Etched by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
4
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
5
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
6
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
7
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
8
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
9
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
10
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
11
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
12
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
13
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
14
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
15
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
16
George Romney, 1734–1802
Tempest, Version A
undated
17
George Romney, 1734–1802
The Banquet Scene
ca. 1792
18
George Romney, 1734–1802
Sketch for Canidia and the Youth
undated
19
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
20
George Romney, 1734–1802
Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
undated
21
George Romney, 1734–1802
Miranda, Prospero, and Caliban: The Tempest
undated
22
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
23
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
24
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
25
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
26
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
27
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
28
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
29
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
30
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
31
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
32
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
33
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
34
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
35
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
36
Richard Parkes Bonington, 1802–1828
Studies for Shylock
1825
37
Benjamin Robert Haydon, 1786–1846
Sketches for a Scene from 'Macbeth'
ca. 1811
38
unknown artist
The Death of Cordelia
undated
39
John Massey Wright, 1777–1866
Falstaff Disguised as Herne
undated
40
Theodor von Holst, 1810–1844
Sheet of Sketches
undated
41
Theodor von Holst, 1810–1844
Ferdinand Riding the Waves
ca. 1830
42
Theodor von Holst, 1810–1844
Prospero Watching Ferdinand and Miranda
ca. 1840
43
Theodor von Holst, 1810–1844
Faust and Margaret
undated
44
Henry Fuseli, 1741–1825
Study for 'Finding of the Body of Bassanio'
1804
45
Robert Smirke, 1752–1845
Anne Page and Slender
1821
46
Robert Smirke, 1752–1845
Prospero and Ariel
1821
47
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
48
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
49
John Flaxman, 1755–1826
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
50
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
51
Samuel De Wilde, 1748–1832
Head of a Man with a Beard and Long Hair in the Wind
1786
52
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
53
Thomas Rowlandson, 1756–1827
Henderson in the Character of Falstaff
undated
54
unknown artist
Troilus and Cressida?
undated
55
unknown artist
A Midsummer Night's Dream: Three Figures
undated
56
unknown artist
Study for the Damned
undated
57
Sawrey Gilpin, 1733–1807
Study for the Figure of Gulliver
ca. 1769
58
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
59
unknown artist
Troilus and Cessida: Six Women on the Walls of Illion
undated
60
unknown artist
Reclining Nude, Possibly Titania
undated
61
unknown artist
Apparition: Banquo?
undated
62
John Massey Wright, 1777–1866
The Rustics Perform from "A Midsummer Night's Dream"
undated
63
George Augustus Sala, 1828–1895
Mefistofile II
1880
64
Edward Francis Burney, 1760–1848
Study for the Figures of Demitrius and Two Workmen
undated
65
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth Stabbing Duncan
between 1809 and 1811
66
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
67
Robert Smirke, 1752–1845
Isabella and Mariana Kneeling Before the Duke
1822
68
Robert Smirke, 1752–1845
Falstaff with Mistress Quickly and Bardolph
1825
69
Robert Smirke, 1752–1845
Ford in a Rage After Seeing Falstaff
1821
70
Robert Smirke, 1752–1845
Lady Mortimer's Welsh Song
1825
71
Robert Smirke, 1752–1845
Master William Page and Sir Hugh Evans
1821
72
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1821
73
Robert Smirke, 1752–1845
Hotspur and the Plotters at Bangor
1825
74
Robert Smirke, 1752–1845
Oberon and Puck
1825
75
Robert Smirke, 1752–1845
The Death of Ophelia
ca. 1810
76
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Study of Sleeping Grooms
between 1809 and 1811
77
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
78
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Daggers
between 1809 and 1811
79
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
80
Robert Smirke, 1752–1845
Ferdinand Reunited with his Father
1821
81
Robert Smirke, 1752–1845
Prospero Conjuring a Masque for Ferdinand and Miranda