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101. A Project for the Monument of the Apotheosis of Nelson

A Project for the Monument of the Apotheosis of Nelson
Creator:
Benjamin West, 1738–1820
Date:
1806
Materials & Techniques:
Pen and brown ink; verso: graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 23 3/4 × 12 1/2 inches (60.3 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. The Governor-General's and Commander-in-Chief's Camp at Jalandhar, 1 Febuary 1860

The Governor-General's and Commander-in-Chief's Camp at Jalandhar, 1 Febuary 1860
Creator:
William Simpson, 1823–1899
Date:
ca. 1860
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 9 7/8 x 13 7/8 inches (25.1 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. Elephant Battery

Elephant Battery
Creator:
William Simpson, 1823–1899
Date:
1864
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 x 14 1/4 inches (27 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. Homage to Nelson

Homage to Nelson
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 11 1/2 inches (22.9 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. A Scene from Roman History

A Scene from Roman History
Creator:
circle of Benjamin West, 1738–1820
Date:
undated
Materials & Techniques:
Gray wash, black ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 13 1/16 x 8 15/16 inches (33.2 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Anne W. and David T. Mininberg, Yale BA 1957

106. Map of Raleigh's Virginia: The East Coast of North America from Cape Lookout to Chesapeake Bay, after original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 111 A]

Map of Raleigh's Virginia: The East Coast of North America from Cape Lookout to Chesapeake Bay, after original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 111 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, in pen, with brown ink, graphite and gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 17 15/16 × 8 15/16 inches (45.6 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

107. Map of North America from Florida to Chesapeake Bay, after the original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 110]

Map of North America from Florida to Chesapeake Bay, after the original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 110]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor over graphite, pen and brown ink, and gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/4 × 17 11/16 inches (36.2 × 44.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. Village of Pomeiooc, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 34 A]

Village of Pomeiooc, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 34 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, with pen in brown ink and black ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 1/2 × 8 1/4 inches (21.6 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. Village of Secoton, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 38 A]

Village of Secoton, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 38 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, with pen in black ink, over graphite, with gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/2 × 7 9/16 inches (31.8 × 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. Indian Charnel House, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 41 A]

Indian Charnel House, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 41 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, with pen, in black ink and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/8 × 8 15/16 inches (32.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. Indians Dancing Around a Circle of Posts, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 42 A]

Indians Dancing Around a Circle of Posts, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 42 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, and gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 11/16 × 13 5/8 inches (27.1 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. Group of Indians Roud a Fire, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 43 A]

Group of Indians Roud a Fire, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 43 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor, with pen in brown ink, over graphite, with gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 7 5/8 inches (21.3 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. The Earthquake Scare in Piccadilly

The Earthquake Scare in Piccadilly
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
1750
Materials & Techniques:
Pen and brown ink, graphite, and brown wash on medium, moderately textured, cream laid paper
Dimensions:
Mount: 10 5/8 × 16 1/2 inches (27 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. Royal Review at Windsor - Queen Victoria and Khedive Ismail Pashe of Egypt, June 26th, 1868

Royal Review at Windsor - Queen Victoria and Khedive Ismail Pashe of Egypt, June 26th, 1868
Creator:
George Bryant Campion, 1796–1870
Date:
undated
Materials & Techniques:
Watercolor, gouache and black chalk on thick, moderately textured, brown wove paper
Dimensions:
Sheet: 20 1/16 × 29 7/8 inches (51 × 75.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas

The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas
Creator:
Charles Claude Pyne, 1802–1878
Date:
1872
Materials & Techniques:
Watercolor, gouache, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 10 5/16 inches (11.7 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. Views in the Levant: Death of Wolfe, Study of a Gem

Views in the Levant: Death of Wolfe, Study of a Gem
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on moderately thick, smooth, cream wove paper,
Dimensions:
Sheet: 8 13/16 × 6 13/16 inches (22.4 × 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

117. Figures with a Bull From Parthenon Frieze

Figures with a Bull From Parthenon Frieze
Creator:
William Pars, 1742–1782
Date:
undated
Materials & Techniques:
Graphite and pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/8 x 10 1/16 inches (19.4 x 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. Sketch of a Horseman, From the Parthenon Frieze

Sketch of a Horseman, From the Parthenon Frieze
Creator:
William Pars, 1742–1782
Date:
undated
Materials & Techniques:
Pen and gray ink, gray wash, and graphite on medium, slightly textured, beige wove paper, mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/2 x 10 1/8 inches (19.1 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. The Triumph of Music

The Triumph of Music
Creator:
Walter Crane, 1845–1915
Date:
ca. 1876
Materials & Techniques:
Pen and brown ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 5/8 x 14 5/8 inches (27 x 37.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

120. Greek Warrior with the Visor of his Helmet Drawn over his Face

Greek Warrior with the Visor of his Helmet Drawn over his Face
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and pen and ink
Dimensions:
Sheet: 7 3/8 x 4 1/4in. (18.7 x 10.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. Mary, Queen of Scots

Mary, Queen of Scots
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 x 18 3/8 inches (25.7 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. Bonaparte's Column in Scafolding at Boulogne, France, with Harvesters in a Field

Bonaparte's Column in Scafolding at Boulogne, France, with Harvesters in a Field
Creator:
Thomas Hosmer Shepherd, 1792–1864
Date:
1818
Materials & Techniques:
Watercolor and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 12 1/8 inches (21.6 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. James II Receiving the Mathematical Scholars of Christ's Hospital

James II Receiving the Mathematical Scholars of Christ's Hospital
Creator:
Studio of Antonio Verrio, ca. 1639–1707
Date:
undated
Materials & Techniques:
Gouache, watercolor, and graphite on moderately thick, slightly textured, cream laid paper mounted on canvas and nailed to wooden strainer
Dimensions:
Sheet: 18 1/16 × 92 3/4 inches (45.9 × 235.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. No.1 A Table of Hieroglyphics found at Axum

No.1 A Table of Hieroglyphics found at Axum
Creator:
James Bruce, 1730–1794
Date:
1771
Materials & Techniques:
Gray wash on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 1/2 × 10 1/2 inches (34.3 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. No. 2. A. Table of Hieroglyphics found at Axum

No. 2. A. Table of Hieroglyphics found at Axum
Creator:
James Bruce, 1730–1794
Date:
1771
Materials & Techniques:
Pen and brown ink and black wash on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 3/4 × 8 7/8 inches (27.3 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. Tomb of Gregory Lovell and his Wife Anne, Harlington Church

Tomb of Gregory Lovell and his Wife Anne, Harlington Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. Brass Plate for Mrs. Hale, Daughter of Porter, Walthamstow Church

Brass Plate for Mrs. Hale, Daughter of Porter, Walthamstow Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Graphite, watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/4 × 10 3/4 inches (34.9 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. Brass Plate Monument for John Stockton, West Wickham Church

Brass Plate Monument for John Stockton, West Wickham Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Graphite, watercolor, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 10 3/4 inches (35.9 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. Classical Composition

Classical Composition
Creator:
Gavin Hamilton, 1723–1798
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/4 × 15 1/2 inches (31.1 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

130. A Dramatic Scene with Three Women in an Interior

A Dramatic Scene with Three Women in an Interior
Creator:
William Hamilton, 1751–1801
Date:
1794
Materials & Techniques:
Watercolor, gray wash, pen and black ink, pen and blue ink, black chalk, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 5/8 × 13 5/8 inches (24.4 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

131. Leander Taking Leave of Hero Before Swimming Back Across the Hellespont

Leander Taking Leave of Hero Before Swimming Back Across the Hellespont
Creator:
Attributed to William Hamilton, 1751–1801
Date:
undated
Materials & Techniques:
Watercolor, gray wash, pen and brown ink, red chalk, graphite, with scraping out on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/8 × 10 5/8 inches (35.9 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

132. Queen Katherine's Dream

Queen Katherine's Dream
Creator:
George Henry Harlow, 1787–1819
Date:
1807
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 × 9 7/8 inches (34.6 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

133. The Banishment of Aristides

The Banishment of Aristides
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 7 5/8 inches (20 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. Messengers Before an Emperor

Messengers Before an Emperor
Creator:
Francis Hayman, 1707/8–1776
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 × 3 1/8 inches (12.7 × 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. Falstaff Inspecting the Recruits

Falstaff Inspecting the Recruits
Creator:
Francis Hayman, 1707/8–1776
Date:
between 1761 and 1765
Materials & Techniques:
Black chalk, gouache, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 7 3/8 × 9 5/8 inches (18.8 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

136. Banditti of Kurdistan Assisting Georgians in Surprising and Carrying off Circassian Women

Banditti of Kurdistan Assisting Georgians in Surprising and Carrying off Circassian Women
Creator:
Sir George Hayter, 1792–1871
Date:
1827
Materials & Techniques:
Graphite and brown wash, squared and numbered for transfer on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 22 1/2 × 32 5/8 inches (57.2 × 82.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

137. An Episode at the Battle of Waterloo

An Episode at the Battle of Waterloo
Creator:
William Heath, 1795–1840
Date:
1817
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 9 1/4 inches (18.1 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. The Seven Bishops Going To Trial

The Seven Bishops Going To Trial
Creator:
Richard Westall, 1765–1836
Date:
1790
Materials & Techniques:
Watercolor with gouache and black, brown, and gray ink on moderately thick, slightly textured, cream card
Dimensions:
Sheet: 13 1/2 x 18 3/8 inches (34.3 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

139. Study for the Proclamation of Don Carlos

Study for the Proclamation of Don Carlos
Creator:
John Frederick Lewis, 1804–1876
Date:
between 1834 and 1838
Materials & Techniques:
Watercolor, gouache, black chalk and graphite with scratching out on medium, slightly textured, beige wove paper mounted on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/2 x 10 3/8 inches (44.5 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

140. Mary, Queen of Scots, Embarking

Mary, Queen of Scots, Embarking
Creator:
William Lock II, 1767–1847
Date:
between 1785 and 1790
Materials & Techniques:
Pen and brown ink and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/8 x 17 3/4 inches (30.8 x 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. Fall of a City

Fall of a City
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. The Funeral of the Duke of Wellington

The Funeral of the Duke of Wellington
Creator:
Sir John Everett Millais, 1829–1896
Date:
1852
Materials & Techniques:
Pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 14 inches (25.4 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

143. Britannia in Distress

Britannia in Distress
Creator:
Anthony Walker, 1726–1765
Date:
1756
Materials & Techniques:
Pen and gray ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 5/8 × 8 1/2 inches (32.1 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. Interior of the Brandenburg House Theatre, Hammersmith

Interior of the Brandenburg House Theatre, Hammersmith
Creator:
Henry Wigstead, ca. 1745–ca. 1800
Date:
ca. 1792
Materials & Techniques:
Gray wash and graphite with pen and black on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 13 1/2 inches (22.9 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. The Royal Rush Light

The Royal Rush Light
Creator:
George Moutard Woodward, ca. 1760–1809
Date:
1798
Materials & Techniques:
Watercolor, pen and ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 13 3/8 inches (40 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

146. Workmen at Refreshment (Banditti?)

Workmen at Refreshment (Banditti?)
Creator:
Mather Brown, 1761–1831
Date:
1819
Materials & Techniques:
Pen and brown ink, brown wash, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 5/8 × 11 1/4 inches (19.4 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

147. Bruce at the Source of the Blue Nile

Bruce at the Source of the Blue Nile
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 × 9 inches (17.8 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

148. The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo

The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo
Creator:
John Augustus Atkinson, 1775–1831
Date:
1815
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 11 inches (19.1 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. Design for Commemorative Medallion for Simon Bolivar

Design for Commemorative Medallion for Simon Bolivar
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 × 3 1/2 inches (9.2 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

150. Margaret Nicholson Attempting to Assassinate His Majesty, George III, at the Garden Entrance of St. James's Palace, 2nd August 1786

Margaret Nicholson Attempting to Assassinate His Majesty, George III, at the Garden Entrance of St. James's Palace, 2nd August 1786
Creator:
Robert Dighton, 1752–1814
Date:
1786
Materials & Techniques:
Watercolor, pen and black ink, graphite, and gouache on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 7/8 x 10 1/8 inches (32.7 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. Troops Returning to the Camp at Chobham

Troops Returning to the Camp at Chobham
Creator:
George Bryant Campion, 1796–1870
Date:
undated
Materials & Techniques:
Watercolor and gouache on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/2 × 27 1/2 inches (24.1 × 69.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. Grand Field Day at Chobham Camp

Grand Field Day at Chobham Camp
Creator:
George Bryant Campion, 1796–1870
Date:
undated
Materials & Techniques:
Watercolor and gouache on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/2 × 27 1/2 inches (24.1 × 69.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

153. Dante in Meditation Holding a Pomegranate

Dante in Meditation Holding a Pomegranate
Creator:
Dante Gabriel Rossetti, 1828–1882
Date:
ca. 1852
Materials & Techniques:
Pen and black ink and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 × 7 7/8 inches (22.9 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

154. Pirates

Pirates
Creator:
John Massey Wright, 1777–1866
Date:
undated
Materials & Techniques:
Watercolor with graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 11 5/8 inches (24.1 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

155. The Spoiled Child, Scene VI

The Spoiled Child, Scene VI
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 19 5/8 inches (38.1 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

156. Sebastopol, Sketched From The Deck of H. M. S. Sidon, Feb. 1855

Sebastopol, Sketched From The Deck of H. M. S. Sidon, Feb. 1855
Creator:
William Simpson, 1823–1899
Date:
1855
Materials & Techniques:
Watercolor and gouache over graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 x 20 5/8 inches (33 x 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

157. Newgate Prison, the Fire of London

Newgate Prison, the Fire of London
Creator:
Thomas Wyck, 1616–1677
Date:
undated
Materials & Techniques:
Black ink with gray wash and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 3/4 × 5 1/4 inches (9.5 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. The House of Commons

The House of Commons
Creator:
Sir James Thornhill, 1675–1734
Date:
after 1731
Materials & Techniques:
Pen and brown ink and brown wash with graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 x 6 1/2 inches (31.8 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. The Sermon on the Mount

The Sermon on the Mount
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Pen and brown ink, and gray wash on thick, rough, beige laid paper
Dimensions:
Sheet: 16 1/8 x 12 inches (41 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

160. Prince Rasselas and His Sister Conversing in Their Summer Palace on the Banks of the Nile

Prince Rasselas and His Sister Conversing in Their Summer Palace on the Banks of the Nile
Creator:
Samuel Shelley, 1750–1808
Date:
1804
Materials & Techniques:
Watercolor, gouache, graphite and white chalk on moderately thick, slightly textured, beige wove paper, mounted to moderately thick, smooth cream card
Dimensions:
Sheet: 21 7/8 × 15 1/4 inches (55.6 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. Caricature of the Introduction of the Duke of Württemberg (afterwards King Frederick I) to George III and Queen Charlotte previous to his Marriage with Charlotte, Princess Royal of England

Caricature of the Introduction of the Duke of Württemberg (afterwards King Frederick I) to George III and Queen Charlotte previous to his Marriage with Charlotte, Princess Royal of England
Creator:
Anthony Pasquin, 1763–1818
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 8 3/4 inches (18.7 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. Preparatory Study for the decoration "Equestrian Portrait of George I"

Preparatory Study for the decoration "Equestrian Portrait of George I"
Creator:
John Vanderbank, 1694–1739
Date:
undated
Materials & Techniques:
Graphite with brown wash and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/8 × 12 3/8 inches (28.3 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. Classical Composition

Classical Composition
Creator:
Gavin Hamilton, 1723–1798
Date:
undated
Materials & Techniques:
Pen and brown ink and brown wash on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 13 1/8 × 17 5/8 inches (33.3 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

164. Scarborough: Shipwreck at the Foot of the Castle Cliff

Scarborough: Shipwreck at the Foot of the Castle Cliff
Creator:
Francis Nicholson, 1753–1844
Date:
ca. 1808
Materials & Techniques:
Watercolor and graphite with scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 13/16 x 16 1/2in. (30 x 41.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. Landing of William of Orange at Tor Bay

Landing of William of Orange at Tor Bay
Creator:
Peter Monamy, 1681–1749
Date:
1688
Materials & Techniques:
Gray wash, pen and black ink, and pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 3/8 x 14 3/8in. (23.8 x 36.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

166. St. Jerome in his Study

St. Jerome in his Study
Creator:
Alexander Marshal, active 1651–died 1682
Date:
1650
Materials & Techniques:
Gouache, watercolor, and graphite on vellum
Dimensions:
Sheet: 7 3/8 × 9 5/8 inches (18.7 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

167. Hypatia Teaching at Alexandria

Hypatia Teaching at Alexandria
Creator:
Robert Trewick Bone, 1790–1840
Date:
undated
Materials & Techniques:
Watercolor and brown ink on medium, moderately textured, cream wove paper mounted on medium, moderately textured, cream wove paper
Dimensions:
Mount: 13 3/4 × 19 13/16 inches (34.9 × 50.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

168. Flight of James II

Flight of James II
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
undated
Materials & Techniques:
Pen and gray ink, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 13 1/2 inches (21.3 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

169. The Satirist

The Satirist
Creator:
Samuel De Wilde, 1748–1832
Date:
1807
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 13 3/4 inches (17.8 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

170. Hercules Resting

Hercules Resting
Creator:
Ramsay Richard Reinagle, 1775–1862
Date:
undated
Materials & Techniques:
Black chalk with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 x 11 1/2in. (22.2 x 29.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

171. Drawing for "Retribution"

Drawing for "Retribution"
Creator:
Edward Armitage, 1817–1896
Date:
1857
Materials & Techniques:
Black chalk, white chalk, and graphite on thick, moderately textured, brown wove paper
Dimensions:
Sheet: 27 1/2 × 30 1/2 inches (69.9 × 77.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Paul Walter

172. The Prorogation of Parliament

The Prorogation of Parliament
Creator:
Frank O. Salisbury, 1874–1962
Date:
1920
Materials & Techniques:
Watercolor
Dimensions:
Image: 19 1/2 x 37 inches (49.5 x 94 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Paul Walter

173. The Coronation

The Coronation
Creator:
Frank O. Salisbury, 1874–1962
Date:
1920
Materials & Techniques:
Watercolor
Dimensions:
Image: 23 x 33 inches (58.4 x 83.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Paul Walter

174. The First Council

The First Council
Creator:
Frank O. Salisbury, 1874–1962
Date:
1920
Materials & Techniques:
Watercolor
Dimensions:
Image: 19 1/2 x 37 inches (49.5 x 94 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Paul Walter

175. The Lying in State

The Lying in State
Creator:
Frank O. Salisbury, 1874–1962
Date:
1920
Materials & Techniques:
Watercolor
Dimensions:
Image: 19 1/2 x 37 inches (49.5 x 94 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Paul Walter

176. The Jubilee Service

The Jubilee Service
Creator:
Frank O. Salisbury, 1874–1962
Date:
1920
Materials & Techniques:
Watercolor
Dimensions:
Image: 19 1/2 x 37 inches (49.5 x 94 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Paul Walter

177. The Destruction of Pompeii

The Destruction of Pompeii
Creator:
David Roberts, 1796–1864
Date:
undated
Materials & Techniques:
Watercolor and pastel on medium, slightly textured, cream wove paper mounted on card
Dimensions:
Sheet: 14 3/8 x 10 3/8 inches (36.5 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

178. Famine in India

Famine in India
Creator:
William Simpson, 1823–1899
Date:
1866
Materials & Techniques:
Brown wash and pen and brown ink on very thin, smooth cream wove paper
Dimensions:
Sheet: 9 9/16 × 13 7/16 inches (24.3 × 34.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

179. Design for a National Savings Birthday Card

Design for a National Savings Birthday Card
Creator:
Sir William Russell Flint, 1880–1969
Date:
between 1938 and 1945
Materials & Techniques:
Watercolor and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 × 14 1/2 inches (40.6 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

180. Plaza Real and Procession

Plaza Real and Procession
Creator:
David Roberts, 1796–1864
Date:
1835
Materials & Techniques:
Watercolor and gouache over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 x 15in. (26 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

181. The Church at Dixmude, West Flanders

The Church at Dixmude, West Flanders
Creator:
David Roberts, 1796–1864
Date:
ca. 1863
Materials & Techniques:
Watercolor and gouache over graphite, varnished on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 x 14 1/4in. (27.9 x 36.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

182. The Coronation

The Coronation
Creator:
Frank O. Salisbury, 1874–1962
Date:
1920
Materials & Techniques:
Watercolor
Dimensions:
Image: 19 1/2 x 37 inches (49.5 x 94 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Paul Walter

183. Queen Margaret of Anjou with the Prince, Her Son, Stripped of Her Regalia by Robbers in a Wood

Queen Margaret of Anjou with the Prince, Her Son, Stripped of Her Regalia by Robbers in a Wood
Creator:
Richard Cosway, 1742–1821
Date:
undated
Materials & Techniques:
Graphite, red chalk, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/8 x 6 1/8 inches (20.6 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. Stuart P. Feld

184. A Gathering at Fulham Palace

A Gathering at Fulham Palace
Creator:
George Richmond, 1809–1896
Date:
between 1843 and 1845
Materials & Techniques:
Iron gall ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 8 7/8 × 7 1/2 inches (22.5 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Richard J. Mammana Jr., Yale MAR 2012, in memory of Cynthia McFarland

185. Roman Chariot Drawn by Three Horses, with Charioteer and other Figures

Roman Chariot Drawn by Three Horses, with Charioteer and other Figures
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 1/2 × 15 7/8 inches (26.7 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

186. A London Riot

A London Riot
Creator:
Charles Reuben Ryley, 1752–1798
Date:
undated
Materials & Techniques:
Pen and black ink and wash over graphite on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 4 13/16 × 12 inches (12.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

187. Sketch for 'The Continence of Scipio'

Sketch for 'The Continence of Scipio'
Creator:
John Michael Rysbrack, 1694–1770
Date:
undated
Materials & Techniques:
Pen and brown ink and gray wash over graphite on medium, slightly textured, cream laid paper mounted on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 7 inches (13.3 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

188. Venus

Venus
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and pen and ink
Dimensions:
Sheet: 7 1/2 x 4 1/2in. (19.1 x 11.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

189. Ceres

Ceres
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and pen and ink
Dimensions:
Sheet: 7 1/2 x 4 1/4in. (19.1 x 10.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

190. Melpomene

Melpomene
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, graphite, and pen and ink
Dimensions:
Sheet: 7 5/16 x 4 3/8in. (18.6 x 11.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

191. Antinous as Osiris

Antinous as Osiris
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and pen and ink
Dimensions:
Sheet: 7 1/2 x 4 1/2in. (19.1 x 11.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

192. Antique Seat of White Marble, from the Original at Rome

Antique Seat of White Marble, from the Original at Rome
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Gray wash, pen and ink, and graphite on medium, slightly textured, white wove paper
Dimensions:
Sheet: 7 1/4 x 4 1/2 inches (18.4 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

193. Antinous as Aristaeus

Antinous as Aristaeus
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and pen and ink
Dimensions:
Sheet: 7 1/2 x 4 1/4in. (19.1 x 10.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

194. Venus

Venus
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and pen and ink
Dimensions:
Sheet: 7 3/8 x 4 1/2in. (18.7 x 11.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

195. Candelabrum

Candelabrum
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and pen and ink
Dimensions:
Sheet: 7 1/2 x 4 1/2in. (19.1 x 11.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

196. Trepied d'Apollon

Trepied d'Apollon
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and pen and ink
Dimensions:
Sheet: 7 3/8 x 4 1/2in. (18.7 x 11.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

197. Greek Philosopher

Greek Philosopher
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and pen and ink
Dimensions:
Sheet: 7 1/2 x 4 1/4in. (19.1 x 10.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

198. A Greek Warrior

A Greek Warrior
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and pen and ink
Dimensions:
Sheet: 7 1/4 x 4 3/8in. (18.4 x 11.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

199. Funeral Altar of Julia Secunda and Cornelia Tyché

Funeral Altar of Julia Secunda and Cornelia Tyché
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and pen and ink
Dimensions:
Sheet: 7 3/8 x 4 1/2in. (18.7 x 11.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

200. A Greek Woman Holding a Ball

A Greek Woman Holding a Ball
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and pen and ink
Dimensions:
Sheet: 7 1/4 x 4 1/2in. (18.4 x 11.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection