<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Search Results

1. Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss

Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss
Creator:
Sir Godfrey Kneller, 1646–1723
Date:
between 1705 and 1710
Materials & Techniques:
Oil on canvas
Dimensions:
31 x 26 inches (78.7 x 66 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

2. Elizabeth FitzGerald, Countess of Kildare

Elizabeth FitzGerald, Countess of Kildare
Creator:
Willem Wissing, ca. 1656–1687
Date:
ca. 1684
Materials & Techniques:
Oil on canvas
Dimensions:
49 1/2 x 39 3/4 inches (125.7 x 101 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

3. Borlase Cokayne as a Boy riding Sultana

Borlase Cokayne as a Boy riding Sultana
Creator:
Thomas Smith of Derby, ca. 1720–1767
Date:
1751
Materials & Techniques:
Oil on canvas
Dimensions:
18 1/2 x 25 3/8 inches (47 x 64.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. Couple in a Farmyard

Couple in a Farmyard
Creator:
Paul Sandby, 1731–1809
Date:
1782
Materials & Techniques:
Watercolor and pen with black and brown ink over graphite on very thick, moderately textured, beige wove paper
Dimensions:
Sheet: 26 1/8 x 19 5/8 inches (66.4 x 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Portrait Head of Samuel Palmer

Portrait Head of Samuel Palmer
Creator:
George Richmond, 1809–1896
Date:
1827
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 5/16 × 3 3/8 inches (11 × 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. William William's Second Wife

William William's Second Wife
Creator:
Frederick Tatham, 1805–1878
Date:
ca. 1830
Materials & Techniques:
Watercolor on ivory
Dimensions:
Frame: 6 3/4 x 6 x 1 5/8 inches (17.1 x 15.2 x 4.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. Lady Hamilton as The Sempstress

Lady Hamilton as The Sempstress
Creator:
Print made by Thomas Cheesman, 1760–1834/35
Date:
1787
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 3/4 × 11 5/16 inches (37.5 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

8. Miss Mary Palmer as "The Young Shepherdess"

Miss Mary Palmer as "The Young Shepherdess"
Creator:
Print made by Joseph Grozer, ca. 1755–1798
Date:
ca. 1785
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 11/16 × 13 7/8 inches (44.9 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9. Lady Mary Leslie

Lady Mary Leslie
Creator:
Print made by John Spilsbury, 1730–1795
Date:
ca. 1766
Materials & Techniques:
Mezzotint on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 19 1/4 × 14 inches (48.9 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10. Shepherdess

Shepherdess
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 × 10 1/16 inches (35.5 × 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

11. Master Wynn in the Character of St. John

No cover image available
Creator:
Print made by John Dean, 1754–1798
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 5/8 x 17 13/16 inches (34.6 x 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund