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1. Interior of a Stable

Interior of a Stable
Creator:
James Ward, 1769–1859
Date:
between 1830 and 1840
Materials & Techniques:
Oil on panel
Dimensions:
5 5/8 x 8 1/2 inches (14.3 x 21.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Penzance, Cornwall

Penzance, Cornwall
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:
Plate: 5 11/16 x 9 inches (14.5 x 22.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Yarmouth, Norfolk

Yarmouth, Norfolk
Creator:
Edward Francis Finden, 1791–1857
Date:
1837
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/8 × 8 3/4 inches (28.3 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. On the Banks of the Thames

On the Banks of the Thames
Creator:
Arthur Evershed, 1836–1919
Date:
1876
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 7 1/16 x 10 13/16 inches (17.9 x 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

5. Lammas

Lammas
Creator:
Print made by Graham Vivian Sutherland, 1903–1980
Date:
1926
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/4 x 8 5/8 inches (15.9 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

6. Railway Office, Liverpool

Railway Office, Liverpool
Creator:
Isaac Shaw, active 1830
Date:
ca. 1830
Materials & Techniques:
Brown wash, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/16 × 8 5/8 inches (15.4 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. View on the Liverpool and Manchester Railway with the Locomotive "Twin Sisters" in a Siding

View on the Liverpool and Manchester Railway with the Locomotive "Twin Sisters" in a Siding
Creator:
Isaac Shaw, active 1830
Date:
ca. 1830
Materials & Techniques:
Brown wash, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/8 × 8 11/16 inches (15.6 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Studies of Haymakers

Studies of Haymakers
Creator:
Robert Hills, 1769–1844
Date:
ca. 1807
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 8 3/4 inches (29.8 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Farm Laborers and Other Studies

Farm Laborers and Other Studies
Creator:
Robert Hills, 1769–1844
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 8 1/2 inches (29.8 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Harbour Scene

Harbour Scene
Creator:
Print made by Charles Golding Constable, 1821–1879
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige card
Dimensions:
Sheet: 6 x 8 11/16 inches (15.3 x 22 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Professor Giles Constable

11. The Main Rigging

No cover image available
Creator:
Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:
1928
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 x 11 1/8 inches (39.7 x 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund