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1. Fanny Eaton

Fanny Eaton
Creator:
Joanna Mary Wells (née Boyce), 1831–1861
Date:
1861
Materials & Techniques:
Oil on paper laid to linen
Dimensions:
6 3/4 x 5 3/8 inches (17.1 x 13.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

2. Self portrait

Self portrait
Creator:
Patrick Nasmyth, 1787–1831
Date:
ca. 1815
Materials & Techniques:
Wood
Dimensions:
Overall: 15 x 12 3/4 x 3 inches (38.1 x 32.4 x 7.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. Five Visionary Heads of Women

Five Visionary Heads of Women
Creator:
William Blake, 1757–1827
Date:
1819 to 1820
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 10 5/8 x 12 3/4 inches (27 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
Creator:
John Dixon, ca. 1740–1811
Date:
1771
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 19 1/8 x 14 inches (48.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Head of a Boy

Head of a Boy
Creator:
unknown artist
Date:
between 1750 and 1760
Materials & Techniques:
Black chalk, graphite, and white chalk on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 15 3/4 × 12 5/8 inches (40 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Self-Portrait

Self-Portrait
Creator:
Jonathan Richardson the Elder, 1667–1745
Date:
ca. 1733
Materials & Techniques:
Black chalk, red chalk and white chalk on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 18 3/8 × 12 1/2 inches (46.7 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Portrait of the Artist's Son, Raphael

Portrait of the Artist's Son, Raphael
Creator:
Benjamin West, 1738–1820
Date:
1839
Materials & Techniques:
Pen and brown ink and brown chalk on moderately thick, rough, brown laid paper
Dimensions:
Sheet: 18 3/4 × 12 5/8 inches (47.6 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Portrait of a Bearded Man

Portrait of a Bearded Man
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, with pen and brown ink, gouache and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/16 × 8 1/16 inches (28.4 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Studies for the Instruction of Painters, two suites. Rome

Studies for the Instruction of Painters, two suites. Rome
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Henry Fuseli, Esq.

Henry Fuseli, Esq.
Creator:
unknown artist
Date:
1808
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 12 11/16 inches (46.4 x 32.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Sir Thomas Lawrence P. R. A.

Sir Thomas Lawrence P. R. A.
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1830
Materials & Techniques:
Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 20 1/16 x 15 13/16 inches (50.9 x 40.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Thomas Stewardson

Thomas Stewardson
Creator:
Print made by William Whiston Barney, active 1805–1817
Date:
between 1805 and 1808
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 17 3/4 × 12 7/16 inches (45.1 × 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Portrait of J.M.W. Turner

Portrait of J.M.W. Turner
Creator:
Print made by William Holl, 1807–1871
Date:
1859
Materials & Techniques:
Line engraving, stipple engraving and etching on thin, smooth, cream wove paper, mounted on cream wove paper
Dimensions:
Sheet: 17 1/2 × 12 1/2 inches (44.5 × 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

52. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Edward Sackville, Earl of Dorset, Lord Chamberlain

Edward Sackville, Earl of Dorset, Lord Chamberlain
Creator:
Print made by George Vertue, 1684–1756
Date:
1742
Materials & Techniques:
Line engraving, stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 × 12 3/4 inches (53.3 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

54. Benjamin West, P.R.A.

Benjamin West, P.R.A.
Creator:
James Fittler, 1758–1835
Date:
1817
Materials & Techniques:
Line engraving, etching and stipple engraving on moderately thick, slightly textured, beige laid paper with cream chine collé
Dimensions:
Sheet: 20 7/8 × 15 3/8 inches (53 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. George Vertue

George Vertue
Creator:
M. Gauci, 1810–1846
Date:
1821
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 16 15/16 x 12 11/16 inches (43.1 x 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. A Scene in the Recruiting Officer

A Scene in the Recruiting Officer
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 5/8 × 19 5/8 inches (34.6 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

57. Her Grace the duchess of Marlborough

Her Grace the duchess of Marlborough
Creator:
John Faber the Younger, ca. 1695–1756
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Miss Nelly O'Brien

Miss Nelly O'Brien
Creator:
Print made by Charles Phillips, 1737– after 1783
Date:
1770
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 1/4 × 13 1/8 inches (46.4 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

59. Miss Croker

Miss Croker
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1828
Materials & Techniques:
Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

60. Miss Farren

Miss Farren
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1792
Materials & Techniques:
Etching and stipple engraving (fourth state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/2 × 13 1/2 inches (54.6 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

61. Miss Farren

Miss Farren
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1792
Materials & Techniques:
Etching and stipple engraving (fifth state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 22 1/4 × 14 1/4 inches (56.5 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

62. Miss Farren

Miss Farren
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1792
Materials & Techniques:
Color-printed etching and stipple engraving with hand coloring in watercolor (possibly fifth state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/2 × 13 1/2 inches (54.6 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

63. Miss Farren

Miss Farren
Creator:
Print made by Charles Knight, 1743–c.1826
Date:
1791
Materials & Techniques:
Etching and stipple engraving (third state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 25 1/8 × 17 1/4 inches (63.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

64. Mary Elizabeth, Countess Grey, with Her Two Children

Mary Elizabeth, Countess Grey, with Her Two Children
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1831
Materials & Techniques:
Mezzotint, line engraving, and stipple engraving on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 x 13 3/4 inches (43.5 x 35 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

65. Miss Farren

Miss Farren
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1803
Materials & Techniques:
Etching and stipple engraving (seventh state) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 21 7/8 × 13 7/8 inches (55.6 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

66. Miss Polly Jones

Miss Polly Jones
Creator:
Print made by Valentine Green, 1739–1813
Date:
1771
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 3/8 x 12 11/16 inches (44.2 x 32.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

67. The Cottage Girl

The Cottage Girl
Creator:
Print made by Charles Howard Hodges, 1764–1837
Date:
1794
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 × 12 1/2 inches (43.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

68. Lady Elizabeth Compton

Lady Elizabeth Compton
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1780
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 9/16 × 12 5/8 inches (44.6 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

69. The Flower Girl

The Flower Girl
Creator:
Print made by John Young, 1755–1825
Date:
1785
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 7/8 x 12 1/2 inches (42.9 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

70. William Spencer, Duke of Devonshire

William Spencer, Duke of Devonshire
Creator:
Print made by Charles Turner, 1774–1857
Date:
1813
Materials & Techniques:
Mezzotint on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 20 × 14 3/8 inches (50.8 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Dudley Ryder, 1st Earl of Harrowby

Dudley Ryder, 1st Earl of Harrowby
Creator:
unknown artist
Date:
1813
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream wove paper, with cream chine-collé
Dimensions:
Sheet: 14 13/16 × 12 11/16 inches (37.6 × 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Miss Linwood

Miss Linwood
Creator:
Peltro W. Tomkins, 1760–1840
Date:
1806
Materials & Techniques:
Engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 3/8 × 16 3/16 inches (51.8 × 41.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Her Grace the Duchess of St. Albans

Her Grace the Duchess of St. Albans
Creator:
John Faber the Younger, ca. 1695–1756
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 18 5/8 × 12 11/16 inches (47.3 × 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Edward Chamberlayne

Edward Chamberlayne
Creator:
Johann Jacobé, 1733–1797
Date:
1780
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 3/8 × 12 1/2 inches (41.6 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. The Right Honourable Henry Herbert, Lord Porchester, 2nd Earl of Carnarvon

The Right Honourable Henry Herbert, Lord Porchester, 2nd Earl of Carnarvon
Creator:
William Say, 1768–1834
Date:
1811
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/16 × 12 5/8 inches (41.1 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. The Mask

The Mask
Creator:
Luigi Schiavonetti, 1765–1810
Date:
1790
Materials & Techniques:
Color printed etching and stipple engraving with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/16 × 12 9/16 inches (25.9 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Lieutenant Colonel Henry Townshend

Lieutenant Colonel Henry Townshend
Creator:
James McArdell, ca. 1729–1765
Date:
undated
Materials & Techniques:
Mezzotint on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 17 1/4 × 12 1/2 inches (43.8 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Thomas Philip third Lord Grantham, afterwards Earl De Grey, with his brothers, Frederick John and Philip

Thomas Philip third Lord Grantham, afterwards Earl De Grey, with his brothers, Frederick John and Philip
Creator:
Print made by Thomas Cheesman, 1760–1834/35
Date:
1791
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/8 × 17 1/4 inches (54.3 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

79. Rembrandt's Peasant Girl

Rembrandt's Peasant Girl
Creator:
Print made by William Say, 1768–1834
Date:
1814
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 24 1/4 × 19 1/4 inches (61.6 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

80. Lady Smith and Her Children: George Henry, Louisa, and Charlotte

Lady Smith and Her Children: George Henry, Louisa, and Charlotte
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1789
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 11/16 x 12 1/2 inches (42.4 x 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

81. Mercury

Mercury
Creator:
Print made by John Dean, 1754–1798
Date:
1777
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 x 12 3/8 inches (43.2 x 31.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

82. Lavinia Countess Spencer

Lavinia Countess Spencer
Creator:
Print made by Charles Howard Hodges, 1764–1837
Date:
1784
Materials & Techniques:
Mezzotint, 2nd state on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 3/8 × 12 7/16 inches (41.6 × 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

83. William Sharp

William Sharp
Creator:
Print made by William Sharp, 1749–1824
Date:
1817
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 21 1/2 × 17 1/2 inches (54.6 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

84. St. Paulus

St. Paulus
Creator:
Print made by Abraham Blooteling, 1640–1690
Date:
between 1680 and 1690
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 7/8 × 12 11/16 inches (40.3 × 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

85. Henry Hope Esq. of Amsterdam

Henry Hope Esq. of Amsterdam
Creator:
Charles Howard Hodges, 1764–1837
Date:
1788
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 17 7/16 × 12 3/4 inches (44.3 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. John Smith, D.D.F.S.A.

John Smith, D.D.F.S.A.
Creator:
George Siegmund Facius, 1750–1804
Date:
1797
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 11/16 × 12 5/8 inches (42.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Caleb Whitefoord Esq.

Caleb Whitefoord Esq.
Creator:
Samuel William Reynolds, 1773–1835
Date:
1795
Materials & Techniques:
Mezzotint on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 1/2 × 12 7/16 inches (41.9 × 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Charles Watson Esq., Vice-Admiral of the White

Charles Watson Esq., Vice-Admiral of the White
Creator:
Edward Fisher, 1722–1785
Date:
between 1758 and 1782
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 16 7/8 x 12 3/8 inches (42.8 x 31.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. An Aga of the Janizaries

An Aga of the Janizaries
Creator:
Print made by Robert Blyth, 1750–1784
Date:
1779
Materials & Techniques:
Etching on moderately thick, moderately textured, beige laid paper, laid on mount
Dimensions:
Sheet: 15 7/8 x 12 11/16 inches (40.3 x 32.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. William FitzWilliam, First Earl of Southampton

William FitzWilliam, First Earl of Southampton
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Stipple engraving
Dimensions:
Sheet: 15 13/16 x 12 3/4in. (40.2 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Catherine, Duchess of Suffolk

Catherine, Duchess of Suffolk
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Color-printed stipple engraving
Dimensions:
Sheet: 16 1/4 x 12 11/16in. (41.2 x 32.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Jane, Lady Lister

Jane, Lady Lister
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1792
Materials & Techniques:
Color-printed stipple engraving
Dimensions:
Sheet: 16 9/16 x 12 3/4in. (42 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Sir Henry Guildford

Sir Henry Guildford
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Color-printed stipple engraving
Dimensions:
Sheet: 16 1/8 x 12 5/8in. (40.9 x 32.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Sir Henry Guildford

Sir Henry Guildford
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Color-printed stipple engraving
Dimensions:
Sheet: 16 7/16 x 12 5/8in. (41.7 x 32cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Jane, Lady Lister

Jane, Lady Lister
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1792
Materials & Techniques:
Color-printed stipple engraving
Dimensions:
Sheet: 16 9/16 x 12 3/4in. (42 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Portrait of Whistler

Portrait of Whistler
Creator:
Henri Charles Guérard, 1846–1897
Date:
ca. 1888
Materials & Techniques:
Etching, drypoint, and mezzotint, printed in brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 16 7/8 x 12 5/8 inches (42.8 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Jeanne K. Welcher

97. Princeps Wolfangus Wilhelmus

Princeps Wolfangus Wilhelmus
Creator:
Print made by Lucas Vorsterman I, 1595–1675
Date:
ca. 1635
Materials & Techniques:
Line engraving, stipple engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/2 × 12 3/4 inches (41.9 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. George Pritchard, Her Britannic Majesty's Consul

George Pritchard, Her Britannic Majesty's Consul
Creator:
Print made by George Baxter, 1804–1867
Date:
1845
Materials & Techniques:
Aquatint, stipple engraving, and etching with colored woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 16 1/4 x 12 1/2 inches (41.2 x 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Lovelace in Prison

Lovelace in Prison
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1788
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/8 x 17 7/16 inches (39 x 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Isabella Clara Eugenia

Isabella Clara Eugenia
Creator:
Print made by Lucas Vorsterman I, 1595–1675
Date:
ca. 1635
Materials & Techniques:
Stipple engraving, line engraving and etching on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 16 7/16 × 12 3/4 inches (41.8 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection