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1
- Opening the Fold
- plate etched in 1880; impression printed in 1920
2
- Opening the Fold
- plate etched in 1880; impression printed in 1926
3
- Illustrations to Dante's Divine Comedy
- 1827
4
- William Cowper, Author of "The Task"
- 1802
5
- The Life, and Posthumous Writings, of William Cowper, (volume 1)
- 1803-1804
6
- The Life, and Posthumous Writings, of William Cowper (volume 2)
- 1803-1804
7
- The Peasants' Nest: Cowper's tame Hares
- 1802
8
- William Cowper
- 1803-1804
9
- Mrs Cowper Mother of the Poet
- 1803-1804
10
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
- 1821, reprinted 1977
11
- Tempest, Act I, Scene II. The Enchanted Island
- 1803
12
- The Bay of Baiae - Apollo and the Sibyl
- between 1852 and 1856
13
- Italy - Childe Harold's Pilgrimage
- between 1852 and 1856
14
- Boccaccio, the Bird Cage
- 1830
15
- Boccaccio, the Bird Cage
- 1830
16
- Malvoleo
- undated
17
- Gil Blas Practicing Medicine Under Dr. Sangrado
- between 1820 and 1822
18
- Figure Studies for "The Tempest"
19
- Olney Church
- 1803-1804
20
- The Peasant's Nest
- 1803-1804
21
- Cowper's Summer House
- 1803-1804
22
- The Elms
- 1803-1804
23
- The Shrubbery
- 1803-1804
24
- The Temple in the Wilderness
- 1803-1804
25
- The Rustic Bridge
- 1803-1804
26
- Weston Lodge
- 1803-1804
27
- The Alcove from the Avenue
- 1803-1804
28
- Fables by John Gay, with a Life of the Author and Embellished with Seventy Plates, Volume 1
- 1793
29
- Fables by John Gay, with a Life of the Author and Embellished with Seventy Plates, Volume 2
- 1793
30
- The Wilderness
- 1803-1804
31
- Christ Descending into the Grave
- 1808
32
- John Bunyan. " Pilgrim's Progress ", illustrated by Thomas Stothard
- 1788 to 1791
33
- Mauritius - a scene with figures wearing classical costume standing by a pool flanked by palms; in the background is the Pieter Both Mountain
- undated
34
- James Graham, Marquess of Montrose
- 1740
35
- Thomas Sackvill Earl of Dorset, Baron of Buckhurst
- ca. 1740
36
- Lady MacBeth
- undated
37
- Olney Bridge
- 1803-1804
38
- Weston House
- 1803-1804
39
- Views from the Alcove
- 1803-1804
40
- The Pilgrimage to Canterbury
- undated
41
- The Grave, A Poem, by Robert Blair
- 1808
42
- The Grave, A Poem, by Robert Blair
- 1808
43
- The Grave, A Poem, by Robert Blair
- 1808
44
- The Right Reverend Thomas Newton, D.D. Lord Bishop of Bristol, and Dean of St. Paul's
- 1775
45
- Robert Blair, The Grave, Title Page
- 1808
46
- Christ Descending into the Grave
- 1808
47
- The Descent of Man into the Vale of Death
- 1808
48
- The Day of Judgment
- 1808
49
- The Soul Hovering over the Body reluctantly Parting with Life
- 1808
50
- The Soul Exploring the Recesses of the Grave
- 1808
51
- The Reunion of the Soul & the Body
- 1808
52
- Ghismonda
- undated
53
- Unbound Facsimile Edition of William Blake's Illustrations for "The Poems of Thomas Gray"
- 1972
54
- Six Designs for Coleridge's Rime of the Ancient Mariner: The Spirit of the South Sends Forth the Albatross as a Sign of Peace to the Ship
- ca. 1831
55
- Six Designs for Colreidge's Rime of the Ancient Mariner: The Spectre Ship Approaches
- ca. 1831
56
- Six Designs for Coleridge's Rime of the Ancient Mariner: Death and Line-in-Death, Dice for the Crew
- ca. 1831
57
- Six Designs for Coleridge's Rime of the Ancient Mariner: While Spirits of Peace Descend
- ca. 1831
58
- Six Designs for Coleridge's Rime of the Ancient Mariner: The Crew Blames the Mariner for Killing the Albatross
- ca. 1831
59
- Six Designs for Coleridge's Rime of the Ancient Mariner: He Rows Ashore in the Pilot's Boat
- ca. 1831
60
- Christian and Hopeful in the Castle of Giant Despair
- ca. 1831
61
- Christian, Accompanied by Discretion, Piety, Charity and Prudence
- ca. 1831
62
- Hearing the Music of the Spheres
- ca. 1831
63
- The Baron's Hall of Chaucer's Time
- 1844
64
- Mrs. Yates, in the Character of the Tragic-Muse
- 1772
65
- Nicolaus Boileau Despreaux
- 1704
66
- Robert Burns
- 1830
67
- Death's Door
- 1808
68
- Death of the Strong Wicked Man
- 1808
69
- The Counsellor, King, Warrior, Mother & Child, in the Tomb
- 1808
70
- The Reunion of the Soul & the Body
- 1808
71
- The Meeting of a Family in Heaven
- 1808
72
- The Day of Judgment
- 1808
73
- Robert Blair, The Grave, Title Page
- 1808
74
- The Reunion of the Soul & the Body
- 1808
75
- The Descent of Man into the Vale of Death
- 1808
76
- Death's Door
- 1808
77
- The late Mrs Pope as Juliet
78
- The Day of Judgment
- 1808
79
- Rosalind
80
- The Soul Hovering over the Body reluctantly Parting with Life
- 1808
81
- The Death of the Good Old Man
- 1808
82
- The Soul Exploring the Recesses of the Grave
- 1808
83
- The Meeting of a Family in Heaven
- 1808
84
- The Counsellor, King, Warrior, Mother & Child, in the Tomb
- 1808
85
- Death of the Strong Wicked Man
- 1808
86
- The Soul Hovering over the Body reluctantly Parting with Life
- 1808
87
- The Descent of Man into the Vale of Death
- 1808
88
- The Soul Exploring the Recesses of the Grave
- 1808
89
- The Death of the Good Old Man
- 1808
90
- Death's Door
- 1808
91
- Robert Blair, The Grave, Title Page
- 1808
92
- Christ Descending into the Grave
- 1808
93
- Death of the Strong Wicked Man
- 1808
94
- The Death of the Good Old Man
- 1808
95
- The Counsellor, King, Warrior, Mother & Child, in the Tomb
- 1808
96
- The Meeting of a Family in Heaven
- 1808
97
- Windsor Castle, Richard II, Act V, Scene III; page 102 (Volume Three)
98
- Pospero Disarming Ferdinand from The Tempest, Act I, Scene II
- 1793
99
- David Garrick Leaning on a bust of William Shakespeare
- 1769
100
- Benjamin Johnson
- 1738