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Girl in a Pinafore
Creator:
David Cox, 1783–1859
Date:
between 1840 and 1849
Materials & Techniques:
Watercolor and black chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/8 x 10 1/8 inches (32.1 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bibi Valentin
Creator:
James McNeill Whistler, 1834–1903
Date:
1859
Materials & Techniques:
Etching and drypoint, printed from canceled plate on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 10 3/8 inches (18.7 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943
Beauty's Tribute (Elizabeth Cooper)
Creator:
Print made by William Faithorne the Younger, ca. 1669–1703
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Plate: 13 11/16 × 10 3/16 inches (34.8 × 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Miss Croker
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1828
Materials & Techniques:
Mezzotint (first published state) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/8 × 15 1/4 inches (48.6 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Age of Innocence
Creator:
Print made by Joseph Grozer, ca. 1755–1798
Date:
ca. 1794
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/2 x 10 1/16 inches (34.3 x 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Devotion in Such Looks Does Gracefull Shine, and Forces Us to Own Her Pow'r Divine...
Creator:
Print made by John Smith, 1652–1743
Date:
1705
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 × 10 1/16 inches (34.9 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund