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Genre literary theme
Remove constraint Genre: literary themeWork Type drawing
Remove constraint Work Type: drawingSubject Terms religious and mythological subject
Remove constraint Subject Terms: religious and mythological subjectSearch Results
1
- Jerusalem, Frontispiece (Plate 1)
- 1804 to 1820
2
- "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
- 1804 to 1820
3
- Jerusalem, Tailpiece (Plate 100)
- 1804 to 1820
4
- Jerusalem, Plate 28 Proof Impression
- ca. 1820
5
- "To labours mighty, with vast strength..." (Plate 11)
- 1804 to 1820
6
- "Why wilt thou give to her a Body..." (Plate 12)
- 1804 to 1820
7
- "And that toward Eden, four..." (Plate 13)
- 1804 to 1820
8
- "One hair nor particle of dust..." (Plate 14)
- 1804 to 1820
9
- "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
- 1804 to 1820
10
- "His Spectre divides & Los in fury compells it to divide..." (Plate 17)
- 1804 to 1820
11
- "From every-one of the Four Regions..." (Plate 18)
- 1804 to 1820
12
- "His Children exil'd from his breast..." (Plate 19)
- 1804 to 1820
13
- Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
- 1804 to 1820
14
- "But when they saw Albion fall'n..." (Plate 20)
- 1804 to 1820
15
- "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
- 1804 to 1820
16
- "Albion thy fear has made me tremble..." (Plate 22)
- 1804 to 1820
17
- "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
- 1804 to 1820
18
- "What have I said? What have I done?..." (Plate 24)
- 1804 to 1820
19
- "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
- 1804 to 1820
20
- "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
- 1804 to 1820
21
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
22
- Fettered Urizen Weeping (Plate 3)
- 1794
23
- The First Book of Urizen, Plate 4 (Bentley 24)
- 1794
24
- Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
- 1794
25
- "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
- 1793
26
- Thel's Motto (Plate 1)
- 1789
27
- The Book of Thel; Title Page (Plate 2)
- 1789
28
- Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
- 1789
29
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
30
- II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
- 1789
31
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
32
- IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
- 1789
33
- III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
- 1789
34
- "Now comes the night of Enitharmons joy!..." (Plate 7)
- 1794
35
- The First Book of Urizen; Title Page (Plate 1)
- 1794
36
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
37
- "We the reins to slaughter give..." (Design 73)
- between 1797 and 1798
38
- "Hurry, hurry, to the field!" Design 75)
- between 1797 and 1798
39
- The Descent of Odin, An Ode; Title Page
- between 1797 and 1798
40
- "Him the dog of darkness spied..." (Design 79)
- between 1797 and 1798
41
- The Prophetess Rising from Her Grave (Design 81)
- between 1797 and 1798
42
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
43
- "Hie thee hence, and boast at home..." (Design 85)
- between 1797 and 1798
44
- The Bard Singing Owen's Praise (Design 89)
- between 1797 and 1798
45
- Ode for Music, Performed in the Senate-House; Title Page
- between 1797 and 1798
46
- A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
- between 1797 and 1798
47
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
48
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
49
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
50
- The Divine Image (Plate 12)
- 1789
51
- Spring (Plate 26)
- 1789
52
- "Highgates heights & Hampsteads..." (Plate 84)
- 1804 to 1820
53
- "Became a Space & an Allegory..." (Plate 85)
- 1804 to 1820
54
- "I see thy Form O lovely mild Jerusalem..." (Plate 86)
- 1804 to 1820
55
- "Repelling weeping Enion blind & age-bent..." (Plate 87)
- 1804 to 1820
56
- "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
- 1804 to 1820
57
- "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
- 1804 to 1820
58
- "Condens'd his Emanations..." (Plate 9)
- 1804 to 1820
59
- "The Feminine separates from the Masculine..." (Plate 90)
- 1804 to 1820
60
- "It is easier to forgive an enemy..." (Plate 91)
- 1804 to 1820
61
- "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
- 1804 to 1820
62
- "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
- 1804 to 1820
63
- "Albion cold lays on his Rock..." (Plate 94)
- 1804 to 1820
64
- "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
- 1804 to 1820
65
- "Awake! Awake Jerusalem..." (Plate 97)
- 1804 to 1820
66
- "Then each an Arrow flaming from his Quiver..." (Plate 98)
- 1804 to 1820
67
- "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
- 1804 to 1820
68
- Poems by Mr. Gray; Title Page
- between 1797 and 1798
69
- "At the chapel-door stand sentry... (Design 31)
- between 1797 and 1798
70
- "To him the mighty mother did unveil Her awful face..." (Design 49)
- between 1797 and 1798
71
- "To the Jews..." (Plate 27)
- 1804 to 1820
72
- "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
- 1804 to 1820
73
- "Then the Divine Vision like a silent Sun..." (Plate 29)
- 1804 to 1820
74
- "And the Two that escaped..." (Plate 30)
- 1804 to 1820
75
- "To the Public. After my three years slumber..." (Plate 3)
- 1804 to 1820
76
- "His western heaven with rocky clouds..." (Plate 31)
- 1804 to 1820
77
- "Leaning against the pillars..." (Plate 32)
- 1804 to 1820
78
- "Turning his back to the Divine Vision..." (Plate 33)
- 1804 to 1820
79
- "Elevate into the Region of Brotherhood..." (Plate 34)
- 1804 to 1820
80
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
81
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
82
- The Fatal Sisters, An Ode; Title Page
- between 1797 and 1798
83
- Sigtryg with the Silken Beard (Design 69)
- between 1797 and 1798
84
- Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes; Title Page
- between 1797 and 1798
85
- "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
- between 1797 and 1798
86
- "Then the Divine hand found the Two Limits..." (Plate 35)
- 1804 to 1820
87
- "Reuben return'd to his place, in vain..." (Plate 36)
- 1804 to 1820
88
- "And One stood forth from the Divine Family..." (Plate 37)
- 1804 to 1820
89
- "His face and bosom with petrific hardness..." (Plate 38)
- 1804 to 1820
90
- "By Satan's Watch-fiends tho' they search..." (Plate 39)
- 1804 to 1820
91
- "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
- 1804 to 1820
92
- "Los shudder'd at beholding Albion..." (Plate 40)
- 1804 to 1820
93
- "Bath who is Legions..." (Plate 41)
- 1804 to 1820
94
- "Thus Albion sat, studious of others..." (Plate 42)
- 1804 to 1820
95
- "They saw their Wheels rising up poisonous..." (Plate 43)
- 1804 to 1820
96
- "With one accord in love sublime..." (Plate 44)
- 1804 to 1820
97
- "Bath, healing City!..." (Plate 45)
- 1804 to 1820
98
- "Bath, mild Physician of Eternity..." (Plate 46)
- 1804 to 1820
99
- "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
- 1804 to 1820
100
- "These were his last words, and the merciful Saviour in his arms..." (Plate 48)
- 1804 to 1820