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1. The Rhine - Osterspey and Feltzen

The Rhine - Osterspey and Feltzen
Creator:
Print made by William Miller, 1796–1882
Date:
1838-1852
Materials & Techniques:
Etching and engraving; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/8 × 20 inches (38.4 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Rhine - Neuwied and Weissenthurm

The Rhine - Neuwied and Weissenthurm
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1838-1852
Materials & Techniques:
Etching and engraving with chine-collé; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 × 19 1/4 inches (38.1 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Rhine - Osterspey and Feltzen

The Rhine - Osterspey and Feltzen
Creator:
Print made by William Miller, 1796–1882
Date:
1838-1852
Materials & Techniques:
Etching and engraving with chine-collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 19 5/8 inches (37.5 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Holt

The Holt
Creator:
Print made by Richard Samuel Chattock, 1825–1906
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 20 1/2 x 15 7/16 inches (52.1 x 39.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

5. Folkestone Harbour and Coast to Dover

Folkestone Harbour and Coast to Dover
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1831
Materials & Techniques:
Etching and engraving with chine collé; third state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Plymouth, Devonshire

Plymouth, Devonshire
Creator:
Print made by William John Cooke, 1797–1865
Date:
1832
Materials & Techniques:
Etching and engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Stoneyhurst, Lancashire

Stoneyhurst, Lancashire
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1827-1838
Materials & Techniques:
Etching and engraving with chine-collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Bodiham Castle, Sussex

Bodiham Castle, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1817
Materials & Techniques:
Etching and engraving with chine collé; modern impression on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Vale of Heathfield, Sussex

Vale of Heathfield, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1818
Materials & Techniques:
Etching and engraving; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 × 20 5/8 inches (38.1 × 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. St. Agatha's Abbey, Easby

St. Agatha's Abbey, Easby
Creator:
Print made by John Le Keux, 1783–1846
Date:
1818-1823
Materials & Techniques:
Etching and engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 21 9/16 inches (38.1 × 54.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. A Large Tree in a Summer Landscape, a Horse Standing at the Base

A Large Tree in a Summer Landscape, a Horse Standing at the Base
Creator:
Lionel Constable, 1828–1887
Date:
undated
Materials & Techniques:
Watercolor, white gouache, graphite, and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 x 11 3/8 inches (37.8 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Forfecle

No cover image available
Creator:
George Percival Gaskell, 1868–1934
Date:
1868
Materials & Techniques:
Mezzotint and etching with chine collé on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 15 1/16 x 21 inches (38.3 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery