Genre: genre subject / Work Type: intaglio print / Subject Terms: landscape

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881

The Herdsman's Cottage

1850

Print made by Samuel Palmer, 1805–1881

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881

The Morning of Life

1860-1861

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881

Opening the Fold

1880

George Stubbs, 1724–1806

The Farmer's Wife and the Raven

1788

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

etching begun before 1861; impression printed in 1926

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881

The Skylark

1850

Print made by Samuel Palmer, 1805–1881

The Skylark

1850

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881

The Skylark

1850

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

1874

Etched by Joseph Mallord William Turner, 1775–1851

The Hindoo Worshipper

1811

Etched by Joseph Mallord William Turner, 1775–1851

The Straw Yard

1808

Etched by Joseph Mallord William Turner, 1775–1851

The Woman and Tambourine

1807

Etched by Joseph Mallord William Turner, 1775–1851

Young Anglers

1811

Etched by Joseph Mallord William Turner, 1775–1851

The Hindoo Worshipper

1811

Etched by Joseph Mallord William Turner, 1775–1851

The Woman and Tambourine

1807

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by John Browne, 1741–1801

After Sun-Set

ca. 1797

Print made by John Browne, 1741–1801

Evening

ca. 1797

Print made by John Browne, 1741–1801

Evening

ca. 1797

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by Agostino Brunias, 1728–1796

The West India Washer-Women

1779

Print made by James Bretherton, ca. 1730–1806

Inimitable Mr. James Moss

1773

Print made by John Browne, 1741–1801

Morning

ca. 1797

Print made by James Bretherton, ca. 1730–1806

Man with a Walking Stick in a Landscape

1773

Print made by John Crome, 1768–1821

Front of the New Mills

1813

Print made by John Crome, 1768–1821

Back of the New Mills, Norwich

1812

Print made by Thomas Creswick, 1811–1869

The Blacksmith's Shop

1838

Print made by Thomas Gainsborough, 1727–1788

Wooded Landscape with Herdsman and Cows

1797

Print made by Thomas Gainsborough, 1727–1788

Wooded Landscape with Herdsman and Cows

between 1785 and 1788

Print made by Paul Angier, active 1749

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

1749

Print made by Sir Muirhead Bone, 1876–1953

La Lanterna, Genova

1912

Print made by Sir Muirhead Bone, 1876–1953

Walberswick Ferry

1913

Print made by Charles William Cain, 1893–1962

Loading Dates

undated

Print made by Robert Sargent Austin, 1895–1973

Early Spring, Gloucestershire

1922

Print made by William Angus, 1752–1821

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

William Payne, active 1850s

On the River Wye, Monmouthshire

Print made by Jean B. C. Chatelain, 1710–1771

Classical Landscape with Travellers, a Dog and House on the left

1741

Myles Birket Foster, 1825–1899

An Old English Mill

undated

Print made by Francesco Bartolozzi, 1728–1815

Evening

undated

Print made by David Allan, 1744–1796

Peggy Advocates a Sweetheart

1808

Print made by Francesco Bartolozzi, 1728–1815

Noon

undated

Print made by James McBey, 1883–1959

A Flood in the Fens

1922

Jean B. C. Chatelain, 1710–1771

View with a Cart and Figures in a Wooded Landscape

undated

Print made by William Finden, 1787–1852

The Great Temple, Hurdwar

ca. 1840

Print made by J. Sands, active ca. 1840

Entrance to the Valley of the Dhoon

1840

Print made by George Presbury, active 1840

Runjeet Singh and His Suwarree, or Cavalcade of Seiks

1837

Print made by unknown artist

Fort George, Madras

ca. 1860

Print made by Edward J. Portbury, 1795–1885

The Hindoo Mother

1858

Print made by unknown artist

Hunting Scene in India

undated

Print made by David Allan, 1744–1796

Patie and Peggy

1808

Print made by Sir David Young Cameron, 1865–1945

Dunvalanree

1910

Print made by unknown artist

A View of the Salfatara, a Remarkable Mountain Near Naples

undated

Print made by Charles William Cain, 1893–1962

The Highland Ferry, Scotland

undated

Print made by Paul Angier, active 1749

A View of Paris

Print made by David Allan, 1744–1796

Peggy and Patie

1808

Print formerly attributed to Thomas Girtin, 1775–1802

Cottage and Two Cows Being Milked

1805

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745