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1. Picasso's Meninas

Picasso's Meninas
Creator:
Print made by Richard Hamilton, 1922–2011
Date:
1973
Materials & Techniques:
Etching, soft-ground etching, stipple engraving, open-bite, lift-ground, aquatint, line engraving, drypoint, and burnishing; artist's proof on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 29 13/16 x 22 3/8 inches (75.8 x 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John Russell

2. Field Marshal the Duke of Wellington, K. G.

Field Marshal the Duke of Wellington, K. G.
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1848
Materials & Techniques:
Mezzotint and stipple engraving on thick, slightly textured, beige wove paper with chine-collé
Dimensions:
Sheet: 32 7/8 × 23 1/4 inches (83.5 × 59.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Linda G. Mitchell and David M. Doret, Yale BA 1968

3. How a Great Daily Organ is Turned Out

How a Great Daily Organ is Turned Out
Creator:
Print made by Richard Hamilton, 1922–2011
Date:
1990
Materials & Techniques:
Composite of twenty mixed intaglio plate (various sizes): lift-ground aquatint, photogravure, drypoint, hard and soft-ground etching, burin, stipple, mezzotint, line engraving and roulette on medium, smooth, cream Hahnemuhle wove paper
Dimensions:
Sheet: 29 15/16 × 22 1/16 inches (76 × 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

4. Leopold Bloom

Leopold Bloom
Creator:
Print made by Richard Hamilton, 1922–2011
Date:
1983
Materials & Techniques:
Soft ground etching, roulette, line engraving and aquatint on medium, smooth, white Rives wove paper
Dimensions:
Sheet: 30 × 22 3/8 inches (76.2 × 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

5. Finn MacCool

Finn MacCool
Creator:
Print made by Richard Hamilton, 1922–2011
Date:
1983
Materials & Techniques:
Heliogravure, lift-ground etching, spit-bite aquatint, line engraving and burnisher on medium, smooth, white Rives wove paper
Dimensions:
Sheet: 29 7/8 × 22 3/8 inches (75.9 × 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

6. Bronze by Gold

Bronze by Gold
Creator:
Print made by Richard Hamilton, 1922–2011
Date:
1985 to 1987
Materials & Techniques:
Soft-ground etching, lift-ground aquatint, line engraving, scraper and burnisher in twenty-three colors from five plates on medium, smooth, white Rives wove paper
Dimensions:
Sheet: 29 15/16 × 22 1/16 inches (76 × 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

7. The Transmogrifications of Bloom

The Transmogrifications of Bloom
Creator:
Print made by Richard Hamilton, 1922–2011
Date:
1984 to 1985
Materials & Techniques:
Soft-ground etching and aquatint on medium, smooth, white Hahnemuhle wove paper
Dimensions:
Sheet: 29 15/16 × 22 5/16 inches (76 × 56.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

8. He Foresaw his Pale Body

He Foresaw his Pale Body
Creator:
Print made by Richard Hamilton, 1922–2011
Date:
1990
Materials & Techniques:
Heliogravure, line engraving and roulette in twenty-three colors from four plates on medium, smooth, white Zerkall wove paper
Dimensions:
Sheet: 29 15/16 × 22 1/16 inches (76 × 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

9. The Right Honorable William Pitt

The Right Honorable William Pitt
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1799
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Mount: 29 7/8 × 21 3/8 inches (75.9 × 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Lady Leicester as Hope

Lady Leicester as Hope
Creator:
Print made by Henry Hoppner Meyer, ca. 1782–1847
Date:
1823
Materials & Techniques:
Mezzotint (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 30 1/16 × 19 1/2 inches (76.4 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11. Georgiana Elizabeth Duchess of Newcastle

Georgiana Elizabeth Duchess of Newcastle
Creator:
Print made by Samuel William Reynolds, 1773–1835
Date:
1825
Materials & Techniques:
Mezzotint (state unknown) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 21 7/16 inches (76.2 × 54.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12. General Washington

General Washington
Creator:
Print made by Thomas Cheesman, 1760–1834/35
Date:
1796
Materials & Techniques:
Color-printed stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 29 3/4 x 19 5/8in. (75.6 x 49.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

13. John, Earl of Hopetoun

No cover image available
Creator:
Print made by William Walker, 1791–1867
Date:
1822
Materials & Techniques:
Stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 31 3/4 × 22 inches (80.6 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Stephen Parks, Yale BA 1961

14. Countess Grosvenor

No cover image available
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1833
Materials & Techniques:
Mezzotint (first state) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 20 1/2 inches (76.2 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund