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Genre literary theme

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Work Type watercolor

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Subject Terms feathers

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The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 73, "The Fatal Sisters."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Jerusalem, Plate 62, "Repose on me...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Duel: 'Twelfth Night,' Act III, Scene IV
Creator:
Henry William Bunbury, 1750–1811
Date:
ca. 1790
Materials & Techniques:
Watercolor, pen and gray ink, red ink, black ink, brown ink, gum arabic, graphite, and white gouache on moderately thick, slightly textured, beige wove paper, mounted on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 22 1/8 × 16 13/16 inches (56.2 × 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Shakespearean Scene (?): A Pilgrim
Creator:
Joseph Farington, 1747–1821
Date:
1796
Materials & Techniques:
Pen and brown ink with gray wash over graphite on moderately thick, slightly textured, cream wove paper, pasted on contemporary mount made of thick, slightly textured, beige wove paper
Dimensions:
Mount: 18 1/2 × 15 5/8 inches (47 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Sketch for the Passions: Pride
Creator:
Richard Dadd, 1817–1886
Date:
ca. 1854
Materials & Techniques:
Watercolor, black ink, and graphite on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/8 inches (36.8 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sketch for the Passions: Jealousy
Creator:
Richard Dadd, 1817–1886
Date:
1853
Materials & Techniques:
Watercolor, black ink, and graphite on moderately thick, slightly textured, light blue wove paper
Dimensions:
Sheet: 14 x 10 1/8 inches (35.5 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung
Creator:
Andreas Geiger, 1765–1856
Date:
undated
Materials & Techniques:
Etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/16 x 12 1/16 inches (24 x 30.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund