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St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance
Creator:
Francis Wheatley, 1747–1801
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream laid paper
Dimensions:
Contemporary drawn border: 12 1/2 x 16 5/8 inches (31.8 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Deptford Dockyard, Kent
Creator:
John Cleveley the younger, 1747–1786
Date:
undated
Materials & Techniques:
Watercolor, graphite and black ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 8 3/8 inches (14 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape with a Fisherman
Creator:
James McNeill Whistler, 1834–1903
Date:
1861
Materials & Techniques:
Etching and drypoint, printed from canceled plate on medium, smooth, cream laid paper
Dimensions:
Sheet: 9 3/4 x 12 5/8 inches (24.8 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943
Budleigh, Salterton..from our own Garden
Creator:
Dr. William Crotch, 1775–1847
Date:
1833
Materials & Techniques:
Watercolor and graphite on medium,slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 7 3/8 inches (14 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Newstead Abbey, The Seat of the Late Lord Byron
Creator:
Louis Haghe, 1806–1885
Date:
undated
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 12 15/16 inches (22.9 x 32.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Isle of Wight and Kent Sketchbook
Creator:
Clarkson Stanfield, 1793–1867
Date:
1863
Materials & Techniques:
Graphite, watercolor, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Binding: 5 1/4 inches (13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund