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The Beach at Charmouth
Creator:
John Baverstock Knight, 1785–1859
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/2 × 19 7/8 inches (31.8 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Sailing Canoe of Otaheite
Creator:
John Webber, 1752–1793
Date:
1792
Materials & Techniques:
Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/2 × 17 1/2 inches (31.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of Fishermen and Gear
Creator:
Edward Duncan, 1803–1882
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, graphite, and white gouache on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 15/16 × 18 5/16 inches (30.3 × 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Anjeer Point on Java
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/8 x 20 5/8 inches (32.1 x 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter
Fowl Island, Bay of Bengal, Coast of Arakan
Creator:
Thomas Daniell, 1749–1840
Date:
1786 (?)
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 5/8 × 18 1/2 inches (27 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter
View of Port Orotava, Tenerife, from El Limpio de Las Calaveras
Creator:
Alfred Diston, active 1818–1829
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and gray ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 14 1/2 × 19 1/16 inches (36.8 × 48.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection