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1. Robert, Duke of Normandy, in Prison

Robert, Duke of Normandy, in Prison
Creator:
John Downman, 1750–1824
Date:
1779
Materials & Techniques:
Oil on copper
Dimensions:
9 1/16 x 7 1/2 inches (23 x 19.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

2. Greek Woodcutter, June 13 /56

Greek Woodcutter, June 13 /56
Creator:
Edward Lear, 1812–1888
Date:
1856
Materials & Techniques:
Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 1/16 x 6 1/8 inches (23 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

3. Socrates, a Visionary Head

Socrates, a Visionary Head
Creator:
William Blake, 1757–1827
Date:
ca. 1820
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 7 1/4 inches (22.5 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Thomas Hayley (1780-1800)

Thomas Hayley (1780-1800)
Creator:
Print made by William Blake, 1757–1827
Date:
1800
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 5/16 x 8 11/16 inches (28.7 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Michael Mirevelt

Michael Mirevelt
Creator:
Print made by William Jacobsz Delff, 1580–1638
Date:
ca. 1635
Materials & Techniques:
Line engraving on medium, moderately textured, cream laid paper
Dimensions:
Mount: 15 1/16 × 11 1/16 inches (38.3 × 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Franciscus Franck Iunior

Franciscus Franck Iunior
Creator:
Print made by William Hondius, c.1597–c.1660
Date:
ca. 1635
Materials & Techniques:
Etching and engraving, (4th state) on medium, slightly textured, cream laid paper
Dimensions:
Mount: 10 15/16 × 7 inches (27.8 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Erycius Puteanus

Erycius Puteanus
Creator:
Print made by Pieter de Jode II, ca. 1606–1674
Date:
ca. 1635
Materials & Techniques:
Engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 6 11/16 inches (22.9 × 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Erycius Puteanus

Erycius Puteanus
Creator:
Print made by Pieter de Jode II, ca. 1606–1674
Date:
ca. 1635
Materials & Techniques:
Engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 8 inches (29.5 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Ioannes Snellincx

Ioannes Snellincx
Creator:
Print made by Pieter de Jode II, ca. 1606–1674
Date:
ca. 1635
Materials & Techniques:
Engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 7/8 × 11 5/8 inches (40.3 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Palamedes Palamedessen

Palamedes Palamedessen
Creator:
Print made by Paulus Pontius, 1603–1658
Date:
ca. 1635
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 5/8 × 7 1/16 inches (24.4 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Palamedes Palamedessen

Palamedes Palamedessen
Creator:
Print made by Paulus Pontius, 1603–1658
Date:
ca. 1635
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 7/16 × 7 11/16 inches (29.1 × 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Petrus Paulus Rubbens

Petrus Paulus Rubbens
Creator:
Print made by Paulus Pontius, 1603–1658
Date:
ca. 1635
Materials & Techniques:
Stipple engraving and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 × 6 3/16 inches (23.2 × 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Petrus Paulus Rubbens

Petrus Paulus Rubbens
Creator:
Print made by Paulus Pontius, 1603–1658
Date:
ca. 1635
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Mount: 14 1/4 × 11 1/16 inches (36.2 × 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Cæsar Alexander Scaglia

Cæsar Alexander Scaglia
Creator:
Print made by Paulus Pontius, 1603–1658
Date:
ca. 1635
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Mount: 13 5/8 × 10 15/16 inches (34.6 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Henricus Steenwyck

Henricus Steenwyck
Creator:
Print made by Paulus Pontius, 1603–1658
Date:
ca. 1635
Materials & Techniques:
Line engraving and stipple engraving (2nd state) on medium, slightly textured, cream laid paper
Dimensions:
Mount: 15 × 10 7/8 inches (38.1 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Henricus Steenwyck

Henricus Steenwyck
Creator:
Print made by Paulus Pontius, 1603–1658
Date:
ca. 1635
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 9/16 × 10 5/16 inches (34.4 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione

Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
Creator:
Samuel De Wilde, 1748–1832
Date:
1802
Materials & Techniques:
Graphite, red chalk, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/16 × 13 1/16 inches (23 × 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Malvolio: Possibly a Self-Portrait in the Role

Malvolio: Possibly a Self-Portrait in the Role
Creator:
John Boyne, ca. 1750–1810
Date:
undated
Materials & Techniques:
Black and gray wash with pen and black ink, scraping, graphite, and red pencil on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 15/16 × 6 1/16 inches (22.7 × 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Julian Hayter, the Artist's Daughter

Julian Hayter, the Artist's Daughter
Creator:
John Hayter, 1800–1895
Date:
1836
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 11 1/4 inches (22.9 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Portrait Study of Mrs. George Morland

Portrait Study of Mrs. George Morland
Creator:
William Ward, 1766–1826
Date:
undated
Materials & Techniques:
Graphite, black chalk, and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 × 7 inches (22.5 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Dante in Meditation Holding a Pomegranate

Dante in Meditation Holding a Pomegranate
Creator:
Dante Gabriel Rossetti, 1828–1882
Date:
ca. 1852
Materials & Techniques:
Pen and black ink and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 × 7 7/8 inches (22.9 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

22. Portrait of John Laporte

Portrait of John Laporte
Creator:
Dr. Thomas Monro, 1759–1833
Date:
undated
Materials & Techniques:
Graphite and stump on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 x 7 3/16in. (22.9 x 18.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Ophelia

Ophelia
Creator:
Print made by Gerald Leslie Brockhurst, 1890–1978
Date:
1942
Materials & Techniques:
Etching, stipple engraving, and drypoint on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 17 x 10 13/16 inches (43.2 x 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Associates in Fine Arts

24. Young Womanhood

Young Womanhood
Creator:
Print made by Gerald Leslie Brockhurst, 1890–1978
Date:
1931
Materials & Techniques:
Etching, stipple engraving, and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/8 x 10 13/16 inches (36.5 x 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

25. John Keats

John Keats
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1816
Materials & Techniques:
Pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 7 3/8 inches (23.2 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Portrait of John Dixon, Facing Right

Portrait of John Dixon, Facing Right
Creator:
Attributed to George Vertue, 1684–1756
Date:
undated
Materials & Techniques:
Graphite and white chalk; verso: red chalk on medium, moderately textured, blue wove paper
Dimensions:
Sheet: 9 × 7 inches (22.9 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Portrait of James Tuffs

Portrait of James Tuffs
Creator:
attributed to John Hamilton Mortimer, 1740–1779
Date:
undated
Materials & Techniques:
Pen and brown ink and brush and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 8 7/8 x 7 1/4 inches (22.5 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Portrait of Moses Kean

Portrait of Moses Kean
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 × 6 3/4 inches (22.9 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. John Linnell

John Linnell
Creator:
George Richmond, 1809–1896
Date:
1828
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 × 6 3/8 inches (22.9 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Mrs. Martha Udney

Mrs. Martha Udney
Creator:
John Massey Wright, 1777–1866
Date:
undated
Materials & Techniques:
Watercolor with gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 5 1/2 inches (22.5 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

31. Sketchbook of Portrait Studies

Sketchbook of Portrait Studies
Creator:
Thomas Patch, 1725–1782
Date:
1760s
Materials & Techniques:
Graphite, red chalk, and pen and brown ink on medium, slightly textured, cream laid paper bound in carta fiorentina
Dimensions:
Sheet: 8 3/4 x 6 1/2 inches (22.2 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Study for the Portrait of a Lady

Study for the Portrait of a Lady
Creator:
Attributed to Sir Peter Lely, 1618–1680
Date:
undated
Materials & Techniques:
Black chalk, white chalk, red chalk and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 × 6 7/8 inches (22.9 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Studies for the Instruction of Painters, two suites. Rome

Studies for the Instruction of Painters, two suites. Rome
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Peter Everard Smith and Maria Joao

Peter Everard Smith and Maria Joao
Creator:
Lewis Morley, 1925–2013
Date:
1960s
Materials & Techniques:
Gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 12 × 15 7/8 inches (30.5 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

72. Cardiff

Cardiff
Creator:
Lewis Morley, 1925–2013
Date:
1963
Materials & Techniques:
Gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 12 × 16 inches (30.5 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

73. David Frost Bashing Bernard Levin

David Frost Bashing Bernard Levin
Creator:
Lewis Morley, 1925–2013
Date:
1961
Materials & Techniques:
Gelatin silver print on resin-coated photographic paper
Dimensions:
Sheet: 9 × 10 inches (22.9 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

74. Beyond the Fringe, Regent's Park

Beyond the Fringe, Regent's Park
Creator:
Lewis Morley, 1925–2013
Date:
1961
Materials & Techniques:
Gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 10 × 8 inches (25.4 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

75. Beyond the Fringe, Front of House

Beyond the Fringe, Front of House
Creator:
Lewis Morley, 1925–2013
Date:
1961
Materials & Techniques:
Gelatin silver print on resin-coated photographic paper
Dimensions:
Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

76. Olivier

Olivier
Creator:
Lewis Morley, 1925–2013
Date:
1960s
Materials & Techniques:
Gelatin silver print on resin-coated photographic paper
Dimensions:
Sheet: 10 × 8 inches (25.4 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

77. Hyde Park

Hyde Park
Creator:
Lewis Morley, 1925–2013
Date:
1957
Materials & Techniques:
Gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 12 × 16 inches (30.5 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

78. George Gower

George Gower
Creator:
Print made by James Basire, 1730–1802
Date:
1800
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 11/16 inches (36.8 x 27.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Sir Joshua Reynolds

Sir Joshua Reynolds
Creator:
George H. Every, 1837–1910
Date:
1866
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 x 13 1/2 inches (50.8 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Sir Joshua Reynolds

Sir Joshua Reynolds
Creator:
George H. Every, 1837–1910
Date:
1866
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 19 15/16 x 13 3/8 inches (50.7 x 33.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Anthony van Dyck

Anthony van Dyck
Creator:
Alexander Bannerman, ca. 1730–1780
Date:
undated
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 6 3/4 inches (22.9 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Sir Anthony Van Dyke

Sir Anthony Van Dyke
Creator:
Print made by William Fairland, active 1828–1835
Date:
1828
Materials & Techniques:
Lithograph on moderately thick, smooth, beige wove paper with beige chine collé
Dimensions:
Sheet: 14 11/16 x 11 1/8 inches (37.3 x 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Bibi L'alouette

Bibi L'alouette
Creator:
Print made by James McNeill Whistler, 1834–1903
Date:
1859
Materials & Techniques:
Etching and drypoint on medium, smooth, beige laid paper
Dimensions:
Sheet: 12 1/8 x 8 1/8 inches (30.8 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

84. Alan Ramsay Scotus

Alan Ramsay Scotus
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Aquatint, stipple engraving, and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

85. Arthur Devis

Arthur Devis
Creator:
Print made by Thomas Cheesman, 1760–1834/35
Date:
undated
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, beige wove paper with beige chine collé
Dimensions:
Sheet: 10 3/16 x 6 13/16 inches (25.9 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Samuel Johnson

Samuel Johnson
Creator:
Samuel Freeman, 1773–1857
Date:
1813
Materials & Techniques:
Line engravng and stipple engraving
Dimensions:
Sheet: 8 7/8 x 5 1/4in. (22.5 x 13.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

87. Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
undated
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 1/2 x 10 5/8 inches (39.4 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Samuel Johnson

Samuel Johnson
Creator:
Samuel Freeman, 1773–1857
Date:
1819
Materials & Techniques:
Line engraving and stipple engraving
Dimensions:
Sheet: 9 x 5 5/8in. (22.9 x 14.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

89. Portrait of a Lady

Portrait of a Lady
Creator:
John Downman, 1750–1824
Date:
undated
Materials & Techniques:
Black chalk with stumping on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 x 7 3/16 inches (22.9 x 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Portrait of a Divine Called Reverend John Wesley

Portrait of a Divine Called Reverend John Wesley
Creator:
John Downman, 1750–1824
Date:
ca. 1781
Materials & Techniques:
Black and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Mount: 9 x 7 1/2 inches (22.9 x 19 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Portrait of a Girl Holding a Garland

Portrait of a Girl Holding a Garland
Creator:
attributed to John Downman, 1750–1824
Date:
undated
Materials & Techniques:
Black and red chalk with graphite on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, beige wove paper
Dimensions:
Mount: 12 3/8 × 9 1/2 inches (31.4 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. A Man of the Tuda Race

A Man of the Tuda Race
Creator:
Print made by unknown artist
Date:
1844
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 5 1/2 inches (23.2 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

93. Robert, Duke of Normandy

Robert, Duke of Normandy
Creator:
John Downman, 1750–1824
Date:
1779
Materials & Techniques:
Black chalk with stumping and graphite on thin, smooth, beige wove paper
Dimensions:
Sheet: 9 x 7 5/8 inches (22.9 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

94. Charles II when a Child

Charles II when a Child
Creator:
William Faithorne the Younger, ca. 1669–1703
Date:
between 1671 and 1686
Materials & Techniques:
Pen and gray wash on medium, moderately textured, blue green wove paper
Dimensions:
Sheet: 8 7/8 × 7 3/8 inches (22.5 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Jo

Jo
Creator:
James McNeill Whistler, 1834–1903
Date:
1861
Materials & Techniques:
Etching and drypoint, printed from canceled plate on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 15 x 9 7/8 inches (38.1 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

96. Portrait of Caravaggio

Portrait of Caravaggio
Creator:
Henry Simon Thomassin, 1687–1741
Date:
between 1710 and 1741
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 5/8 × 16 1/16 inches (54.9 × 40.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of James A. Bergquist

97. Richard Cosway

Richard Cosway
Creator:
Print made by unknown artist
Date:
1788
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured beige laid paper
Dimensions:
Sheet: 8 15/16 x 5 7/8 inches (22.7 x 15 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Robert Cleveley, Esqr. Marine Painter to his R.H. the Prince of Wales, and Marine Draftsman to his R.H. the Duke of Clarence

Robert Cleveley, Esqr. Marine Painter to his R.H. the Prince of Wales, and Marine Draftsman to his R.H. the Duke of Clarence
Creator:
Print made by Samuel Freeman, 1773–1857
Date:
1810
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 x 5 7/8 inches (23.2 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. John Constable

John Constable
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 x 6 7/16 inches (25.5 x 16.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. H. Grant on Horseback

H. Grant on Horseback
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, graphite, and gouache on very thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/16 × 12 3/8 inches (24 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection