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Genre literary theme

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Work Type intaglio print

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Height [cm] 41

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1. Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Young's Night Thoughts, Page 13, "The present moment terminates our sight"

Young's Night Thoughts, Page 13, "The present moment terminates our sight"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"

Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"

Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Young's Night Thoughts, Page 27, "O treacherous conscience!"

Young's Night Thoughts, Page 27, "O treacherous conscience!"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"

Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"

Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"

Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip

Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
Creator:
Print made by Hugh Downman, d. 1789
Date:
ca. 1787
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, beige laid paper, pasted on mount
Dimensions:
Sheet: 19 × 13 1/4 inches (48.2 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Love in Her Eyes Sits Playing

Love in Her Eyes Sits Playing
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1778
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/8 × 17 15/16 inches (41 × 45.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

39. Abbotsford, Vignette Title

Abbotsford, Vignette Title
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 × 10 7/8 inches (40.6 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. William Cavendish of Newcastle

William Cavendish of Newcastle
Creator:
Print made by George Vertue, 1684–1756
Date:
1739
Materials & Techniques:
Line engraving, stipple engraving and etching on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 15/16 × 9 9/16 inches (40.5 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

41. Sigismonda

Sigismonda
Creator:
Print made by Benjamin Smith, 1775–1833
Date:
1795
Materials & Techniques:
Etching with aquatint
Dimensions:
Sheet: 19 × 25 inches (48.3 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

42. Die Unschuldige Susana - Susanna Innocens

Die Unschuldige Susana - Susanna Innocens
Creator:
Print made by Johann Philip Koch, ca. 1716–1796
Date:
undated
Materials & Techniques:
Mezzotint printed in blue ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 19 1/2 inches (40.6 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

43. George Colman, The Elder

George Colman, The Elder
Creator:
Edward Scriven, 1775–1841
Date:
1813
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 13 inches (41.3 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Samuel Foote

Samuel Foote
Creator:
John Blackmore, active 1740–1780
Date:
1771
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 17 3/4 × 13 1/4 inches (45.1 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Taming the Shrew, Act III, Scene II

Taming the Shrew, Act III, Scene II
Creator:
William S. Leney, 1769–1831
Date:
1793
Materials & Techniques:
Engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 9/16 × 19 1/8 inches (42.1 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

46. Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II

Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
Creator:
Robert Mitchell Meadows, Died before 1812
Date:
1794
Materials & Techniques:
Engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 5/8 × 19 1/4 inches (42.2 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

47. Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III

Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
Creator:
Peltro W. Tomkins, 1760–1840
Date:
1792
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 5/8 × 19 1/4 inches (42.2 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

48. Mrs. Pope as Juliet

Mrs. Pope as Juliet
Creator:
Print made by William Ward, 1766–1826
Date:
ca. 1804
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

49. Sir Brooke Boothby, 6th Baronet Boothby of Broadlow Ash

Sir Brooke Boothby, 6th Baronet Boothby of Broadlow Ash
Creator:
John Raphael Smith, 1752–1812
Date:
1797
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 15/16 × 11 7/8 inches (40.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Joseph Baretti. Secretary for Foreign Correspondence to the Royal Academy

Joseph Baretti. Secretary for Foreign Correspondence to the Royal Academy
Creator:
John Watts, active 1766–1786
Date:
1780
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 20 3/16 × 14 3/4 inches (51.3 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

51. Griffin and Johnson

Griffin and Johnson
Creator:
Print made by Pieter van Bleeck, 1700–1764
Date:
1748
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper, laid on mount
Dimensions:
Sheet: 18 5/16 x 12 3/8 inches (46.5 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

52. MacBeth meeting the Witches

MacBeth meeting the Witches
Creator:
William Woollett, 1735–1785
Date:
1770
Materials & Techniques:
Engraving, proof before all letters on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 × 21 9/16 inches (40.6 × 54.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. The Grave, A Poem, by Robert Blair

No cover image available
Creator:
Prints made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching and letterpress bound in full calf with marbled endpapers on moderately thick, slightly textured, laid paper and wove paper
Dimensions:
Binding: 16 1/8 inches (41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. The Right Reverend Thomas Newton, D.D. Lord Bishop of Bristol, and Dean of St. Paul's

No cover image available
Creator:
Thomas Watson, 1743–1781
Date:
1775
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 3/8 × 14 5/16 inches (49.2 × 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Robert Blair, The Grave, Title Page

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Binding: 16 inches (40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Christ Descending into the Grave

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Binding: 16 inches (40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. The Descent of Man into the Vale of Death

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Binding: 16 inches (40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Nicolaus Boileau Despreaux

No cover image available
Creator:
Print made by Jacob Gole, 1660–1737
Date:
1704
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 16 1/4 × 11 5/8 inches (41.3 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

59. Death's Door

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Binding: 16 inches (40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Death of the Strong Wicked Man

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Binding: 16 inches (40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. The Counsellor, King, Warrior, Mother & Child, in the Tomb

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Binding: 16 inches (40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. The Reunion of the Soul & the Body

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Binding: 16 inches (40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. The Meeting of a Family in Heaven

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Binding: 16 inches (40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. The Day of Judgment

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Binding: 16 inches (40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. The Soul Hovering over the Body reluctantly Parting with Life

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Binding: 16 inches (40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. The Death of the Good Old Man

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Binding: 16 inches (40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. The Soul Exploring the Recesses of the Grave

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Binding: 16 inches (40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. The Golden Bough

No cover image available
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1856
Materials & Techniques:
Etching; open etched state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 1/8 × 26 1/2 inches (41 × 67.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Dido Building Carthage

No cover image available
Creator:
Print made by Thomas Abiel Prior, 1809–1886
Date:
1863
Materials & Techniques:
Etching and line engraving; first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 24 3/8 × 31 5/8 inches (61.9 × 80.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection