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The Meadow
Creator:
Thomas Stothard, 1755–1834
Date:
ca. 1820
Materials & Techniques:
Oil on panel
Dimensions:
7 x 5 inches (17.8 x 12.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Eagles are Attracted by Disaster
Creator:
Steven Campbell, 1953–2007
Date:
1983
Materials & Techniques:
Oil on canvas
Dimensions:
111 x 108 inches (281.9 x 274.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Bequest of William S. Lieberman, transfer from the Harvard Art Museums
On View:
Not on view
Game Keeper and Boy Ferreting a Rabbit
Creator:
John Frederick Lewis, 1804–1876
Date:
ca. 1828
Materials & Techniques:
Watercolor, pen and brown ink, and graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 7 5/8 inches (26.7 x 19.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance
Creator:
John Frederick Lewis, 1804–1876
Date:
1856
Materials & Techniques:
Watercolor, gouache and graphite on slightly textured, beige wove paper mounted on board
Dimensions:
Sheet: 26 1/4 x 53 1/2 inches (66.7 x 135.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Maid in Rural Happiness
Creator:
Print made by Pieter van Bleeck, 1700–1764
Date:
1757
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/16 x 13 1/4 inches (29.1 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6. Rabbits

Rabbits
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 9/16 x 6 7/8 inches (14.1 x 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection