Genre: literary theme / Width [cm]: 20 - YCBA Collections Search Search Results

1. Tempest, Version A

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite; verso: gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 x 7 3/4 inches (15.6 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

2. Sketch for Canidia and the Youth

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite; verso: gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 x 7 3/4 inches (15.6 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

3. The Abandonment and Rescue of Perdita from "The Winter's Tale"

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 8 inches (12.1 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

4. Three Studies of a Standing Woman, Possibly Lady MacBeth

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 x 8 inches (15.9 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

5. Gulliver Bound by the Lilliputians

Creator:: Richard Wilson, 1713/4–1782
Date:: undated
Materials & Techniques:: Graphite on medium, rough, blue laid paper
Dimensions:: Mount: 6 7/8 x 9 5/8 inches (17.5 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Tenth Day of the Decameron

Creator:: Thomas Stothard, 1755–1834
Date:: ca. 1825
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 x 8in. (27 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Study for 'Finding of the Body of Bassanio'

Creator:: Henry Fuseli, 1741–1825
Date:: 1804
Materials & Techniques:: Pen and brown ink, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 x 8 inches (30.8 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Caerlaverock Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 1/4 × 17 5/8 inches (23.5 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Window West End, South Aisle, Saint Vincent

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Graphite, watercolor, pen and black ink, and pen and brown ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 7/8 × 3 7/8 inches (22.5 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Loch Coriskin

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The Dead Eagle - Oran

Creator:: Print made by William Miller, 1796–1882
Date:: 1837
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/16 × 7 3/4 inches (31.3 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Berwick-on-Tweed

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 7/8 × 12 1/8 inches (22.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Kelso

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Jedburgh Abbey

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Caerlaverock Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Edinburgh from Blackford Hill

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Loch Katrine

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Melrose

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Junction of the Greta and the Tees

Creator:: Print made by John Pye, 1782–1874
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Skiddaw

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Berwick on Tweed

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Study for the Damned

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/8 × 7 3/4 inches (16.2 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

23. Scene from the Inferno Dramatic Landscape

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash, black wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/8 × 7 7/8 inches (16.2 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

24. Scene from the Inferno

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 × 7 7/8 inches (15.6 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

25. Study for the Damned

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash, black wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/8 × 7 7/8 inches (16.2 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

26. Melrose

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/4 × 17 inches (28.6 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Edinburgh from Blackford Hill

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/8 × 17 3/8 inches (29.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Berwick-on-Tweed

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 7 5/8 × 10 3/4 inches (19.4 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Caerlaverock Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Junction of the Greta and the Tees

Creator:: Print made by John Pye, 1782–1874
Date:: 1834
Materials & Techniques:: Line engraving, second state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Loch Achray

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 6 1/4 × 8 1/2 inches (15.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gouache on thin wove paper stained for tracing
Dimensions:: Mount: 7 3/8 × 9 5/8 inches (18.7 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

33. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor and graphite on wove paper, laid down on contemporary laid paper mount
Dimensions:: Sheet: 5 5/8 × 7 7/8 inches (14.3 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

34. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 7 15/16 inches (14 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

35. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 7 11/16 inches (12.1 × 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Carlisle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving; second state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Kelso

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1834
Materials & Techniques:: Line engraving, second state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Jonathan Wild Discovers Darrell in the Loft

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1835
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 9 1/2 x 7 11/16 inches (24.2 x 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

41. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Bauldy, Symon and Sir William Worthy

Creator:: Print made by David Allan, 1744–1796
Date:: 1808
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

43. Dryburgh Abbey

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving, before title on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Junction of the Greta and the Tees

Creator:: Print made by John Pye, 1782–1874
Date:: 1834
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 16 3/4 inches (27.9 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Scene from Macbeth: Apparition of Banquo

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream wove paper medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 × 8 inches (14.3 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

46. Marion "Polly" Terry as Fitz-James

Creator:: Charles Lutwidge Dodgson [pseud. Lewis Carroll], 1832–1898
Date:: 1875, printed ca.1980
Materials & Techniques:: Gold toned contact print from a collodion wet plate negative on photographic printing-out paper
Dimensions:: Sheet: 10 × 8 inches (25.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Barbara Benson and Richard Benson (1943–2017)

47. Othello and Desdemona, 'Othello', Act V, Scene II

Creator:: attributed to Richard Cosway, 1742–1821
Date:: ca. 1805
Materials & Techniques:: Graphite and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 7 3/4 inches (24.4 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

48. Troilus and Cessida: Six Women on the Walls of Illion

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 7 7/8 inches (15.9 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

49. Maria

Creator:: Print made by Thomas Watson, 1743–1781
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 9 inches (29.5 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

50. Maria

Creator:: Print made by Thomas Watson, 1743–1781
Date:: 1777
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/8 × 10 1/16 inches (33.3 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

51. Sigismunda

Creator:: Print made by Thomas Watson, 1743–1781
Date:: 1779
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/16 × 10 3/16 inches (33.5 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

52. Juliet

Creator:: Print made by Philip Dawe, ca.1745–ca.1809
Date:: 1779
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 x 14 1/8 inches (53.4 x 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

53. Christ Descending into the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Mr. Kean as Othello

Creator:: unknown artist
Materials & Techniques:: Hand-colored etching
Dimensions:: Sheet: 9 1/2 x 8in. (24.1 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

55. Alexander Dow

Creator:: Samuel William Reynolds, 1773–1835
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 8 inches (27.3 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. "Antony and Cleopatra," Act III, Scene XI

Creator:: Georg Goldberg, 1830–1894
Date:: undated
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 1/16 inches (28.2 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

57. Jedburgh Abbey

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 7/8 × 12 1/2 inches (22.5 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Dryburgh

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 1/2 × 13 1/2 inches (21.6 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Melrose

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 1/2 × 13 1/2 inches (21.6 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Edinburgh from Blackford Hill

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Junction of the Greta and the Tees

Creator:: Print made by John Pye, 1782–1874
Date:: 1834
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Loch Coriskin

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 5/8 × 15 1/2 inches (27 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Lucilia

Creator:: Print made by Edward Fisher, 1722–1785
Date:: 1776
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 7/16 x 7 13/16 inches (26.5 x 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

64. Pamela and Philoclea

Creator:: Print made by Valentine Green, 1739–1813
Date:: ca. 1777
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 8 inches (22.3 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

65. Taming of the Shrew

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/8 x 11 5/8 inches (43.5 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Scene from Don Quixote

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, graphite, and varnish, with scratching out; squared for transfer on moderately thick, moderately textured, beige laid paper
Dimensions:: Image: 8 3/8 × 6 3/8 inches (21.3 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Thomas Percy, Bishop of Dromore

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Stipple engraving, and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 7 11/16 inches (26.7 × 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. John Smith, Writing Master in London

Creator:: William Faithorne the Younger, ca. 1669–1703
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/4 × 8 3/4 inches (32.4 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Dryburgh Abbey

Creator:: Print made by William Miller, 1796–1882
Date:: 1833
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 1/2 × 11 1/2 inches (24.1 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Carlisle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 5/8 × 11 3/4 inches (21.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Edinburgh from Blackford Hill

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Loch Katrine

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Junction of the Greta and the Tees

Creator:: Print made by John Pye, 1782–1874
Date:: 1834
Materials & Techniques:: Line engraving, before title on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 6 1/4 × 8 1/2 inches (15.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Skiddaw

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Jedburgh Abbey

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/4 × 14 1/2 inches (26 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Kelso

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1834
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/4 × 14 1/2 inches (26 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Dryburgh Abbey

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving, before title on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Berwick-on-Tweed

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Shooting the Albatross

Creator:: Print made by William Strang, 1859–1921
Date:: 1896
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 10 inches (38.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

80. The Miracle of Purun Bhagat

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 × 8 inches (26.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Dr. Harrison Wood

81. And Ah! Let Pity Turn Her Dewy Eyes...

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1801
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 1/16 x 10 9/16 inches (35.7 x 26.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Caerlaverock Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 5/8 × 11 5/8 inches (21.9 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. The Captive Pegasus

Creator:: Print made by Charles Shannon, 1863–1937
Date:: 1897
Materials & Techniques:: Chiaroscuro woodcut on thin, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/8 × 7 3/4 inches (24.4 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Donald and Willi Holden

84. Christ Descending into the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. William Cavendish Marquis of Newcastle

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving, printed in brown ink and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 7 7/8 inches (26 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

86. Christ Descending into the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Christ Descending into the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/2 × 13 3/4 inches (49.5 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. John Philip Kemble, as Richard III

Creator:: George Keating, 1762–1842
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 9 1/4 inches (32.1 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. On Greenhow Hill

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 8 inches (26 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

90. The Taking of Lungtungpen

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 × 10 3/4 inches (19.7 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

91. The Finances of the Gods

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching on thin, slightly textured, beige modern laid paper
Dimensions:: Sheet: 8 3/4 × 10 3/4 inches (22.2 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

92. The Mutiny of the Mavericks

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 8 inches (23.2 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

93. Beyond the Pale

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching and aquatint on thin, slightly textured, beige modern laid paper
Dimensions:: Sheet: 8 3/4 × 10 7/8 inches (22.2 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

94. A Matter of Fact

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching and aquatint on thin, slightly textured, beige modern laid paper
Dimensions:: Sheet: 8 3/4 × 10 3/4 inches (22.2 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

95. Without Benefit of Clergy

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching and aquatint on medium, smooth, beige laid paper
Dimensions:: Sheet: 8 5/8 × 10 7/8 inches (21.9 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

YCBA Collections Search

Refine your search

Search Constraints

Genre literary theme

Width [cm] 20

Search Results

1. Tempest, Version A

2. Sketch for Canidia and the Youth

3. The Abandonment and Rescue of Perdita from "The Winter's Tale"

4. Three Studies of a Standing Woman, Possibly Lady MacBeth

5. Gulliver Bound by the Lilliputians

6. The Tenth Day of the Decameron

7. Study for 'Finding of the Body of Bassanio'

8. Caerlaverock Castle

9. Window West End, South Aisle, Saint Vincent

10. Loch Coriskin

11. The Dead Eagle - Oran

12. Berwick-on-Tweed

13. Kelso

14. Jedburgh Abbey

15. Caerlaverock Castle

16. Edinburgh from Blackford Hill

17. Loch Katrine

18. Melrose

19. Junction of the Greta and the Tees

20. Skiddaw

21. Berwick on Tweed

22. Study for the Damned

23. Scene from the Inferno Dramatic Landscape

24. Scene from the Inferno

25. Study for the Damned

26. Melrose

27. Edinburgh from Blackford Hill

28. Berwick-on-Tweed

29. Caerlaverock Castle

30. Junction of the Greta and the Tees

31. Loch Achray

32. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2

33. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4

34. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1

35. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

36. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

37. Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

38. Carlisle

39. Kelso

40. Jonathan Wild Discovers Darrell in the Loft

41. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

42. Bauldy, Symon and Sir William Worthy

43. Dryburgh Abbey

44. Junction of the Greta and the Tees

45. Scene from Macbeth: Apparition of Banquo

46. Marion "Polly" Terry as Fitz-James

47. Othello and Desdemona, 'Othello', Act V, Scene II

48. Troilus and Cessida: Six Women on the Walls of Illion

49. Maria

50. Maria

51. Sigismunda

52. Juliet

53. Christ Descending into the Grave

54. Mr. Kean as Othello

55. Alexander Dow

56. "Antony and Cleopatra," Act III, Scene XI

57. Jedburgh Abbey

58. Dryburgh

59. Melrose

60. Edinburgh from Blackford Hill

61. Junction of the Greta and the Tees

62. Loch Coriskin

63. Lucilia

64. Pamela and Philoclea

65. Taming of the Shrew

66. Scene from Don Quixote

67. Thomas Percy, Bishop of Dromore

68. John Smith, Writing Master in London

69. Dryburgh Abbey

70. Carlisle

71. Edinburgh from Blackford Hill

72. Loch Katrine

73. Junction of the Greta and the Tees

74. Skiddaw