Genre: literary theme / Work Type: drawing - YCBA Collections Search Search Results

501. Reclining Nude, Possibly Titania

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 7 x 13 inches (17.8 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

502. Infant Shakespeare, wih Comedy and Tragedy

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Brown wash and graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 9 1/8 inches (14.3 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

503. Doctor Ass (A Satire on the Law)

Creator:: Abraham van Diepenbeeck, 1596–1675
Date:: undated
Materials & Techniques:: Pen and brown ink, brown was and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 × 4 1/2 inches (14.6 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

504. John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"

Creator:: John Downman, 1750–1824
Date:: 1787
Materials & Techniques:: Watercolor with gouache, black chalk and stumping on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 5/16 x 12 5/8 inches (41.4 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

505. Robin Hood and Clarinda Hunting Deer

Creator:: Joseph Slater, c. 1750– died after 1789
Date:: undated
Materials & Techniques:: Gray wash and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 3 7/8 inches (13.7 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

506. When Swift They Saw John Gilpin Ride, Bare-Headed as Before

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on thick, moderately textured, white wove paper
Dimensions:: Sheet: 3 3/4 × 4 inches (9.5 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

507. Othello and Desdemona, 'Othello', Act V, Scene II

Creator:: attributed to Richard Cosway, 1742–1821
Date:: ca. 1805
Materials & Techniques:: Graphite and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 7 3/4 inches (24.4 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

508. Timon of Athens Before His Cave

Creator:: Richard Cosway, 1742–1821
Date:: ca. 1805
Materials & Techniques:: Graphite and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 7 7/16 inches (24.5 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

509. Sketches for Panels Executed at Crowe Hall

Creator:: J. R. Harris, active 1876
Date:: 1876
Materials & Techniques:: Pen and brown ink, blue wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

510. Hamlet and the Ghost

Creator:: George Cruikshank, 1792–1878
Date:: ca. 1825
Materials & Techniques:: Watercolor with black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 7/8 x 8 5/16 inches (17.4 x 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

511. Sketch for the Passions: Pride

Creator:: Richard Dadd, 1817–1886
Date:: ca. 1854
Materials & Techniques:: Watercolor, black ink, and graphite on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/8 inches (36.8 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

512. Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd

Creator:: David Allan, 1744–1796
Date:: 1788
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 × 6 5/8 inches (22.9 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

513. Shakespearean Scene (?): A Pilgrim

Creator:: Joseph Farington, 1747–1821
Date:: 1796
Materials & Techniques:: Pen and brown ink with gray wash over graphite on moderately thick, slightly textured, cream wove paper, pasted on contemporary mount made of thick, slightly textured, beige wove paper
Dimensions:: Mount: 18 1/2 × 15 5/8 inches (47 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

514. Sketches for Panels Executed at Crowe Hall

Creator:: J. R. Harris, active 1876
Date:: 1876
Materials & Techniques:: Pen and brown ink, blue wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

515. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gouache on thin wove paper stained for tracing
Dimensions:: Mount: 7 3/8 × 9 5/8 inches (18.7 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

516. Sketches for Panels Executed at Crowe Hall

Creator:: J. R. Harris, active 1876
Date:: 1876
Materials & Techniques:: Pen and brown ink, blue wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

517. Illustration to Fielding's Amelia

Creator:: George Chinnery, 1774–1852
Date:: between 1785 and 1802
Materials & Techniques:: Graphite, pen and black ink, brown ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/4 × 5 1/8 inches (9.5 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

518. Sketches for Panels Executed at Crowe Hall

Creator:: J. R. Harris, active 1876
Date:: 1876
Materials & Techniques:: Pen and brown ink, blue wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

519. The Princes in the Tower

Creator:: William Marshall Craig, 1763 or 1764–1829
Date:: ca. 1820
Materials & Techniques:: Brown ink with gray wash and watercolor on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 13/16 x 8 11/16 inches (27.5 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

520. Hamlet and the Ghost

Creator:: William Marshall Craig, 1763 or 1764–1829
Date:: ca. 1820
Materials & Techniques:: Brown ink with watercolor and gray wash on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 11/16 x 8 3/16 inches (27.2 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

521. Macbeth and the Apparition of the Armed Head

Creator:: William Marshall Craig, 1763 or 1764–1829
Date:: ca. 1820
Materials & Techniques:: Brown ink with gray wash and watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/16 × 8 15/16 inches (28.1 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

522. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

Creator:: Joshua Cristall, 1768–1847
Date:: between 1820 and 1822
Materials & Techniques:: Brown wash and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 x 15 1/2 inches (33 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

523. Macbeth and the Witch

Creator:: George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Watercolor with black and brown ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/2 × 9 3/4 inches (19.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

524. A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink and graphite on medium, moderately textured, cream laid paper, laid down on thick, slightly textured, beige wove paper with drawn border
Dimensions:: Sheet: 16 1/4 × 25 1/8 inches (41.3 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

525. Sketch for the Passions: Love

Creator:: Richard Dadd, 1817–1886
Date:: 1853
Materials & Techniques:: Watercolor, black ink, and graphite on moderately thick, slightly textured, light blue wove paper
Dimensions:: Sheet: 14 1/8 x 10 1/8 inches (35.9 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

526. Sketch for the Passions: Jealousy

Creator:: Richard Dadd, 1817–1886
Date:: 1853
Materials & Techniques:: Watercolor, black ink, and graphite on moderately thick, slightly textured, light blue wove paper
Dimensions:: Sheet: 14 x 10 1/8 inches (35.5 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

527. Theatrical Scene

Creator:: Nathaniel Dance, 1735–1811
Date:: after 1804
Materials & Techniques:: Watercolor, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 12 1/8 inches (18.4 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

528. Lear and Cordelia

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with black ink and scraping over graphite on thick, slightly textured, cream laid paper mounted on moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 22 15/16 x 17 1/4 inches (58.3 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

529. Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary mount paper
Dimensions:: Sheet: 6 5/8 × 8 3/4 inches (16.8 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

530. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 7 15/16 inches (14 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

531. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary wove paper mount
Dimensions:: Sheet: 6 3/4 × 8 3/4 inches (17.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

532. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor and graphite on thin wove paper stained for tracing, laid down on contemporary wove paper mount
Dimensions:: Sheet: 6 9/16 × 8 3/4 inches (16.7 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

533. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor and graphite on wove paper, laid down on contemporary laid paper mount
Dimensions:: Sheet: 5 5/8 × 7 7/8 inches (14.3 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

534. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink on slightly textured, medium, gray wove paper laid down on contemporary laid paper mount
Dimensions:: Sheet: 5 5/8 × 8 1/16 inches (14.3 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

535. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary wove paper mount
Dimensions:: Sheet: 6 3/4 × 9 inches (17.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

536. Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor and gouache over graphite on thin, smooth, brown wove paper
Dimensions:: Sheet: 8 × 11 inches (20.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

537. Theatrical Figures About a Throne

Creator:: Richard Westall, 1765–1836
Date:: undated
Materials & Techniques:: Watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 × 23 3/4 inches (48.3 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

538. Illustration to Pilgrim's Progress

Creator:: John Flaxman, 1755–1826
Date:: 1792
Materials & Techniques:: Black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 x 10 3/4 inches (22.2 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

539. Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Pen and gray ink, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 x 5 3/4 inches (11.4 x 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

540. The Morn, All Beauteous to Behold, from Aeschylus, The Persians

Creator:: after John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

541. Hudibras and Rolpho

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 x 6 inches (17.5 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

542. To Phoebus at His Birth, From Aeschylus, Furies

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

543. Fluellen Forcing Pistol to Eat His Leek

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 14 × 10 1/8 inches (35.6 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

544. Alcibiades and Timon

Creator:: Richard Westall, 1765–1836
Date:: ca. 1805
Materials & Techniques:: Watercolor with gouache and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 1/8 × 10 1/16 inches (33.3 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

545. The Peasant's Dream, Paradise Lost, Book 1, 781-8

Creator:: Henry Fuseli, 1741–1825
Date:: 1793 to 1800
Materials & Techniques:: Graphite, black chalk, white chalk and white gouache on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/8 x 20 3/8 inches (31.4 x 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

546. The Three Witches from Macbeth: Double, Double, Toil and Trouble

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with black ink and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 20 3/4 x 24 3/16 inches (52.7 x 61.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

547. Lady Macbeth, Sleepwalking

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with black ink, scraping, and gouache over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 21 1/16 x 14 1/2 inches (53.5 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

548. Prospero and Miranda

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with gouache, black ink, and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 25 11/16 x 18 3/4 inches (65.2 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

549. Ophelia's Death

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with gouache, black ink, and scraping over graphite on moderately thick, slightly textured, cream laid paper mounted on moderately thick, slightly textured, beige laid paper with reminants of contemporary drawn border
Dimensions:: Mount: 22 9/16 x 17 13/16 inches (57.3 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

550. Lady Percy Watching the Sleeping Hotspur

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with black ink and scraping over graphite on thick, slightly textured cream laid paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 24 x 19 1/8 inches (61 x 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

551. Lear and Cordelia

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with black ink and scraping over graphite on thick, slightly textured, cream laid paper mounted on thick, textured, beige card with contemporary drawn border
Dimensions:: Mount: 22 11/16 x 17 13/16 inches (57.7 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

552. Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II

Creator:: Mary Hoare, 1744–1820
Date:: 1780
Materials & Techniques:: Watercolor with brown ink and scraping over graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border
Dimensions:: Mount: 14 5/8 x 16 9/16 inches (37.1 x 42 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

553. Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with brown ink and scraping over graphite on thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border
Dimensions:: Mount: 27 5/16 x 21 7/16 inches (69.3 x 54.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

554. Antigonus Disposing of Perdita

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with brown and black ink and scraping over graphite on thick, textured, cream laid paper mounted on thick, textured, beige card with additional inscribed sheet mounted lower center
Dimensions:: Mount: 23 1/16 x 18 5/8 inches (58.5 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

555. Imogen in the Cave, 'Cymbeline', Act III, Scene VI

Creator:: Mary Hoare, 1744–1820
Date:: 1782
Materials & Techniques:: Watercolor and graphite with pen and black ink on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 23 1/16 x 18 5/16 inches (58.5 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

556. A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii

Creator:: Joseph Michael Gandy, 1771–1843
Date:: ca. 1830
Materials & Techniques:: Graphite, watercolor and gouache with pen and brown ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 11 1/2in. (18.4 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

557. Six Designs for Coleridge's Rime of the Ancient Mariner: While Spirits of Peace Descend

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite, red chalk, and tracing on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 5/16 × 9 7/16 inches (31.3 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

558. Malvoleo

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 7/16 × 4 9/16 inches (18.9 × 11.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

559. Six Designs for Coleridge's Rime of the Ancient Mariner: The Spirit of the South Sends Forth the Albatross as a Sign of Peace to the Ship

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 13/16 × 9 5/16 inches (30 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

560. Six Designs for Colreidge's Rime of the Ancient Mariner: The Spectre Ship Approaches

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite and tracing on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/16 × 9 1/2 inches (31.3 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

561. Six Designs for Coleridge's Rime of the Ancient Mariner: Death and Line-in-Death, Dice for the Crew

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite, red chalk, tracing on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 3/8 × 9 9/16 inches (31.4 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

562. Six Designs for Coleridge's Rime of the Ancient Mariner: The Crew Blames the Mariner for Killing the Albatross

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 1/8 × 9 inches (30.8 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

563. Christian and Hopeful in the Castle of Giant Despair

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite, red chalk, traced for transfer on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 5/8 × 9 11/16 inches (32.1 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

564. Christian, Accompanied by Discretion, Piety, Charity and Prudence

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: graphite, red chalk, traced for transfer on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 7/8 × 10 3/8 inches (32.7 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

565. Six Designs for Coleridge's Rime of the Ancient Mariner: He Rows Ashore in the Pilot's Boat

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite, red chalk, tracing on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 9 5/16 × 12 9/16 inches (23.7 × 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

566. Hearing the Music of the Spheres

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 6 15/16 x 7 5/16in. (17.6 x 18.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

567. The Baron's Hall of Chaucer's Time

Creator:: Thomas Sibson, 1817–1844
Date:: 1844
Materials & Techniques:: Pen and black ink, gray wash and graphite on thin, smooth, brown tracing paper
Dimensions:: Sheet: 11 1/4 × 16 1/2 inches (28.6 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

568. Gil Blas Practicing Medicine Under Dr. Sangrado

Creator:: Thomas Uwins, 1782–1857
Date:: between 1820 and 1822
Materials & Techniques:: Brown wash with brown pen and brown ink over graphite on moderately thick, moderately textured, cream wove paper, laid in contemporary mount made of moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 17 3/8 x 20 1/2 inches (44.2 x 52 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

569. Lady MacBeth

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Black chalk and black wash on medium, slightly textured, cream laid paper mounted on heavy board
Dimensions:: Sheet: 40 3/4 × 21 inches (103.5 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

570. Sketch for Costume Design of Portia in Merchant of Venice

Creator:: Roger Furse, 1903–1972
Date:: ca. 1952
Materials & Techniques:: Graphite and pastel on medium, slightly textured, cream wove paper
Dimensions:: Frame: 23 1/16 × 15 3/4 × 1 1/8 inches (58.6 × 40 × 2.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Gregory F.W. Todd, Yale BA 1976, in memory of Joan Castle Sitwell

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501. Reclining Nude, Possibly Titania

502. Infant Shakespeare, wih Comedy and Tragedy

503. Doctor Ass (A Satire on the Law)

504. John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"

505. Robin Hood and Clarinda Hunting Deer

506. When Swift They Saw John Gilpin Ride, Bare-Headed as Before

507. Othello and Desdemona, 'Othello', Act V, Scene II

508. Timon of Athens Before His Cave

509. Sketches for Panels Executed at Crowe Hall

510. Hamlet and the Ghost

511. Sketch for the Passions: Pride

512. Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd

513. Shakespearean Scene (?): A Pilgrim

514. Sketches for Panels Executed at Crowe Hall

515. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2

516. Sketches for Panels Executed at Crowe Hall

517. Illustration to Fielding's Amelia

518. Sketches for Panels Executed at Crowe Hall

519. The Princes in the Tower

520. Hamlet and the Ghost

521. Macbeth and the Apparition of the Armed Head

522. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

523. Macbeth and the Witch

524. A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1

525. Sketch for the Passions: Love

526. Sketch for the Passions: Jealousy

527. Theatrical Scene

528. Lear and Cordelia

529. Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2

530. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1

531. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3

532. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3

533. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4

534. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2

535. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1

536. Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857

537. Theatrical Figures About a Throne

538. Illustration to Pilgrim's Progress

539. Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels

540. The Morn, All Beauteous to Behold, from Aeschylus, The Persians

541. Hudibras and Rolpho

542. To Phoebus at His Birth, From Aeschylus, Furies

543. Fluellen Forcing Pistol to Eat His Leek

544. Alcibiades and Timon

545. The Peasant's Dream, Paradise Lost, Book 1, 781-8

546. The Three Witches from Macbeth: Double, Double, Toil and Trouble

547. Lady Macbeth, Sleepwalking

548. Prospero and Miranda

549. Ophelia's Death

550. Lady Percy Watching the Sleeping Hotspur

551. Lear and Cordelia

552. Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II

553. Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI

554. Antigonus Disposing of Perdita

555. Imogen in the Cave, 'Cymbeline', Act III, Scene VI

556. A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii

557. Six Designs for Coleridge's Rime of the Ancient Mariner: While Spirits of Peace Descend

558. Malvoleo

559. Six Designs for Coleridge's Rime of the Ancient Mariner: The Spirit of the South Sends Forth the Albatross as a Sign of Peace to the Ship

560. Six Designs for Colreidge's Rime of the Ancient Mariner: The Spectre Ship Approaches

561. Six Designs for Coleridge's Rime of the Ancient Mariner: Death and Line-in-Death, Dice for the Crew

562. Six Designs for Coleridge's Rime of the Ancient Mariner: The Crew Blames the Mariner for Killing the Albatross

563. Christian and Hopeful in the Castle of Giant Despair

564. Christian, Accompanied by Discretion, Piety, Charity and Prudence

565. Six Designs for Coleridge's Rime of the Ancient Mariner: He Rows Ashore in the Pilot's Boat

566. Hearing the Music of the Spheres

567. The Baron's Hall of Chaucer's Time

568. Gil Blas Practicing Medicine Under Dr. Sangrado

569. Lady MacBeth

570. Sketch for Costume Design of Portia in Merchant of Venice