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Genre portrait

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Subject Terms wine

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Elihu Yale with Members of his Family and an Enslaved Child
Creator:
Attributed to John Verelst, ca. 1675–1734
Date:
ca. 1719
Materials & Techniques:
Oil on canvas
Dimensions:
79 1/4 × 92 3/4 inches (201.3 × 235.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Andrew Cavendish, eleventh Duke of Devonshire
On View:
Not on view
Portrait of a Group of Gentleman, with the Artist
Creator:
Francis Hayman, 1707/8–1776
Date:
between 1745 and 1748
Materials & Techniques:
Oil on canvas
Dimensions:
44 x 56 inches (111.8 x 142.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Brothers Clarke with Other Gentlemen Taking Wine
Creator:
Gawen Hamilton, ca. 1697–1737
Date:
between 1730 and 1735
Materials & Techniques:
Oil on canvas
Dimensions:
32 1/2 x 45 1/2 inches (82.6 x 115.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Group portrait, probably of the Raikes family
Creator:
Gawen Hamilton, ca. 1697–1737
Date:
between 1730 and 1732
Materials & Techniques:
Oil on canvas
Dimensions:
26 x 36 1/8 inches (66 x 91.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Rowlandson and Wigstead on Tour
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/16 x 11 7/16 inches (18.6 x 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Miss Kitty Fisher as 'Cleopatra Dissolving the Pearl'
Creator:
Print made by Edward Fisher, 1722–1785
Date:
between 1752 and 1763
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 13 7/16 x 9 3/8 inches (34.2 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund