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The Morning of Life
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1860-1861
Materials & Techniques:
Etching, engraving and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 10 7/8 inches (19 x 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Morning of Life
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1860-1861
Materials & Techniques:
Etching, engraving and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:
Sheet: 8 1/2 x 11 3/4 inches (21.6 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
No cover image available
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1860-1861
Materials & Techniques:
Etching, engraving and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 12 5/16 inches (22.6 x 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Peasants Resting
Creator:
George Morland, 1763–1804
Date:
1795
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 15/16 × 8 1/16 inches (15.1 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Italian sketchbook
Creator:
Richard Wilson, 1713/4–1782
Date:
1754
Materials & Techniques:
Graphite with white and black chalk on medium, rough, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 1/4 inches (28.3 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of part of Realesco de abasco from the road to la Cruz Santa
Creator:
Alfred Diston, active 1818–1829
Date:
1818
Materials & Techniques:
Pen and black ink, graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 8 1/8 inches (11.7 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Between Chiswick and Brentford
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1774
Materials & Techniques:
Watercolor with black ink over graphite on medium, smooth, cream laid paper
Dimensions:
Sheet: 8 3/8 x 11 1/8 inches (21.3 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cottage and Two Cows Being Milked
Creator:
Print formerly attributed to Thomas Girtin, 1775–1802
Date:
1805
Materials & Techniques:
Soft-ground etching with hand coloring on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 6 1/4 × 9 13/16 inches (15.8 × 25 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cottage near Newcastle, Northumberland
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1797
Materials & Techniques:
Watercolor, pen and brown ink and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 5/8 × 8 1/8 inches (11.7 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Towing Path
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
1864
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 x 9 13/16 inches (17.8 x 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. J. Dwight Dana
The Towing Path
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
1864
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/16 x 9 15/16 inches (18.5 x 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Miss Grace Tuttle in memory of her father Emerson Tuttle, Yale BA 1914, transfer from the Yale University Art Gallery
The Towing Path
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
1864
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 15/16 x 10 5/16 inches (20.1 x 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Hampton Court
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
1864
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 x 9 7/16 inches (17.4 x 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Stanley J. Halle, Yale BA 1912, in memory of His Parents Jacques S. and Hattie S. Halle, transfer from the Yale University Art Gallery
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
Creator:
Print made by James H. Baker, born 1829
Date:
between 1839 and 1849
Materials & Techniques:
Stipple engraving, line engraving, and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 3/8 inches (28.2 x 21.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Rising Sun, Kingsdown
Creator:
Sir Frank Short, 1857–1945
Date:
1922
Materials & Techniques:
Etching on laid paper
Dimensions:
Sheet: 7 1/4 x 8 1/8in. (18.4 x 20.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Lane Scene
Creator:
James Duffield Harding, 1798–1863
Date:
1829
Materials & Techniques:
Lithograph on moderately thick, slightly textured, beige wove paper with gray chine collé
Dimensions:
Sheet: 14 x 11 7/8 inches (35.5 x 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Watercress Girl
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1796
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/2 × 9 7/8 inches (34.3 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection