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1. View of the Clifton Suspension Bridge

View of the Clifton Suspension Bridge
Creator:
James Duffield Harding, 1798–1863
Date:
undated
Materials & Techniques:
Lithograph with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. View of the Ruins of Dioclesian's Baths

View of the Ruins of Dioclesian's Baths
Creator:
Richard Cooper the Elder, 1701–1764
Materials & Techniques:
Soft ground etching with aquatint
Dimensions:
Sheet: 15 3/4 x 21 3/8in. (40 x 54.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below
Creator:
James Clark, 19th century
Date:
1812
Materials & Techniques:
Hand colored aquatint with etching on moderately thick, smooth, brown wove paper
Dimensions:
Sheet: 15 7/8 x 17 1/16 inches (40.3 x 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. South East View of tLand-Guard Fort, in Suffolk

South East View of tLand-Guard Fort, in Suffolk
Creator:
Thomas Major, 1714–1799
Date:
1754
Materials & Techniques:
Line engraving on thick, rough, cream wove paper
Dimensions:
Sheet: 15 5/8 × 23 1/2 inches (39.7 × 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Iris

Iris
Creator:
Print made by Samuel Freeman, 1773–1857
Date:
1808
Materials & Techniques:
Colored aquatint on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 15 3/4 x 11 5/8 inches (40 x 29.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. A View from Richmond Hill Up the River

A View from Richmond Hill Up the River
Creator:
Charles Grignion, 1717–1810
Date:
1794
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 7/16 x 18 1/16 inches (31.6 x 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Caligula's Palace and Bridge, Bay of Baiæ

Caligula's Palace and Bridge, Bay of Baiæ
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1842
Materials & Techniques:
Etching and engraving; engraver's proof (a) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 26 1/8 × 36 3/8 inches (66.4 × 92.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Sportsman

The Sportsman
Creator:
Print made by John Browne, 1741–1801
Date:
1775
Materials & Techniques:
Etching, line engraving, and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 7/8 x 19 3/8 inches (40.4 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Oxford from North Hinksey

Oxford from North Hinksey
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1841
Materials & Techniques:
Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 22 × 30 1/8 inches (55.9 × 76.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Crossing the Brook

Crossing the Brook
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1838
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 22 1/2 × 17 1/4 inches (57.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Caligula's Palace and Bridge, Bay of Baiæ

Caligula's Palace and Bridge, Bay of Baiæ
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1842
Materials & Techniques:
Etching and engraving with chine collé; first published state on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 25 1/4 × 36 1/8 inches (64.1 × 91.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. An Elevated View of the New Docks & Warehouses now Constructing on the Isle of Dogs

An Elevated View of the New Docks & Warehouses now Constructing on the Isle of Dogs
Creator:
Print made by William Daniell, 1769–1837
Date:
1802
Materials & Techniques:
Etching and aquatint, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/2 × 32 3/4 inches (49.5 × 83.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Carnarvon Castle

Carnarvon Castle
Creator:
William Byrne, 1743–1805
Date:
1775
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 1/2 x 24 1/4 inches (44.5 x 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Snowden Hill

Snowden Hill
Creator:
William Woollett, 1735–1785
Date:
1775
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/4 x 21 3/8in. (40 x 54.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. A View of Hopping Mill, Ware

A View of Hopping Mill, Ware
Creator:
Francois Vivares, 1709–1780
Date:
1745
Materials & Techniques:
Colored engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 × 21 3/4 inches (39.5 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Wood on the Hilltop

The Wood on the Hilltop
Creator:
George Percival Gaskell, 1868–1934
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/4 x 10 5/8 inches (40 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

17. The Summit of Cader Idris Mountain

The Summit of Cader Idris Mountain
Creator:
Edward Rooker, 1724–1774
Date:
1775
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 5/8 x 24 inches (44.8 x 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Folkestone Harbour and Coast to Dover

Folkestone Harbour and Coast to Dover
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1831
Materials & Techniques:
Etching with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 9/16 × 21 9/16 inches (39.5 × 54.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Tivoli, a Composition

Tivoli, a Composition
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 27 × 29 1/4 inches (68.6 × 74.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Tivoli, a Composition

Tivoli, a Composition
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and engraving; first published state on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 24 1/2 × 33 7/8 inches (62.2 × 86 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. A View of Oxford from the Abingdon Road

A View of Oxford from the Abingdon Road
Creator:
Print made by John Pye, 1782–1874
Date:
1818
Materials & Techniques:
Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 23 1/8 × 34 7/8 inches (58.7 × 88.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Hylton Castle, County of Durham

Hylton Castle, County of Durham
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1816 to 1823
Materials & Techniques:
Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 21 3/4 inches (40 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Ivy Bridge, Devonshire

Ivy Bridge, Devonshire
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1816
Materials & Techniques:
Etching; engraver's proof, open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 22 3/4 inches (39.7 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1823
Materials & Techniques:
Etching and engraving, with graphite and chine collé; touched engraver's proof on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 9/16 × 20 1/8 inches (39.5 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Weathercote Cave when Half Filled with Water

Weathercote Cave when Half Filled with Water
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1821
Materials & Techniques:
Etching and engraving; engraver's proof (ab) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 13 7/16 inches (23.5 × 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance

View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. View of St. Cloud and Mt. Calvary taken from Pont de Seve

View of St. Cloud and Mt. Calvary taken from Pont de Seve
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Fall of the Leaf

Fall of the Leaf
Creator:
Print made by Sybil Andrews, 1898–1992
Date:
1934
Materials & Techniques:
Color linocut on thin, slightly textured, beige Asian paper
Dimensions:
Sheet: 15 3/4 x 11 15/16 inches (40 x 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

29. A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r

A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r
Creator:
Print made by James Mason, 1710–1783
Date:
1778
Materials & Techniques:
Line engraving on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 18 1/2 × 22 1/4 inches (47 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. A View in the Island of Jamaica, of Roaring River Estate, belonging to William Beckford Esq.r near Savannah la Marr

A View in the Island of Jamaica, of Roaring River Estate, belonging to William Beckford Esq.r near Savannah la Marr
Creator:
Print made by Thomas Vivares, c.1735–c.1790
Date:
1778
Materials & Techniques:
Line engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 18 1/2 x 22 1/4in. (47 x 56.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. A View of the East India Docks

A View of the East India Docks
Creator:
Print made by William Daniell, 1769–1837
Date:
1808
Materials & Techniques:
Etching and aquatint, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 3/4 × 32 7/8 inches (50.2 × 83.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Hastings

No cover image available
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1851
Materials & Techniques:
Etching; engraver's proof, open etched state on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 23 3/4 × 34 1/2 inches (60.3 × 87.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Hastings

No cover image available
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1851
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (a) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 26 1/4 × 36 5/8 inches (66.7 × 93 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Hastings

No cover image available
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1851
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 5/8 × 26 3/4 inches (52.4 × 67.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Childe Harold's Pilgrimage, Italy

No cover image available
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1861
Materials & Techniques:
Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/2 × 30 1/4 inches (52.1 × 76.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. The Bay of Baiæ, Apollo and the Sibyl

No cover image available
Creator:
Print made by Thomas Abiel Prior, 1809–1886
Date:
1873
Materials & Techniques:
Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 27 1/4 × 39 7/8 inches (69.2 × 101.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Mail Coach Behind Time

No cover image available
Creator:
Engraved by Henry Pyall, 1795–1833
Date:
1827
Materials & Techniques:
Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 13/16 x 20 3/16 inches (40.2 x 51.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. The Bird Cage

No cover image available
Creator:
Print made by John Dean, 1754–1798
Date:
1786
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 9/16 x 15 9/16 inches (52.2 x 39.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

39. Derwentwater from Ashness Bridge

No cover image available
Creator:
Reginald Green, active 1910–1955
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 9/16 x 10 9/16 inches (39.5 x 26.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

40. Thomas Bewick

No cover image available
Creator:
Print made by Frederick Bacon, 1803–1887
Date:
1852
Materials & Techniques:
Etching and stipple engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/2 x 15 3/16 inches (52.1 x 38.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection