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Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

Print made by William Blake, 1757–1827

Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."

1804 to 1820

Print made by William Blake, 1757–1827

The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

1789

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 10, "12: Los Howld in a Dismal Stupor...." (Bentley 7)

1794

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)

1794

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)

1794

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 15 (Bentley 14)

1794

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)

1794

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)

1794

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 22, "Stretch'd for a Work of Eternity...." (Bentley 20)

1794

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)

1794

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 25 (Bentley 26)

1794

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 26, "The Ox in the Slaughter House Moans...." (Bentley 25)

1794

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 27, "They Lived a Period of Years . . . ." (Bentley 28)

1794

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)

1794

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)

1794

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

William Blake, 1757–1827

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

William Blake, 1757–1827

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

1794

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 11 (Bentley 17)

1794

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 21 (Bentley 16)

1794

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 23 (Bentley 9)

1794

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 3 (Bentley 22)

1794

William Blake, 1757–1827

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

1827

William Blake, 1757–1827

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake, 1757–1827

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

1794

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

1794

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)

1794

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)

1794

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 7 (Bentley 12)

1794

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)

1794

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

William Blake, 1757–1827

Illustrations to Dante's Divine Comedy

1827

Print made by William Blake, 1757–1827

William Cowper, Author of "The Task"

1802

Print made by William Blake, 1757–1827

The Life, and Posthumous Writings, of William Cowper, (volume 1)

1803-1804

Print made by William Blake, 1757–1827

The Life, and Posthumous Writings, of William Cowper (volume 2)

1803-1804

Print made by William Blake, 1757–1827

The Peasants' Nest: Cowper's tame Hares

1802

Print made by William Blake, 1757–1827

William Cowper

1803-1804

Print made by William Blake, 1757–1827

Mrs Cowper Mother of the Poet

1803-1804

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'

William Blake, 1757–1827

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'

1821, reprinted 1977

Sir Robert Smirke the younger, 1781–1867

Ancient Inscription in the Walls of the Venetian Govenor's House, Mystras

1802-1804

Sir Robert Smirke the younger, 1781–1867

Inscriptions in Greek Alphabet

1802-1804

Sir Robert Smirke the younger, 1781–1867

Inscriptions in Greek Alphabet

1802-1804

Isaac Taylor, 1730–1807

Unidentified Periodical / Play Illustration

undated

Isaac Taylor, 1730–1807

Unidentified Periodical / Play Illustration

undated

Isaac Taylor, 1730–1807

Unidentified Periodical / Play Illustration

undated

Isaac Taylor, 1730–1807

Unidentified Periodical / Play Illustration

undated

Francesco Bartolozzi, 1728–1815

Prospero Disarming Ferdinand, Act I, Scene II

1793

Print made by Henry William Bunbury, 1750–1811

The Siege of Namur

between 1773 and 1817

Print made by Henry William Bunbury, 1750–1811

The Battle of the Cataplasm

between 1773 and 1817

Print made by Henry William Bunbury, 1750–1811

Overthrow of Dr. Slop

between 1773 and 1817

Print made by Thomas Goff Lupton, 1791–1873

Procris and Cephalus

1864

John Raphael Smith, 1752–1812

Bellsane and Parcival under the Enchantment of Urma

1782

Print made by Henry Fuseli, 1741–1825

O Evening thou Bringest All

1802

Richard Wilson, 1713/4–1782

Gulliver Bound by the Lilliputians

undated

Richard Parkes Bonington, 1802–1828

Studies for Shylock

1825

Print made by Hugh Downman, d. 1789

Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip

ca. 1787

unknown artist

Alcibiades and Timon

undated

Benjamin Robert Haydon, 1786–1846

Sketches for a Scene from 'Macbeth'

ca. 1811

George Jones, 1786–1869

Portentous Things

undated

unknown artist

Illustration to Tonson's Ovid Metamorphosis (two of four)

ca. 1710

Thomas Stothard, 1755–1834

The Tenth Day of the Decameron

ca. 1825

unknown artist

The Death of Cordelia

undated

Alfred Edward Chalon, 1780–1860

Cleopatra on the Cydnus to Meet Antony

ca. 1821

Edward Francis Burney, 1760–1848

MacBeth: The Banquet Scene - MacBeth, Act II, Scene IV

undated

John Massey Wright, 1777–1866

Falstaff Disguised as Herne

undated

George Fennell Robson, 1788–1833

Macbeth and Banquo on the Heath

ca. 1830

Henry William Bunbury, 1750–1811

The Duel: 'Twelfth Night,' Act III, Scene IV

ca. 1790

Print made by William Miller, 1796–1882

An Old Manor House

1834

Print made by Robert Wallis, 1794–1878

Tornaro

1834

Print made by Edward Goodall, 1795–1870

St. Pierre's Cottage

1834

Print made by Edward Goodall, 1795–1870

St. Julienne's Chapel

1834

Print made by Edward Goodall, 1795–1870

Captivity

1834

Print made by Edward Goodall, 1795–1870

Valombre

1834

Print made by Edward Goodall, 1795–1870

A Tempest – Voyage of Columbus

1834

Print made by Edward Goodall, 1795–1870

A Village – Evening

1834

Print made by Edward Goodall, 1795–1870

Leaving Home

1834

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