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Genre marine art

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Walberswick Ferry
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1913
Materials & Techniques:
Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 11 1/8 x 15 11/16 inches (28.2 x 39.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Loading Dates
Creator:
Print made by Charles William Cain, 1893–1962
Date:
undated
Materials & Techniques:
Drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 15/16 x 15 3/8 inches (25.2 x 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Brighton and Hove
Creator:
Charles Pears, 1873–1958
Date:
between 1923 and 1947
Materials & Techniques:
Chromolithograph
Dimensions:
Sheet: 39 3/4 x 49 7/8 inches (101 x 126.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
The Ferry
Creator:
Richard Cooper the Younger, 1740–1814
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/4 × 8 5/8 inches (14.6 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Sailing Barge being loaded with Hay, December 1827
Creator:
Cornelius Varley, 1781–1873
Date:
1827
Materials & Techniques:
Graphite with watercolor and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 x 20 inches (28.6 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bouvignes and Dinant
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 11/16 × 11 3/4 inches (22.1 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund