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'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
Creator:
Charles Reuben Ryley, 1752–1798
Date:
1786
Materials & Techniques:
Oil on canvas
Dimensions:
11 x 13 3/4 inches (27.9 x 34.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A Theatrical Incident: "As You Like It"
Creator:
Walter Richard Sickert, 1860–1942
Date:
1938
Materials & Techniques:
Oil on canvas
Dimensions:
40 x 36 inches (101.6 x 91.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948
On View:
Not on view
Herne's Oak from 'The Merry Wives of Windsor,' V, v
Creator:
George Cruikshank, 1792–1878
Date:
ca. 1857
Materials & Techniques:
Oil on canvas
Dimensions:
36 x 48 inches (91.4 x 121.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Scene from "The Abbot"
Creator:
Sir David Wilkie, 1785–1841
Date:
1833
Materials & Techniques:
Watercolor with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 7 1/8 inches (23.5 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, Fund
Here Nature List'ning Stood
Creator:
Print made by Cornelis Apostool, 1762–1844
Date:
1795
Materials & Techniques:
Aquatint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 5 15/16 inches (22.8 × 15.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund