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Genre landscape

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Topic subjectplace ss Devon

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The Victualling Office, Plymouth
Creator:
Nicholas Condy, 1793–1857
Date:
ca. 1835
Materials & Techniques:
Oil on canvas
Dimensions:
18 1/16 x 24 1/8 inches (45.9 x 61.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A View of Core's Library, Dawlish, Devon
Creator:
John White Abbott, 1763–1851
Date:
1837
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper, laid on contemporary mount
Dimensions:
Sheet: 5 1/4 x 8 inches (13.3 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Headland on the Coast of South Devon, Possibly Shaldon
Creator:
Thomas Girtin, 1775–1802
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 17 7/16 inches (31.3 x 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Clovelly, North Devon
Creator:
William Turner of Oxford, 1789–1862
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 29 1/4 x 44 1/2 inches (74.3 x 113 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Kingswear, from Dartmouth, Devon
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1797
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/4 x 16 1/8 inches (24.8 x 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Old Bridge in Devon
Creator:
Thomas Girtin, 1775–1802
Date:
between 1797 and 1801
Materials & Techniques:
Watercolor, pen and brown ink, gouache and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 8 5/8 × 11 5/8 inches (21.9 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kingswear Seen from Dartmouth, Devon
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1797
Materials & Techniques:
Watercolor with pen in brown ink over graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 7 5/8 x 12 13/16 inches (19.4 x 32.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Exmouth, Devon
Creator:
William Daniell, 1769–1837
Date:
ca. 1813
Materials & Techniques:
Brown wash with gouache over graphite on medium, slightly textured, beige wove paper, pasted on contemporary mount made of thick, slightly textured, beige card
Dimensions:
Contemporary drawn border: 7 x 10 1/8 inches (17.8 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bovisand, near Plymouth
Creator:
William Daniell, 1769–1837
Date:
ca. 1813
Materials & Techniques:
Watercolor with brown wash and gouache over graphite on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, beige card
Dimensions:
Contemporary drawn border: 7 x 10 inches (17.8 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Slate Quarry at Widecombe, Devon
Creator:
John White Abbott, 1763–1851
Date:
1792
Materials & Techniques:
Watercolor, pen, and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/8 × 7 1/2 inches (23.8 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View from a Wood, Overlooking the River and Hills at Teignmouth, Devon
Creator:
John White Abbott, 1763–1851
Date:
1810
Materials & Techniques:
Gray wash, pen, gray ink, and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 10 5/8 inches (18.4 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection