Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
ca. 1874
Not on view
2
William Mulready, 1786–1863
Mr. Peregrine Touchwood Breaking in upon the Rev. Josiah Cargill
1831
Not on view
3
Adrien Carpentiers, active 1739–1778
Louis-Francois Roubiliac Modelling His Monument to Shakespeare
between 1760 and 1761
Not on view
4
Robert Smirke, 1752–1845
The Seven Ages of Man: The Infant, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
5
Gilbert Stuart Newton, 1794–1835
Shylock and Jessica from the 'Merchant of Venice,' II, ii
1830
Not on view
6
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
7
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
8
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1920
9
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1926
10
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
11
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
12
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
13
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
14
Print made by William Blake, 1757–1827
Jerusalem, Plate 1, Frontispiece
1804 to 1820
15
William Blake, 1757–1827
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
16
William Blake, 1757–1827
The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
17
William Blake, 1757–1827
The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
between 1797 and 1798
18
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
19
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
1826
20
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
21
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
22
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
1826
23
Richard Parkes Bonington, 1802–1828
Studies for Shylock
1825
24
Print made by Hugh Downman, d. 1789
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
25
Theodor von Holst, 1810–1844
Ferdinand Riding the Waves
ca. 1830
26
Robert Smirke, 1752–1845
Prospero and Ariel
1821
27
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
28
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
29
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
30
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
31
Print made by George Cruikshank, 1792–1878
Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate
1839
32
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
33
Lewis Morley, 1925–2013
Front of House, Hadrian the Seventh
1960s
34
attributed to Richard Cosway, 1742–1821
Othello and Desdemona, 'Othello', Act V, Scene II
ca. 1805
35
John Downman, 1750–1824
John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
1787
36
Richard Dadd, 1817–1886
Sketch for the Passions: Jealousy
1853
37
James Fittler, 1758–1835
'The Gamester,' Act V, Scene IV
1792
38
Print made by Edward Fisher, 1722–1785
Don Ferdinand
1777
39
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
40
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
Seht Ihr denn nichts hier: 'Hamlet,' Act IV, Scene II
1778
41
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
...in ein Nonnen Kloster geh: 'Hamlet,' Act III, Scene IX
1778
42
Print made by John Dean, 1754–1798
Phoebe Hoppner as Caroline de Lichtfield
1786
43
Peter Simon, 1750–1810
Tom Jones
44
Print made by Edward Fisher, 1722–1785
Don Ferdinand
1777
45
Print made by Edward Fisher, 1722–1785
Angelina
1776
46
Print made by Henry William Bunbury, 1750–1811
The Damnation of Obadiah
between 1773 and 1817
47
Robert Smirke, 1752–1845
Falstaff with Mistress Quickly and Bardolph
1825
48
Robert Smirke, 1752–1845
Ford in a Rage After Seeing Falstaff
1821
49
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
50
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
51
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
52
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
53
Richard Earlom, 1743–1822
Thomas King and Sophia Baddely in "The Clandestine Marriage"