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4601. The Cornfield

The Cornfield
Creator:
Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 11 11/16 × 17 1/4 inches (29.7 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4602. Windsor Castle from the South

Windsor Castle from the South
Creator:
William Daniell, 1769–1837
Date:
1827
Materials & Techniques:
Watercolor, graphite pen and brown ink, black ink, and white gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 19 3/4 inches (30.5 x 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4603. The Castle on the Hill

The Castle on the Hill
Creator:
John Varley, 1778–1842
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/4 x 18 5/8 inches (34.9 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4604. Patie Rebukes Roger

Patie Rebukes Roger
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

4605. Patie and Peggy

Patie and Peggy
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

4606. The Entrance into Borrowdale

The Entrance into Borrowdale
Creator:
Francis Towne, 1740–1816
Date:
undated
Materials & Techniques:
Watercolor and brown ink over graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 3 3/4 x 6 1/8 inches (9.5 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4607. Oakhampton Castle

Oakhampton Castle
Creator:
Francis Towne, 1740–1816
Date:
1772
Materials & Techniques:
Gray wash and black ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4608. Lea Castle from above the Woods

Lea Castle from above the Woods
Creator:
James Ward, 1769–1859
Date:
1814
Materials & Techniques:
Pen and brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 11 3/8 x 18 inches (28.9 x 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

4609. A Village – Evening

A Village – Evening
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, Open etching
Dimensions:
Sheet: 17 1/4 × 12 inches (43.8 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4610. A Hurricane in the Desert

A Hurricane in the Desert
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 17 3/8 × 11 7/8 inches (44.1 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4611. An Old Oak

An Old Oak
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 17 3/8 × 11 7/8 inches (44.1 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4612. Bolton Abbey

Bolton Abbey
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof (early) on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 1/16 × 6 3/4 inches (30.6 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4613. The Boy of Egremond

The Boy of Egremond
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 1/4 × 10 1/16 inches (38.7 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4614. The Alps at Daybreak

The Alps at Daybreak
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 3/8 × 9 inches (36.5 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4615. St. Anne's Hill, No. II

St. Anne's Hill, No. II
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving, with graphite and scratching out; touched engraver's proof (b) on medium, slightly textured, beige wove paper
Dimensions:
Mount: 16 15/16 × 12 1/8 inches (43 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4616. St. Anne's Hill, No. II

St. Anne's Hill, No. II
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4617. The Alps at Daybreak

The Alps at Daybreak
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof (touched)
Dimensions:
Sheet: 14 7/8 × 9 1/2 inches (37.8 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4618. Datur Hora Quieti

Datur Hora Quieti
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper
Dimensions:
Mount: 17 5/8 × 12 1/8 inches (44.8 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4619. The Acropolis of Athens

The Acropolis of Athens
Creator:
Print made by John Cousen, 1804–1880
Date:
1832-1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4620. The Drachenfels

The Drachenfels
Creator:
Print made by William Finden, 1787–1852
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof (early) on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 12 1/16 × 17 7/16 inches (30.6 × 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4621. The Castle Rhine

The Castle Rhine
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 12 11/16 × 9 3/8 inches (32.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4622. Château of Amboise

Château of Amboise
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4623. St. Florent

St. Florent
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Line engraving, Engraver's Proof (ab) on moderately textured, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 11 13/16 inches (21.9 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4624. Clairmont

Clairmont
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4625. Between Clairmont and Mauves

Between Clairmont and Mauves
Creator:
Print made by William Miller, 1796–1882
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 × 9 inches (15.2 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4626. Tancarville

Tancarville
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof (early) on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 12 5/8 × 18 inches (32.1 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4627. Tancarville

Tancarville
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof, touched on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 1/2 × 6 1/2 inches (14 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4628. Lillebonne, Château

Lillebonne, Château
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4629. Jumièges

Jumièges
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4630. Jumièges

Jumièges
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof, touched on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4631. Pont de l'Arche

Pont de l'Arche
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4632. Pont de l'Arche

Pont de l'Arche
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4633. Pont de l'Arche

Pont de l'Arche
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, Engraver's proof (early), touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4634. Pont de l'Arche

Pont de l'Arche
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4635. St. Germains

St. Germains
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4636. St. Germains

St. Germains
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4637. St. Germains

St. Germains
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4638. St. Germains

St. Germains
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4639. St. Germains

St. Germains
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4640. Bridge of St. Cloud & Sevres

Bridge of St. Cloud & Sevres
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Etching and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4641. Bridge of St. Cloud & Sevres

Bridge of St. Cloud & Sevres
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4642. Bridge over St. Cloud from Sevres

Bridge over St. Cloud from Sevres
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof, early
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4643. Brussels - Distant View

Brussels - Distant View
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4644. New Abbey, near Dumfries

New Abbey, near Dumfries
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4645. Abbotsford, Vignette Title

Abbotsford, Vignette Title
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 × 10 7/8 inches (40.6 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4646. Bally-Burgh Ness

Bally-Burgh Ness
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1836
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4647. Loch Leven Castle

Loch Leven Castle
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1836-1837
Materials & Techniques:
Engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4648. Loch Leven Castle

Loch Leven Castle
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1836-1837
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4649. The Valley in Which the Children of Israel, Were Encamped, Mount Sinai in the Distance

The Valley in Which the Children of Israel, Were Encamped, Mount Sinai in the Distance
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1834
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4650. Santa Sabes and the Brook Kidron

Santa Sabes and the Brook Kidron
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4651. Joppa

Joppa
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4652. Rievaulx Abbey

Rievaulx Abbey
Creator:
Print made by Joseph C. Bentley, 1809–1851
Date:
1834-1856
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4653. Assos

Assos
Creator:
Print made by William Finden, 1787–1852
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4654. Hohenlinden

Hohenlinden
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1837
Materials & Techniques:
Line engraving, Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4655. Gertrude of Wyoming - the Valley

Gertrude of Wyoming - the Valley
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4656. Hohenlinden

Hohenlinden
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4657. Gertrude of Wyoming - the Valley

Gertrude of Wyoming - the Valley
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4658. Gertrude of Wyoming - the Waterfall

Gertrude of Wyoming - the Waterfall
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4659. Gertrude of Wyoming - the Waterfall

Gertrude of Wyoming - the Waterfall
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4660. Plymouth, Devonshire

Plymouth, Devonshire
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1832
Materials & Techniques:
Line engraving, 3rd state on thick, smooth, beige wove paper
Dimensions:
Sheet: 10 5/8 × 14 13/16 inches (27 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4661. Caudebec

Caudebec
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Etching and line engraving, Engraver's proof on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:
Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4662. Caudebec

Caudebec
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Etching and line engraving, Engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 7 7/8 × 10 3/4 inches (20 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4663. Smailholm Tower (Vignette)

Smailholm Tower (Vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/2 × 10 3/8 inches (36.8 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4664. Carlisle

Carlisle
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving; second state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4665. The Beech Tree's Petition

The Beech Tree's Petition
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4666. Newark Castle (vignette)

Newark Castle (vignette)
Creator:
Print made by William John Cooke, 1797–1865
Date:
1854 reprint
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 5 inches (20.3 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4667. Kelso

Kelso
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1834
Materials & Techniques:
Line engraving, second state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4668. Smailholm Tower (Vignette)

Smailholm Tower (Vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving; late state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 4 inches (17.1 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4669. Nazareth

Nazareth
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1836
Materials & Techniques:
Line engraving, first state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4670. Assos

Assos
Creator:
Print made by William Finden, 1787–1852
Date:
1836
Materials & Techniques:
Line engraving, Engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4671. A Swiss Valley (Vignette)

A Swiss Valley (Vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4672. Crossing the Brook

Crossing the Brook
Creator:
Print made by William Richardson, active 1842–1877
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 15 1/2 × 11 3/4 inches (39.4 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4673. Abingdon

Abingdon
Creator:
Print made by Charles Cousen, ca. 1819–1889
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 15 5/8 inches (29.8 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4674. Gertrude of Wyomimg - The Waterfall (Vignette)

Gertrude of Wyomimg - The Waterfall (Vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4675. Warkworth Castle on the River Coquet

Warkworth Castle on the River Coquet
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1823 to 1827
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4676. Kirkstall Abbey, on the River Aire

Kirkstall Abbey, on the River Aire
Creator:
Print made by James Bromley, 1801–1838
Date:
1823 to 1827
Materials & Techniques:
Mezzotint and soft ground etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4677. Kirkstall Lock, on the River Aire

Kirkstall Lock, on the River Aire
Creator:
Print made by William Say, 1768–1834
Date:
1823 to 1827
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4678. Totnes, on the Dart

Totnes, on the Dart
Creator:
Print made by Charles Turner, 1774–1857
Date:
1823 to 1827
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4679. The Farmer's Boy

The Farmer's Boy
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 x 7 1/16 inches (21.8 x 18 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4680. The Sporting Parson: "He Trieth a Little 'High Church' Style"

The Sporting Parson: "He Trieth a Little 'High Church' Style"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor and gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 10 11/16 × 14 13/16 inches (27.1 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4681. The Sporting Parson: "He Then Goes in For Baptism"

The Sporting Parson: "He Then Goes in For Baptism"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor and gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 10 11/16 × 14 11/16 inches (27.1 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4682. The Sporting Parson: "D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' "

The Sporting Parson: "D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' "
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor and gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 10 11/16 × 14 7/8 inches (27.1 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4683. Full Cry. 1821: Riders Taking a Wooden Fence

Full Cry. 1821: Riders Taking a Wooden Fence
Creator:
George Alken, 1794–active 1837
Date:
1821
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 × 11 1/8 inches (21.7 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4684. Two Riders Exercising Horses at a Gallop

Two Riders Exercising Horses at a Gallop
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and red ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/16 × 14 9/16 inches (25.9 × 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4685. A Whipper-In and a Couple of Hounds Running Hard in Open Country

A Whipper-In and a Couple of Hounds Running Hard in Open Country
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 12 13/16 inches (23.2 × 32.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4686. The Sporting Parson: "Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!"

The Sporting Parson: "Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor and white gouache on medium, slightly textured, gray-green, wove paper
Dimensions:
Sheet: 10 5/8 × 14 7/8 inches (27 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4687. Full Cry

Full Cry
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 10 5/8 inches (22.2 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4688. Gone Away

Gone Away
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 11/16 × 10 11/16 inches (22.1 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4689. The Death

The Death
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 10 11/16 inches (21.9 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4690. View of a Park with Deer

View of a Park with Deer
Creator:
William Byron, fourth Baron Byron, 1669–1736
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, gouache, and gold on medium, slightly textured, cream laid paper
Dimensions:
Mount: 12 1/2 × 16 1/16 inches (31.8 × 40.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4691. Rider on a Brown Horse Going at a Wall

Rider on a Brown Horse Going at a Wall
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 15/16 × 12 3/4 inches (22.7 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4692. The Huntsman, Galloping to Left and Encouraging Hounds

The Huntsman, Galloping to Left and Encouraging Hounds
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 12 9/16 inches (22.5 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4693. The Huntsman and a Rider Encouraging the Hounds

The Huntsman and a Rider Encouraging the Hounds
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/16 × 14 7/16 inches (26.5 × 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4694. Jumping a Low Rail and a Brook

Jumping a Low Rail and a Brook
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 11/16 × 14 1/2 inches (27.1 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4695. Snipe Shooting

Snipe Shooting
Creator:
Robert Dighton, 1752–1814
Date:
ca. 1790
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/16 × 14 7/16 inches (25.6 × 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4696. Steeplechasing: Four Riders Taking a Ditch and an Oxer

Steeplechasing: Four Riders Taking a Ditch and an Oxer
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 15/16 × 16 3/16 inches (25.2 × 41.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4697. Steeplechasing: Five Riders Galloping Right

Steeplechasing: Five Riders Galloping Right
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 16 1/8 inches (25.1 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4698. Steeplechasing: Three Riders Taking a Brook, Spectators on Right

Steeplechasing: Three Riders Taking a Brook, Spectators on Right
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 7/16 × 14 11/16 inches (26.5 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4699. Steeplechasing: The Field Jumping in and Out of a Lane

Steeplechasing: The Field Jumping in and Out of a Lane
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4700. Steeplechasing: Two Riders Taking a Wooden Fence

Steeplechasing: Two Riders Taking a Wooden Fence
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 14 3/4 inches (27 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection