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The Rising Moon
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1857
Materials & Techniques:
Etching and drypoint, with plate tone on thick, slightly textured, beige wove paper with beige chine collé
Dimensions:
Sheet: 9 x 12 3/16 inches (22.8 x 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A London Riot
Creator:
Charles Reuben Ryley, 1752–1798
Date:
undated
Materials & Techniques:
Pen and black ink and wash over graphite on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 4 13/16 × 12 inches (12.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Primitive City
Creator:
Frederick Henry Evans, 1853–1943
Date:
1925
Materials & Techniques:
Platinum print on moderately thick, slightly textured, cream wove paper mounted in gray folio
Dimensions:
Sheet: 6 1/8 × 8 1/4 inches (15.6 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Hans P. Kraus, Jr.
Sheep of this Pasture
Creator:
Frederick Henry Evans, 1853–1943
Date:
1925
Materials & Techniques:
Platinum print on moderately thick, slightly textured, cream wove paper mounted in gray folio
Dimensions:
Sheet: 4 5/8 × 7 1/4 inches (11.7 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Hans P. Kraus, Jr.
Hospice of the Great St. Bernard, Number 11 (The Dead House) (vignette)
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1830
Materials & Techniques:
Etching; open etching on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/8 × 12 1/8 inches (43.5 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Green Park
Creator:
Charles Heath, 1785–1848
Date:
1825
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:
Sheet: 9 13/16 x 12 1/8 inches (25 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection