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The Damnation of Obadiah
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1773
Materials & Techniques:
Etching on moderately thick, rough, cream laid paper
Dimensions:
Sheet: 12 1/16 x 15 11/16 inches (30.6 x 39.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Monstrosities of 1822 - Pt. 5
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1835
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 11/16 x 16 5/16 inches (27.2 x 41.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Washing the Blackamoor
Creator:
Print made by Isaac Cruikshank, 1764–1811
Date:
1795
Materials & Techniques:
Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 3/4 x 15 inches (27.3 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1835
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 7/16 x 16 1/8 inches (29 x 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Slumbers of Ragotin Interrupted
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1773
Materials & Techniques:
Etching on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 10 11/16 x 15 1/8 inches (27.1 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
William Heath, 1795–1840
Date:
undated
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/8 x 17 inches (28.3 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul and Anita Turner