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3101. The Boy of Egremond

The Boy of Egremond
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 17 3/8 × 12 inches (44.1 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3102. Battersea Fields, Painted for Charles Matthews, Esq.

Battersea Fields, Painted for Charles Matthews, Esq.
Creator:
Patrick Nasmyth, 1787–1831
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured gray wove paper
Dimensions:
Sheet: 5 1/2 × 9 1/4 inches (14 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3103. Greenwich, London in the Distance

Greenwich, London in the Distance
Creator:
F. Norice, 19th century
Date:
undated
Materials & Techniques:
Graphite, watercolor, white gouache on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/4 × 10 3/4 inches (15.9 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3104. Windsor Castle From the Long Walk

Windsor Castle From the Long Walk
Creator:
F. Norice, 19th century
Date:
undated
Materials & Techniques:
Watercolor, graphite, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 10 5/8 inches (17.5 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3105. Mill Near Colchester

Mill Near Colchester
Creator:
Print made by David Lucas, 1802–1881
Date:
1845
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 x 14 1/4 inches (25.7 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3106. Flatford Mill

Flatford Mill
Creator:
Print made by David Lucas, 1802–1881
Date:
1844
Materials & Techniques:
Mezzotint and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 x 14 1/4 inches (25.7 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3107. Noon

Noon
Creator:
Print made by David Lucas, 1802–1881
Date:
1830
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper with chine collé
Dimensions:
Sheet: 10 1/4 x 14 1/4 inches (26 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3108. Summer Morning

Summer Morning
Creator:
Print made by David Lucas, 1802–1881
Date:
1831
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper with chine collé
Dimensions:
Sheet: 10 1/8 x 14 1/4 inches (25.7 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3109. Hampstead Heath, Harrow in the Distance

Hampstead Heath, Harrow in the Distance
Creator:
Print made by David Lucas, 1802–1881
Date:
1845
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 x 14 1/4 inches (25.7 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3110. General View of Calcutta, from the Entrance to the Water Gate of Fort William

General View of Calcutta, from the Entrance to the Water Gate of Fort William
Creator:
Sir Charles D'Oyly, 1781–1845
Date:
undated
Materials & Techniques:
Watercolor, graphite, and white gouache on moderately thick, moderately textured, blue-gray wove paper
Dimensions:
Mount: 6 3/4 × 21 inches (17.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3111. View of Part of Chowringhee - Calcutta

View of Part of Chowringhee - Calcutta
Creator:
Sir Charles D'Oyly, 1781–1845
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, blue-gray wove paper
Dimensions:
Mount: 7 15/16 × 16 5/8 inches (20.2 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3112. Water View near Calcutta

Water View near Calcutta
Creator:
Sir Charles D'Oyly, 1781–1845
Date:
undated
Materials & Techniques:
Watercolor, graphite, white gouache, and gray wash on moderately thick, moderately textured, blue/gray wove paper
Dimensions:
Sheet: 7 1/16 × 15 1/16 inches (17.9 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3113. Margate, October 2nd, 1850

Margate, October 2nd, 1850
Creator:
George Richmond, 1809–1896
Date:
1850
Materials & Techniques:
Graphite, watercolor and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/16 x 10 5/16 inches (18 x 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3114. Coastal Scene

Coastal Scene
Creator:
Jonathan Girtin, ca.1780–aft.1820
Date:
undated
Materials & Techniques:
Soft-ground etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 5/16 × 13 3/8 inches (23.7 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3115. The Land of Beulah

The Land of Beulah
Creator:
Edward Burne-Jones, 1833–1898
Date:
1881
Materials & Techniques:
Pen and black ink, pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 x 11 3/8 inches (20 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3116. Festa di San Antonio, Bay of Naples

Festa di San Antonio, Bay of Naples
Creator:
Thomas Uwins, 1782–1857
Date:
ca. 1840
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 33 inches (18.1 × 83.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3117. Lord Hopetoun's Lead Mines

Lord Hopetoun's Lead Mines
Creator:
Paul Sandby, 1731–1809
Date:
1751
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 7/8 x 9 3/8 inches (12.4 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3118. Study of Rocks Covered with Seaweed

Study of Rocks Covered with Seaweed
Creator:
Edward Duncan, 1803–1882
Date:
undated
Materials & Techniques:
Watercolor, graphite and gum arabic on moderately thick, moderately textured, blue wove paper
Dimensions:
Sheet: 6 x 14 3/8 inches (15.2 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3119. "Sheppon Fields"

"Sheppon Fields"
Creator:
unknown artist
Date:
1846
Materials & Techniques:
Graphite on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 7 3/8 × 9 1/4 inches (18.7 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

3120. Castle Ruin in Landscape Scene with a Lake

Castle Ruin in Landscape Scene with a Lake
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Brown wash, gray wash, graphite, pen and gray ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 13/16 × 7 1/4 inches (12.2 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

3121. Boldre Church and Bridge

Boldre Church and Bridge
Creator:
G. W. Gent, active 1804–1822
Date:
1800
Materials & Techniques:
Watercolor, graphite, scratching out, pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 3/4 × 11 13/16 inches (22.2 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

3122. North-East View of Sir John Elvil's House on Englefield Green near Egham in Surrey

North-East View of Sir John Elvil's House on Englefield Green near Egham in Surrey
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/4 x 7 3/8 inches (13.3 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3123. Bayswater - London

Bayswater - London
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Pen and gray ink and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 3/8 x 8 3/8 inches (13.7 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3124. Askeaton Abbey near Limerick, Ireland on the River Deel

Askeaton Abbey near Limerick, Ireland on the River Deel
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/16 x 7 1/4 inches (13.2 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3125. View in the Island of Cracatoa

View in the Island of Cracatoa
Creator:
John Webber, 1752–1793
Date:
undated
Materials & Techniques:
Graphite; verso: transferred soft ground on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/16 × 17 1/8 inches (28.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3126. View in Oheitepeha Bay, Otaheite

View in Oheitepeha Bay, Otaheite
Creator:
John Webber, 1752–1793
Date:
1791
Materials & Techniques:
Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 16 7/8 inches (29.8 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3127. View of the Harbour of Taloo in the Island of Eimeo

View of the Harbour of Taloo in the Island of Eimeo
Creator:
John Webber, 1752–1793
Date:
1789
Materials & Techniques:
Graphite, squared for transfer; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 17 inches (28.6 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3128. A Toopapaoo of a Chief, with a Priest Making his Offering to the Morai, in Huoheine

A Toopapaoo of a Chief, with a Priest Making his Offering to the Morai, in Huoheine
Creator:
unknown artist
Date:
1789
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/8 × 19 3/4 inches (48.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3129. A Toopapapoo of a Chief, with a Priest Making his Offering to the Morai, in Huoheine

A Toopapapoo of a Chief, with a Priest Making his Offering to the Morai, in Huoheine
Creator:
John Webber, 1752–1793
Date:
1789
Materials & Techniques:
Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3130. The Balagans or Summer Habitations, with the Method of Drying Fish, at St. Peter and Paul, Kamtschatka

The Balagans or Summer Habitations, with the Method of Drying Fish, at St. Peter and Paul, Kamtschatka
Creator:
John Webber, 1752–1793
Date:
1792
Materials & Techniques:
Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 17 1/8 inches (29.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3131. A Toopapaoo of a Chief, with a Priest Making his Offering to the Morai, in Huoheine

A Toopapaoo of a Chief, with a Priest Making his Offering to the Morai, in Huoheine
Creator:
John Webber, 1752–1793
Date:
1789
Materials & Techniques:
Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3132. The Narta or Sledge for Burdens in Kamtschatka

The Narta or Sledge for Burdens in Kamtschatka
Creator:
John Webber, 1752–1793
Date:
1789
Materials & Techniques:
Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 17 1/8 inches (28.3 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3133. View in Macao, Including the Residence of Camoens, When He Wrote his Lusiad

View in Macao, Including the Residence of Camoens, When He Wrote his Lusiad
Creator:
John Webber, 1752–1793
Date:
1788
Materials & Techniques:
Graphite; verso: transferred soft ground and graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 16 5/8 inches (29.8 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3134. View in the Island of Pulo Condore

View in the Island of Pulo Condore
Creator:
John Webber, 1752–1793
Date:
1792
Materials & Techniques:
Graphite, squared for transfer on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 16 3/4 inches (28.6 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3135. View in Macao, Including the Residence of Camoens, When He Wrote his Lusiad

View in Macao, Including the Residence of Camoens, When He Wrote his Lusiad
Creator:
John Webber, 1752–1793
Date:
1788
Materials & Techniques:
Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 17 1/4 inches (29.5 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3136. View in the Island of Pulo Condore

View in the Island of Pulo Condore
Creator:
John Webber, 1752–1793
Date:
1792
Materials & Techniques:
Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3137. Green Park

Green Park
Creator:
George Sidney Shepherd, 1784–1862
Date:
ca. 1830
Materials & Techniques:
Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 × 6 15/16 inches (11.4 × 17.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3138. Vale of Health - Hampstead

Vale of Health - Hampstead
Creator:
John Thomas Smith, 1766–1833
Date:
1830
Materials & Techniques:
Watercolor, graphite, black ink, and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 × 7 7/8 inches (12.1 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3139. The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire

The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
Creator:
John Warwick Smith, 1749–1831
Date:
July 14, 1792
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 1/8 x 8 1/2 inches (13 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3140. Carnedd Llewelyn and Carnedd David, Carnarvonshire, Seen Across the River Ogwen

Carnedd Llewelyn and Carnedd David, Carnarvonshire, Seen Across the River Ogwen
Creator:
John Warwick Smith, 1749–1831
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 8 3/4 inches (13.3 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3141. Alpine Bridge and Woodland Scenery near Pistil y Maw

Alpine Bridge and Woodland Scenery near Pistil y Maw
Creator:
John Warwick Smith, 1749–1831
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 x 8 3/4 inches (15.6 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3142. Price's Mill

Price's Mill
Creator:
Luke Sullivan, 1705–1771
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/16 × 8 1/4 inches (13.2 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3143. A Forest Road

A Forest Road
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor on thick, slightly textured, brown wove paper
Dimensions:
Sheet: 5 7/8 x 9 7/8 inches (14.9 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3144. Seashore with Two Figures and a Distant Town

Seashore with Two Figures and a Distant Town
Creator:
John Varley, 1778–1842
Date:
undated
Materials & Techniques:
Watercolor and pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 9/16 x 5 1/2 inches (9 x 13.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3145. A Foliated Branch

A Foliated Branch
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, smooth, cream laid paper
Dimensions:
Sheet: 7 7/8 x 6 1/4 inches (20 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3146. Views of Polar Regions

Views of Polar Regions
Creator:
Charles Hamilton Smith, 1776–1859
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3147. Larch Tree

Larch Tree
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/8 x 10 1/2 inches (19.4 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3148. A Gnarled Tree

A Gnarled Tree
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 x 4 1/8 inches (12.7 x 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3149. A Craggy Hillside

A Craggy Hillside
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Graphite and gray wash on medium, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 x 4 7/8 inches (9.5 x 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3150. Studies of a Hilly Coast, and a Rocky Waterfall

Studies of a Hilly Coast, and a Rocky Waterfall
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Graphite on medium, smooth, cream wove paper mounted on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 5/8 x 10 3/8 inches (19.4 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3151. Chiswick

Chiswick
Creator:
John Varley, 1778–1842
Date:
1814
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 21 5/8 inches (24.4 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequeathed by Weyland Wells Williams, Yale BA 1910, transfer from the Yale University Art Gallery

3152. Ruins at Sabachtsche

Ruins at Sabachtsche
Creator:
Frederick Catherwood, 1799–1854
Date:
undated
Materials & Techniques:
Watercolor and graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 15 1/4 x 12 1/8 inches (38.7 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Collection, Gift of Henry Schnakenberg to Yale University Art Gallery

3153. Landscape

Landscape
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper mounted on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 1 7/8 x 9 3/8 inches (4.8 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3154. Country Cottage

Country Cottage
Creator:
Charles Wayson, active 1870
Date:
1870
Materials & Techniques:
Watercolor on very thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 × 19 inches (27.9 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

3155. Distant View of Easton Neston, Northants

Distant View of Easton Neston, Northants
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Graphite, pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 1/2 × 7 3/8 inches (11.4 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

3156. A Rocky Hillside with Trees and Figures

A Rocky Hillside with Trees and Figures
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 x 13 7/8 inches (24.8 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3157. Harvesting - The Noontide Rest

Harvesting - The Noontide Rest
Creator:
Charles Vincent Barber, 1784–1854
Date:
1811
Materials & Techniques:
Graphite and watercolor on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 22 5/8 x 31 3/4 inches (57.5 x 80.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3158. Boulogne, France - a Mill in a Wooded Valley

Boulogne, France - a Mill in a Wooded Valley
Creator:
Robert Streatfeild, 1786–1852
Date:
undated
Materials & Techniques:
Watercolor, graphite, and pen and ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3159. Château de la Mailleraie

Château de la Mailleraie
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3160. Norham Castle - Moonrise

Norham Castle - Moonrise
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, engraver's Proof (touched)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3161. The Lanterne of St. Cloud

The Lanterne of St. Cloud
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3162. The Simplon

The Simplon
Creator:
Print made by William Miller, 1796–1882
Date:
1834-1836
Materials & Techniques:
Engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3163. Glen Coe

Glen Coe
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving, 1st published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3164. Dunstaffnage

Dunstaffnage
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3165. Dumbarton Castle

Dumbarton Castle
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, 1st published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3166. Jerusalem

Jerusalem
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3167. New Abbey, Near Dumfries

New Abbey, Near Dumfries
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3168. Placenza

Placenza
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3169. Paris from Pere-la-Chaise

Paris from Pere-la-Chaise
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3170. Malmaison

Malmaison
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3171. Field of Waterloo with Lightning

Field of Waterloo with Lightning
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3172. The Simplon

The Simplon
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3173. The Rhymer's Glen

The Rhymer's Glen
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3174. Edinburgh from St. Anthony's Chapel

Edinburgh from St. Anthony's Chapel
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3175. Glen Coe, Scotland

Glen Coe, Scotland
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3176. Rouen - Distant View

Rouen - Distant View
Creator:
Print made by William Richardson, active 1842–1877
Date:
1836
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3177. Crichton Castle

Crichton Castle
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1834
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3178. Château d'Arc, near Dieppe

Château d'Arc, near Dieppe
Creator:
Print made by William Forrest, 1802–1889
Date:
1836
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3179. Bally-Burgh Ness

Bally-Burgh Ness
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1836
Materials & Techniques:
Line engraving, Engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3180. Tantallon Castle

Tantallon Castle
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1833
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3181. Wolf's Hope

Wolf's Hope
Creator:
Print made by James H. Kernot, active early 19th century
Date:
1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3182. 'It's Auld Ailie Hersell'

'It's Auld Ailie Hersell'
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1836
Materials & Techniques:
Etching and line engraving; engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3183. Abbotsford from the Northern Bank of the Tweed

Abbotsford from the Northern Bank of the Tweed
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3184. Loch Leven Castle

Loch Leven Castle
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1836-1837
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3185. Mount Moriah

Mount Moriah
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3186. Rievaulx Abbey

Rievaulx Abbey
Creator:
Print made by Joseph C. Bentley, 1809–1851
Date:
1834-1856
Materials & Techniques:
Line engraving, engraver's proof touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3187. The Red Sea and Suez

The Red Sea and Suez
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3188. Solomon's Pools

Solomon's Pools
Creator:
Print made by James Stephenson, 1808–1886
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3189. Babylon

Babylon
Creator:
Print made by John Cousen, 1804–1880
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3190. The Desert of Sinai

The Desert of Sinai
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3191. Santa Sabas and the Brook Kidron

Santa Sabas and the Brook Kidron
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3192. Jericho

Jericho
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3193. The Valley in Which the Children of Israel, Were Encamped, Mount Sinai in the Distance

The Valley in Which the Children of Israel, Were Encamped, Mount Sinai in the Distance
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1834
Materials & Techniques:
Etching and engraving, engraver's proof touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3194. Joppa

Joppa
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving and graphite, touched engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3195. Pass in the Mountains Between Nisa and Villa Velha

Pass in the Mountains Between Nisa and Villa Velha
Creator:
William Bradford, active 1809
Date:
1809
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 8 1/8 × 12 inches (20.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3196. Ramah and Rachel's Tomb

Ramah and Rachel's Tomb
Creator:
Print made by William Finden, 1787–1852
Date:
1835-1836
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3197. Egypt, the Pyramids of Ghizeh

Egypt, the Pyramids of Ghizeh
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3198. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3199. Bowes Tower

Bowes Tower
Creator:
Print made by Edward Webb, active 1805–1854
Date:
1834
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3200. Loch Coriskin

Loch Coriskin
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1834
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection