Genre: literary theme - YCBA Collections Search Search Results

901. David Garrick, Esq.

Creator:: Robert Laurie, 1755?–1836
Date:: 1779
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 13/16 × 10 7/16 inches (37.6 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

902. Tynemouth Priory

Creator:: Print made by William Miller, 1796–1882
Date:: ca. 1844
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

903. Adelaide

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

904. Mrs. W. West as Cordelia

Creator:: Print made by Thomas A. Woolnoth, 1785–1857
Date:: 1820
Materials & Techniques:: Stipple engraving on medium cream slithtly textured wove paper
Dimensions:: Overall: 6 3/8 × 3 3/4 inches (16.2 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

905. Ehrenbreitstein (Vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

906. Camp Hill, Hastings

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

907. Leaving Home

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof
Dimensions:: Sheet: 14 1/2 × 9 inches (36.8 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

908. The Gipsy

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, with graphite, Touched Proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 13/16 × 5 7/8 inches (27.5 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

909. St. Herbert's Chapel

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Line engraving, open etching on moderately thick, slightly textured, creame wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/4 × 9 3/8 inches (36.2 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

910. Keswick Lake

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

911. An Old Manor House

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving; touched proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 1/2 × 5 15/16 inches (21.6 × 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

912. Traitor's Gate - Tower of London

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof (touched)
Dimensions:: Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

913. Valombre

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 3/8 × 9 7/8 inches (39.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

914. A Village Fair

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, smooth wove paper
Dimensions:: Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

915. St. Pierre's Cottage

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and engraving, with scraping out and touched with graphite (Engraver's Proof b) on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 9/16 × 12 3/16 inches (44.6 × 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

916. Captivity

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on medium, smooth, beige wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Mount: 16 15/16 × 12 1/8 inches (43 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

917. St. Julienne's Chapel

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

918. St. Pierre's Cottage

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 3/16 × 11 3/4 inches (43.7 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

919. St. Anne's Hill, No. II

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 3/8 × 12 1/16 inches (44.1 × 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

920. Land Discovered by Columbus

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

921. Damon and Pythias

Creator:: Print made by Frederick Bacon, 1803–1887
Date:: 1835
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

922. Loch Achray

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 6 1/4 × 8 1/2 inches (15.9 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

923. Mount Moriah

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1836
Materials & Techniques:: Line engraving, Engraving, proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

924. Ehrenbreitstein (Vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

925. "This is fairy gold, boy, and will prove so"

Creator:: James Heath, 1757–1834
Date:: 1804
Materials & Techniques:: Etching, line engraving and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 13/16 x 13 1/16 inches (42.7 x 33.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

926. Fonrose

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

927. Ticket: Anacreontic Society Meeting

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1773
Materials & Techniques:: Etching, stipple engraving and line engraving in red ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 4 inches (14 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

928. The Council Chamber

Creator:: After Edward Burne-Jones, 1833–1898
Date:: 1892
Materials & Techniques:: Photogravure on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 33 1/4 inches (42.5 × 84.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Joseph F. McCrindle, Yale LLB 1948, Fund

929. The Briar Wood

Creator:: After Edward Burne-Jones, 1833–1898
Date:: 1892
Materials & Techniques:: Photogravure on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 32 3/4 inches (41.9 × 83.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Joseph F. McCrindle, Yale LLB 1948, Fund

930. The Rose Bower

Creator:: After Edward Burne-Jones, 1833–1898
Date:: 1892
Materials & Techniques:: Photogravure on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 30 3/4 inches (41.9 × 78.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Joseph F. McCrindle, Yale LLB 1948, Fund

931. Judith, or Cowper's Oak

Creator:: Print made by Caroline Watson, 1760–1814
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

932. When Swift They Saw John Gilpin Ride, Bare-Headed as Before

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on thick, moderately textured, white wove paper
Dimensions:: Sheet: 3 3/4 × 4 inches (9.5 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

933. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gouache on thin wove paper stained for tracing
Dimensions:: Mount: 7 3/8 × 9 5/8 inches (18.7 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

934. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor and graphite on wove paper, laid down on contemporary laid paper mount
Dimensions:: Sheet: 5 5/8 × 7 7/8 inches (14.3 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

935. Illustration to Pilgrim's Progress

Creator:: John Flaxman, 1755–1826
Date:: 1792
Materials & Techniques:: Black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 x 10 3/4 inches (22.2 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

936. Hudibras and Rolpho

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 x 6 inches (17.5 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

937. The Morn, All Beauteous to Behold, from Aeschylus, The Persians

Creator:: after John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

938. Fluellen Forcing Pistol to Eat His Leek

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 14 × 10 1/8 inches (35.6 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

939. Alcibiades and Timon

Creator:: Richard Westall, 1765–1836
Date:: ca. 1805
Materials & Techniques:: Watercolor with gouache and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 1/8 × 10 1/16 inches (33.3 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

940. Lady Percy Watching the Sleeping Hotspur

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with black ink and scraping over graphite on thick, slightly textured cream laid paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 24 x 19 1/8 inches (61 x 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

941. Prospero and Miranda

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with gouache, black ink, and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 25 11/16 x 18 3/4 inches (65.2 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

942. Imogen in the Cave, 'Cymbeline', Act III, Scene VI

Creator:: Mary Hoare, 1744–1820
Date:: 1782
Materials & Techniques:: Watercolor and graphite with pen and black ink on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 23 1/16 x 18 5/16 inches (58.5 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

943. Antigonus Disposing of Perdita

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with brown and black ink and scraping over graphite on thick, textured, cream laid paper mounted on thick, textured, beige card with additional inscribed sheet mounted lower center
Dimensions:: Mount: 23 1/16 x 18 5/8 inches (58.5 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

944. Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II

Creator:: Mary Hoare, 1744–1820
Date:: 1780
Materials & Techniques:: Watercolor with brown ink and scraping over graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border
Dimensions:: Mount: 14 5/8 x 16 9/16 inches (37.1 x 42 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

945. A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii

Creator:: Joseph Michael Gandy, 1771–1843
Date:: ca. 1830
Materials & Techniques:: Graphite, watercolor and gouache with pen and brown ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 11 1/2in. (18.4 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

946. Shakespearean Scene (?): A Pilgrim

Creator:: Joseph Farington, 1747–1821
Date:: 1796
Materials & Techniques:: Pen and brown ink with gray wash over graphite on moderately thick, slightly textured, cream wove paper, pasted on contemporary mount made of thick, slightly textured, beige wove paper
Dimensions:: Mount: 18 1/2 × 15 5/8 inches (47 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

947. Ophelia's Death

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with gouache, black ink, and scraping over graphite on moderately thick, slightly textured, cream laid paper mounted on moderately thick, slightly textured, beige laid paper with reminants of contemporary drawn border
Dimensions:: Mount: 22 9/16 x 17 13/16 inches (57.3 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

948. Lady Macbeth, Sleepwalking

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with black ink, scraping, and gouache over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 21 1/16 x 14 1/2 inches (53.5 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

949. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 7 15/16 inches (14 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

950. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor and graphite on thin wove paper stained for tracing, laid down on contemporary wove paper mount
Dimensions:: Sheet: 6 9/16 × 8 3/4 inches (16.7 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

951. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink on slightly textured, medium, gray wove paper laid down on contemporary laid paper mount
Dimensions:: Sheet: 5 5/8 × 8 1/16 inches (14.3 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

952. Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary mount paper
Dimensions:: Sheet: 6 5/8 × 8 3/4 inches (16.8 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

953. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary wove paper mount
Dimensions:: Sheet: 6 3/4 × 9 inches (17.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

954. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary wove paper mount
Dimensions:: Sheet: 6 3/4 × 8 3/4 inches (17.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

955. Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857

Creator:: George Cressal Ellis, ca. 1810–1875
Date:: undated
Materials & Techniques:: Watercolor and gouache over graphite on thin, smooth, brown wove paper
Dimensions:: Sheet: 8 × 11 inches (20.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

956. Theatrical Figures About a Throne

Creator:: Richard Westall, 1765–1836
Date:: undated
Materials & Techniques:: Watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 × 23 3/4 inches (48.3 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

957. Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Pen and gray ink, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 x 5 3/4 inches (11.4 x 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

958. To Phoebus at His Birth, From Aeschylus, Furies

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

959. The Peasant's Dream, Paradise Lost, Book 1, 781-8

Creator:: Henry Fuseli, 1741–1825
Date:: 1793 to 1800
Materials & Techniques:: Graphite, black chalk, white chalk and white gouache on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/8 x 20 3/8 inches (31.4 x 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

960. The Three Witches from Macbeth: Double, Double, Toil and Trouble

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with black ink and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 20 3/4 x 24 3/16 inches (52.7 x 61.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

961. The Three Witches from Macbeth: Though the Bark Cannot be Lost...

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor and graphite, with scraping on moderately thick, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 11/16 × 11 5/16 inches (29.7 × 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

962. The Apparition of the Armed Head: Macbeth

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor, pen and black ink, and graphite, with scraping on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 16 × 13 inches (40.6 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

963. Lear and Cordelia

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with black ink and scraping over graphite on thick, slightly textured, cream laid paper mounted on thick, textured, beige card with contemporary drawn border
Dimensions:: Mount: 22 11/16 x 17 13/16 inches (57.7 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

964. Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with brown ink and scraping over graphite on thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border
Dimensions:: Mount: 27 5/16 x 21 7/16 inches (69.3 x 54.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

965. Lear and Cordelia

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with black ink and scraping over graphite on thick, slightly textured, cream laid paper mounted on moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 22 15/16 x 17 1/4 inches (58.3 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

966. Ferdinand and Ariel

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor and graphite, with scraping on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 13 13/16 x 11 1/4 inches (35.1 x 28.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

967. Pirate's Isle

Creator:: David Cox, 1783–1859
Date:: 1826
Materials & Techniques:: Watercolor with stopping out, and scraping out on moderately thick slightly textured cream wove paper
Dimensions:: Sheet: 30 3/4 x 42 1/2 inches (78.1 x 108 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

968. Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . . .

Creator:: Print made by Charles Gauthier Playter, died 1809
Date:: 1793
Materials & Techniques:: Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 28 1/2 × 20 1/8 inches (72.4 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

969. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 7 11/16 inches (12.1 × 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

970. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

971. Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

972. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 6 9/16 inches (10.5 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

973. An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1842
Materials & Techniques:: Watercolor over etched outline, with gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 13/16 × 7 3/8 inches (12.2 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

974. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Takes a Ride at St. Cloud'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 6 9/16 inches (10.5 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

975. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/16 × 6 9/16 inches (10.3 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

976. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/16 × 6 9/16 inches (10.3 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

977. The Fatal Bellman

Creator:: Print made by George Richmond, 1809–1896
Date:: 1827
Materials & Techniques:: Line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 6 13/16 x 5 3/8 inches (17.3 x 13.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

978. Jack Sheppard Committing the Robbery in Willesden Church

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 8 9/16 x 7 3/16 inches (21.8 x 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

979. Audacity of Jack Sheppard

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 8 3/4 x 6 15/16 inches (22.2 x 17.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

980. Jack Sheppard Tricking Shotbolt, the Gaoler

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 8 7/16 x 7 9/16 inches (21.4 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

981. Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 8 7/16 x 7 5/16 inches (21.5 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

982. The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 8 9/16 x 7 inches (21.8 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

983. Twelfth Night, Act V, Scene I: The Street

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1803
Materials & Techniques:: Etching and stipple engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 20 x 29 1/2 inches (50.8 x 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

984. Twelfth Night, Act III, Scene IV: Olivia's House

Creator:: Thomas Ryder, 1746–1810
Date:: 1803
Materials & Techniques:: Stipple engraving on medium, smooth, cream laid paper
Dimensions:: Sheet: 20 x 29 1/2 inches (50.8 x 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

985. Mr. Wood Offers to Adopt Little Jack Sheppard

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1835
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 8 11/16 x 7 7/16 inches (22 x 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

986. The Murder on the Thames

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 9 1/16 x 7 7/16 inches (23 x 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

987. Mrs. Sheppard Expostulating with her Son

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 8 1/4 x 6 15/16 inches (21 x 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

988. Jack Sheppard's Escape from the Cage at Willesden

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 8 5/8 x 7 3/16 inches (21.9 x 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

989. Jack Sheppard Accuses Thames Darrell of the Theft

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 8 7/8 x 7 5/16 inches (22.5 x 18.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

990. Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 8 9/16 x 7 3/16 inches (21.7 x 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

991. The Castellated Rhine

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Line engraving, third state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 4 inches (16.8 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

992. Twelve Illustrations of Robinson Crusoe

Creator:: Carington Bowles, 1724–1793
Date:: 1783
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

993. Twelve Illustrations of Robinson Crusoe

Creator:: Carington Bowles, 1724–1793
Date:: 1783
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

994. Twelve Illustrations of Robinson Crusoe

Creator:: Carington Bowles, 1724–1793
Date:: 1783
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

995. Twelve Illustrations of Robinson Crusoe

Creator:: Carington Bowles, 1724–1793
Date:: 1783
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

996. Twelve Illustrations of Robinson Crusoe

Creator:: Carington Bowles, 1724–1793
Date:: 1783
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

997. Twelve Illustrations of Robinson Crusoe

Creator:: Carington Bowles, 1724–1793
Date:: 1783
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

998. Twelve Illustrations of Robinson Crusoe

Creator:: Carington Bowles, 1724–1793
Date:: 1783
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

999. Land Discovered by Columbus

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1832-1834
Materials & Techniques:: Line engraving, 1st state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/8 × 6 5/16 inches (29.5 × 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1000. The Field of Waterloo from Hougoumont

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1833
Materials & Techniques:: Etching and engraving, third state on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 8 5/8 inches (28.9 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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901. David Garrick, Esq.

902. Tynemouth Priory

903. Adelaide

904. Mrs. W. West as Cordelia

905. Ehrenbreitstein (Vignette)

906. Camp Hill, Hastings

907. Leaving Home

908. The Gipsy

909. St. Herbert's Chapel

910. Keswick Lake

911. An Old Manor House

912. Traitor's Gate - Tower of London

913. Valombre

914. A Village Fair

915. St. Pierre's Cottage

916. Captivity

917. St. Julienne's Chapel

918. St. Pierre's Cottage

919. St. Anne's Hill, No. II

920. Land Discovered by Columbus

921. Damon and Pythias

922. Loch Achray

923. Mount Moriah

924. Ehrenbreitstein (Vignette)

925. "This is fairy gold, boy, and will prove so"

926. Fonrose

927. Ticket: Anacreontic Society Meeting

928. The Council Chamber

929. The Briar Wood

930. The Rose Bower

931. Judith, or Cowper's Oak

932. When Swift They Saw John Gilpin Ride, Bare-Headed as Before

933. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2

934. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4

935. Illustration to Pilgrim's Progress

936. Hudibras and Rolpho

937. The Morn, All Beauteous to Behold, from Aeschylus, The Persians

938. Fluellen Forcing Pistol to Eat His Leek

939. Alcibiades and Timon

940. Lady Percy Watching the Sleeping Hotspur

941. Prospero and Miranda

942. Imogen in the Cave, 'Cymbeline', Act III, Scene VI

943. Antigonus Disposing of Perdita

944. Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II

945. A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii

946. Shakespearean Scene (?): A Pilgrim

947. Ophelia's Death

948. Lady Macbeth, Sleepwalking

949. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1

950. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3

951. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2

952. Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2

953. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1

954. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3

955. Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857

956. Theatrical Figures About a Throne

957. Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels

958. To Phoebus at His Birth, From Aeschylus, Furies

959. The Peasant's Dream, Paradise Lost, Book 1, 781-8

960. The Three Witches from Macbeth: Double, Double, Toil and Trouble

961. The Three Witches from Macbeth: Though the Bark Cannot be Lost...

962. The Apparition of the Armed Head: Macbeth

963. Lear and Cordelia

964. Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI

965. Lear and Cordelia

966. Ferdinand and Ariel

967. Pirate's Isle

968. Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . . .

969. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

970. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

971. Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

972. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'

973. An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

974. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Takes a Ride at St. Cloud'

975. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'