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101. A Squadron at Anchor

A Squadron at Anchor
Creator:
Peter Monamy, 1681–1749
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/8 × 11 15/16 inches (18.7 × 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. Low Flying Spitfires over Trees

Low Flying Spitfires over Trees
Creator:
Sir Walter Thomas Monnington, 1902–1976
Date:
undated
Materials & Techniques:
Gray wash and graphite with white chalk on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 3/8 × 17 3/8 inches (31.4 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. Typhoon

Typhoon
Creator:
Sir Walter Thomas Monnington, 1902–1976
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 8 1/16 inches (16.8 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

104. A Review on Epson Downs

A Review on Epson Downs
Creator:
John Nixon, ca. 1760–1818
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 × 8 7/8 inches (8.9 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. Charles I

Charles I
Creator:
Print made by Isaac Beckett, 1652/3–1719
Date:
between 1683 and 1687
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 9/16 × 10 1/16 inches (34.4 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery

106. Fall of a City

Fall of a City
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

107. Clitheros from Eadsford Bridge

Clitheros from Eadsford Bridge
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1800
Materials & Techniques:
Line engraving, published state
Dimensions:
Sheet: 9 3/4 × 12 3/8 inches (24.8 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. Hythe, Kent

Hythe, Kent
Creator:
Print made by George Cooke, 1781–1834
Date:
1824
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/2 inches (29.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. Hythe, Kent

Hythe, Kent
Creator:
Print made by George Cooke, 1781–1834
Date:
1824
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 3/4 inches (22.2 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. Edinburgh Castle, Vignette Title to Vol. I

Edinburgh Castle, Vignette Title to Vol. I
Creator:
Print made by George Cooke, 1781–1834
Date:
1826
Materials & Techniques:
Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 3/16 × 11 1/16 inches (38.6 × 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. Edinburgh Castle, Vignette Title to Vol. I

Edinburgh Castle, Vignette Title to Vol. I
Creator:
Print made by George Cooke, 1781–1834
Date:
1826
Materials & Techniques:
Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 20 × 13 3/8 inches (50.8 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. Folkestone: Harbour, and Coast to Dover, Kent

Folkestone: Harbour, and Coast to Dover, Kent
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1831
Materials & Techniques:
Line engraving, 3rd state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. Folkestone: Harbour, and Coast to Dover, Kent

Folkestone: Harbour, and Coast to Dover, Kent
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 9/16 × 21 9/16 inches (39.5 × 54.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. Saltash, Cornwall

Saltash, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
ca. 1827
Materials & Techniques:
Etching and line-engraving, Engraver's proof, 1st Published State on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 13/16 × 12 7/16 inches (24.9 × 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. Three Soldiers in Armour Sitting on Stone Blocks

Three Soldiers in Armour Sitting on Stone Blocks
Creator:
John Hamilton Mortimer, 1740–1779
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 x 7 5/8 inches (17.5 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. The Encampment

The Encampment
Creator:
Philippe-Jacques de Loutherbourg, 1740–1812
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and black ink and pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 × 7 inches (13 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

117. The Governor-General's and Commander-in-Chief's Camp at Jalandhar, 1 Febuary 1860

The Governor-General's and Commander-in-Chief's Camp at Jalandhar, 1 Febuary 1860
Creator:
William Simpson, 1823–1899
Date:
ca. 1860
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 9 7/8 x 13 7/8 inches (25.1 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. Design for a Medal: Britannia Ruling the Waves

Design for a Medal: Britannia Ruling the Waves
Creator:
Hubert-François Gravelot, 1699–1773
Date:
1736
Materials & Techniques:
Pen and black ink and graphite, incised for transfer on medium, moderately textured, beige laid paper
Dimensions:
Mount: 11 × 7 3/4 inches (27.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. A Tuarez of Ghraat (Ghat?) Fezzan (Libya)

A Tuarez of Ghraat (Ghat?) Fezzan (Libya)
Creator:
George Francis Lyon, 1795–1832
Date:
1819
Materials & Techniques:
Watercolor, graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 6 1/4 inches (19.1 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

120. How to Salute

How to Salute
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 8 3/4 inches (25.4 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. Military of the Peninsular War

Military of the Peninsular War
Creator:
Sir Robert Ker Porter, 1777–1842
Date:
1810
Materials & Techniques:
Watercolor and pen and black ink over graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 17 3/8 × 14 5/8 inches (44.1 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. Grand Field Day at Chobham Camp

Grand Field Day at Chobham Camp
Creator:
George Bryant Campion, 1796–1870
Date:
undated
Materials & Techniques:
Watercolor and gouache on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/2 × 27 1/2 inches (24.1 × 69.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. Back View of a Soldier

Back View of a Soldier
Creator:
Edmund Thomas Parris, 1793–1873
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 3 5/16 × 1 11/16 inches (8.4 × 4.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. Cowes

Cowes
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Line engraving, Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 × 21 7/8 inches (38.1 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. Hannibal Passing the Alps

Hannibal Passing the Alps
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1830
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 1/2 × 11 7/8 inches (44.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. Dover from Shakespeare's Cliff

Dover from Shakespeare's Cliff
Creator:
Print made by George Cooke, 1781–1834
Date:
1826
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 15 1/2 inches (28.6 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. Dover from Shakespeare's Cliff

Dover from Shakespeare's Cliff
Creator:
Print made by William Chapman, 1817–1879
Date:
1860
Materials & Techniques:
Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/4 × 16 1/2 inches (36.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. Cavalry Troops and Camp Followers on the Move

Cavalry Troops and Camp Followers on the Move
Creator:
Peter Tillemans, 1684–1734
Date:
undated
Materials & Techniques:
Watercolor and graphite; verso: gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 11/16 × 10 1/8 inches (17 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. Brienne

Brienne
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. Placenza

Placenza
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

131. Vincennes

Vincennes
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

132. The Simplon

The Simplon
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

133. Fontainbleau

Fontainbleau
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and engraving, (First Published State)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. Edinburgh - March of the Highlanders

Edinburgh - March of the Highlanders
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1836-1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. Edinburgh - March of the Highlanders

Edinburgh - March of the Highlanders
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

136. Loch Leven Castle

Loch Leven Castle
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1836-1837
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. Egypt, the Pyramids of Ghizeh

Egypt, the Pyramids of Ghizeh
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. Chatham, Kent

Chatham, Kent
Creator:
Print made by William Miller, 1796–1882
Date:
1832
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. Castle Upnor, on the River Medway

Castle Upnor, on the River Medway
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. Indian Guard Room

Indian Guard Room
Creator:
Robert Mabon, died 1798
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/2 × 2 7/8 inches (6.4 × 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. Vincennes

Vincennes
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. Mustering of the Warrior Angels

Mustering of the Warrior Angels
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1835
Materials & Techniques:
Line engraving, 1st published state
Dimensions:
Sheet: 17 3/16 × 11 3/4 inches (43.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

143. Snowy Range, from Tyne or Marma

Snowy Range, from Tyne or Marma
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1836
Materials & Techniques:
Etching and line engraving; engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. Mussooree and the Dhoon from Landour

Mussooree and the Dhoon from Landour
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1836
Materials & Techniques:
Etching and line engraving; engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. Hohenlinden

Hohenlinden
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

146. Battle of the Baltic

Battle of the Baltic
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

147. Lochiel's Warning

Lochiel's Warning
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

148. The Soldier's Dream (vignette)

The Soldier's Dream (vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof (touched)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. Camp Hill, Hastings

Camp Hill, Hastings
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. Rolandseck

Rolandseck
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. Ehrenbreitstein (Vignette)

Ehrenbreitstein (Vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. Siege at Badajoz

Siege at Badajoz
Creator:
Henry Aston Barker, 1774–1856
Date:
ca. 1813
Materials & Techniques:
Pen and black ink, pen and red ink, gray wash and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 14 3/4 × 12 1/2 inches (37.5 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

153. Hannibal passing the Alps (vignette)

Hannibal passing the Alps (vignette)
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 × 5 1/4 inches (11.1 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

154. Hannibal passing the Alps (vignette)

Hannibal passing the Alps (vignette)
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 5 3/8 inches (11.7 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

155. Hannibal passing the Alps (vignette)

Hannibal passing the Alps (vignette)
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 7 3/8 inches (30.5 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

156. Castle Upnor, on the River Medway

Castle Upnor, on the River Medway
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

157. Two Coorgs in their Proper Uniform

Two Coorgs in their Proper Uniform
Creator:
Robert Mabon, died 1798
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 × 6 1/4 inches (15.2 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. A Sepoy Punishment

A Sepoy Punishment
Creator:
Robert Mabon, died 1798
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 3 1/4 inches (12.7 × 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. Crickieth Castle, North Wales

Crickieth Castle, North Wales
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1837
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

160. Ehrenbreitstein

Ehrenbreitstein
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Line engraving, engraver's proof on moderatelythick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.

Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1824
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 15 1/2 × 22 inches (39.4 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. The Heralds

The Heralds
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and gray brown ink over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 3/16 x 7 7/16 inches (15.7 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. Do Your Duty to our Boys

Do Your Duty to our Boys
Creator:
Sir Frank William Brangwyn, 1867–1956
Date:
1914
Materials & Techniques:
Lithograph on medium, smooth, beige wove paper mounted on linen
Dimensions:
Sheet: 18 3/8 x 29 3/4 inches (46.7 x 75.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

164. Highland Regiment in Camp

Highland Regiment in Camp
Creator:
John Leech, 1817–1864
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/8 × 8 7/8 inches (41 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. Cavalry Battle with a Distant view of a Town

Cavalry Battle with a Distant view of a Town
Creator:
Jan Wyck, ca. 1645–1700
Date:
undated
Materials & Techniques:
Pen and brown ink with black, brown & gray washes on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 x 11 1/2 inches (21.6 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Rutgers Barclay, Yale BA 1957

166. A Happy New Year to Our Gallant Soldiers

A Happy New Year to Our Gallant Soldiers
Creator:
unknown artist
Date:
1914-1915
Materials & Techniques:
Lithograph on wove paper mounted on linen
Dimensions:
Sheet: 29 1/2 x 24 1/8 inches (74.9 x 61.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

167. Are YOU in This?

Are YOU in This?
Creator:
Designed by Lord Robert Baden-Powell, 1857–1941
Date:
1915
Materials & Techniques:
Chromolithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 29 5/8 x 19 1/2 inches (75.2 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

168. Soldiers Carousing at an Inn

Soldiers Carousing at an Inn
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, with pen and brown ink, gray ink and graphite on medium, moderately textured, cream wove paper
Dimensions:
Mount: 12 11/16 × 16 5/16 inches (32.2 × 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

169. 'The Surrey Fencibles Dispersing the Rioters in St George's Fields June 13th 1795'

'The Surrey Fencibles Dispersing the Rioters in St George's Fields June 13th 1795'
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/4 x 5 7/8in. (8.3 x 14.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

170. Soldiers Embarking

Soldiers Embarking
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 1/4 × 5 9/16 inches (8.3 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

171. Lord Harrington and Lord Petersham

Lord Harrington and Lord Petersham
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and red-brown ink, over graphite; verso: graphite shading on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 9/16 x 6 1/4 inches (21.7 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

172. Soldier with Rifle Upside-Down on Shoulder

Soldier with Rifle Upside-Down on Shoulder
Creator:
Augustus Edwin John, 1878–1961
Date:
undated
Materials & Techniques:
Pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 16 × 13 1/2 inches (40.6 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948

173. His Excellency Field Marshal Keith Commander in Chief of His Prussian Majesty's Forces in Germany

His Excellency Field Marshal Keith Commander in Chief of His Prussian Majesty's Forces in Germany
Creator:
Print made by John Smith, 1652–1743
Date:
between 1667 and 1723
Materials & Techniques:
Mezzotint hand-colored with watercolor and gouache on medium, moderately textured, cream laid paper mounted on card
Dimensions:
Mount: 13 5/8 x 10 1/4 inches (34.6 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Hohenzollern-Schlaberg-Hughes Collection, Gift Thomas Lowe Hughes, Yale JD 1952

174. An Historical Episode: ? A Military Officer Leading other Figures in Taking an Oath upon a Sword on a Table before Churchmen

An Historical Episode: ? A Military Officer Leading other Figures in Taking an Oath upon a Sword on a Table before Churchmen
Creator:
Charles Reuben Ryley, 1752–1798
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper mounted thin, smooth, cream wove paper
Dimensions:
Sheet: 4 5/8 × 7 1/4 inches (11.7 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

175. The Delivery of the Definitive Treaty by the Hostage Princes into the Hands of Lord Cornwallis

The Delivery of the Definitive Treaty by the Hostage Princes into the Hands of Lord Cornwallis
Creator:
Print made by Daniel Orme, 1766–1837
Date:
1793
Materials & Techniques:
Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/4 x 25 3/8 inches (51.4 x 64.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

176. Hungarian and Highland Broadsword Exercise

Hungarian and Highland Broadsword Exercise
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and black ink over graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/16 x 10 11/16 inches (20.8 x 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

177. Study for Gassed Soldiers

Study for Gassed Soldiers
Creator:
John Singer Sargent, 1856–1925
Date:
1918
Materials & Techniques:
Charcoal and graphite on medium, moderately textured, cream wove paper mounted on card
Dimensions:
Sheet: 18 1/2 x 24 1/4 inches (47 x 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

178. Study of a Soldier with a Rifle

Study of a Soldier with a Rifle
Creator:
Augustus Edwin John, 1878–1961
Date:
undated
Materials & Techniques:
Pen and black ink on thin, smooth, lined beige wove paper
Dimensions:
Sheet: 9 3/4 × 7 5/16 inches (24.8 × 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948

179. Study of a Striding Soldier with Rifle

Study of a Striding Soldier with Rifle
Creator:
Augustus Edwin John, 1878–1961
Date:
undated
Materials & Techniques:
Pen and black ink on medium, smooth, beige wove paper
Dimensions:
Sheet: 16 × 13 1/2 inches (40.6 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948

180. Embarkation at Southampton, June 20th 1794 (Version A)

Embarkation at Southampton, June 20th 1794 (Version A)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1794
Materials & Techniques:
Pen and brown ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 9/16 x 11 3/16 inches (21.7 x 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

181. Royal Tournament – Olympia

Royal Tournament – Olympia
Creator:
Print made by Margaret Calkin James, active 1931
Date:
1932
Materials & Techniques:
Lithograph on Medium, smooth, white wove paper mounted on canvas
Dimensions:
Sheet: 16 1/2 x 12 1/4 inches (41.9 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Michelle M. & James A. Lapides, Yale BA 1974, in honor of Ruth and Robert E. Lapides, Yale BE 1939

182. Riviera Beachhead, France, 1944

Riviera Beachhead, France, 1944
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1941, printed 1993
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

183. Private Albert Blake, Hadaway Chapel, Broad Neck, Marlyand, 1979

Private Albert Blake, Hadaway Chapel, Broad Neck, Marlyand, 1979
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1984, printed 1993
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

184. Officers of the 4th Light Dragoons

Officers of the 4th Light Dragoons
Creator:
Roger Fenton, 1819–1869
Date:
1855, printed 1856
Materials & Techniques:
Salted paper print on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 × 6 1/4 inches (16.5 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Ann Kennedy

185. Officers & Men of the 8th Hussars

Officers & Men of the 8th Hussars
Creator:
Roger Fenton, 1819–1869
Date:
1855, printed 1856
Materials & Techniques:
Salted paper print on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 × 6 1/8 inches (15.2 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Ann Kennedy

186. Hardships in the Camp

Hardships in the Camp
Creator:
Roger Fenton, 1819–1869
Date:
1855, printed 1856
Materials & Techniques:
Salted paper print on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 × 6 1/2 inches (17.8 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Ann Kennedy

187. Lieutenant Colonel Brownrigg C.B. & the Russian Boys

Lieutenant Colonel Brownrigg C.B. & the Russian Boys
Creator:
Roger Fenton, 1819–1869
Date:
1855, printed 1856
Materials & Techniques:
Salted paper print on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 5/8 × 6 inches (16.8 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Ann Kennedy

188. German Tanks, Forges-les-Eaux

German Tanks, Forges-les-Eaux
Creator:
Hughie O'Donoghue, born 1953
Date:
1997
Materials & Techniques:
Color carborundum print on 300gsm Somerset TP white wove paper
Dimensions:
Sheet: 19 1/2 x 23 3/4in. (49.5 x 60.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

189. Armored men attending a fallen horse

Armored men attending a fallen horse
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 9 1/8 inches (16.5 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

190. Returning to the Trenches

Returning to the Trenches
Creator:
Print made by C. R. W. Nevinson, 1889–1946
Date:
1916
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream antique laid paper
Dimensions:
Sheet: 8 7/16 x 11 1/16 inches (21.4 x 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

191. 'The Porthole,' Sergeant and Private of the 42d Gordon Highlanders

'The Porthole,' Sergeant and Private of the 42d Gordon Highlanders
Creator:
David Octavius Hill, 1802–1870
Date:
1846
Materials & Techniques:
Salted paper print from a paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 15/16 × 6 3/8 inches (20.1 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

192. Horse Led by a Man, Being Attached by Another Man

Horse Led by a Man, Being Attached by Another Man
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/8 × 7 1/4 inches (11.1 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

193. Dying Man in Church with Soldiers

Dying Man in Church with Soldiers
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 3/8 × 7 3/4 inches (16.2 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

194. De Bello Iudaico Valerivs Maximus Libro 2 Cap. 3; De Iure Triumphali Ioannes Zonara Hisoriarum; and In Vita Pavli Aemily Appianvs Alexandrinus in Lybico

De Bello Iudaico Valerivs Maximus Libro 2 Cap. 3; De Iure Triumphali Ioannes Zonara Hisoriarum; and In Vita Pavli Aemily Appianvs Alexandrinus in Lybico
Creator:
Print made by Gerard de Jode, born 1509 or 1517, died 1591
Date:
between 1546 and 1590
Materials & Techniques:
Line engraving (uncut panorama, three plates) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 × 26 1/4 inches (45.7 × 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

195. Sheerness, As Seen From the Nore

Sheerness, As Seen From the Nore
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1856
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

196. Camp Hill, Hastings

Camp Hill, Hastings
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

197. HMS Bellerophon, Plymouth Sound

HMS Bellerophon, Plymouth Sound
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Etching and engraving, ngraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

198. Brienne

Brienne
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, with scraping out and touched with graphite (Early Engraver's Proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

199. Placenza

Placenza
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

200. Brienne

Brienne
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, engraver's proof (touched)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection