/2 x 21 1/4in. (57.2 x 54cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Booth-Clibborn
The Milk Maid
Creator:
Print made by Charles Turner, 1774–1857
Date:
1801
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 26 1/8 × 18 1/16 inches (66.4 × 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Study of an Antique Head
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Black chalk and white chalk on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 22 1/4 × 17 1/2 inches (56.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund