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1. The Cypress Grove

The Cypress Grove
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
plate etched between ca. 1880 and 1883; impression printed in 1924
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 15/16 x 12 1/16 inches (27.8 x 30.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Jerusalem, Tailpiece (Plate 100)

Jerusalem, Tailpiece (Plate 100)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Europe. A Prophecy; Frontispiece

Europe. A Prophecy; Frontispiece
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1820
Materials & Techniques:
Relief and white-line etching printed in brown ink; proof; verso: color printed relief etching with pen and ink; proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/2 x 9 1/4 inches (31.8 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)

"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. "His Spectre divides & Los in fury compells it to divide..." (Plate 17)

"His Spectre divides & Los in fury compells it to divide..." (Plate 17)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. "Albion thy fear has made me tremble..." (Plate 22)

"Albion thy fear has made me tremble..." (Plate 22)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Job and His Family

Job and His Family
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 10 3/4 inches (38.7 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Satan before the Throne of God

Satan before the Throne of God
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 10 7/8 inches (38.4 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Job's Sons and Daughters Overwhelmed by Satan

Job's Sons and Daughters Overwhelmed by Satan
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 3/4 inches (38.1 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Messengers Tell Job of His Misfortunes

The Messengers Tell Job of His Misfortunes
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 3/4 inches (38.1 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Satan Going Forth from the Presence of the Lord and Job's Charity

Satan Going Forth from the Presence of the Lord and Job's Charity
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 10 3/4 inches (38.4 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Satan Smiting Job with Sore Boils

Satan Smiting Job with Sore Boils
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 10 7/8 inches (38.7 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Job's Comforters

Job's Comforters
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Vision of Eliphaz

The Vision of Eliphaz
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 10 3/4 inches (38.4 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Job's Evil Dreams

Job's Evil Dreams
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 11 inches (37.8 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Wrath of Elihu

The Wrath of Elihu
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 10 5/8 inches (38.4 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. When the Morning Stars Sang Together

When the Morning Stars Sang Together
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Lord Answering Job out of the Whirlwind

The Lord Answering Job out of the Whirlwind
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Behemoth and Leviathan

Behemoth and Leviathan
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 5/8 inches (38.1 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The Fall of Satan

The Fall of Satan
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The Vision of Christ

The Vision of Christ
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 10 7/8 inches (38.4 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Job's Sacrifice

Job's Sacrifice
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 inches (38.1 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Every One also Gave Him a Piece of Money

Every One also Gave Him a Piece of Money
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 10 7/8 inches (38.4 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Job and His Family Restored to Prosperity

Job and His Family Restored to Prosperity
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 10 7/8 inches (38.7 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. "Highgates heights & Hampsteads..." (Plate 84)

"Highgates heights & Hampsteads..." (Plate 84)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. "Became a Space & an Allegory..." (Plate 85)

"Became a Space & an Allegory..." (Plate 85)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. "I see thy Form O lovely mild Jerusalem..." (Plate 86)

"I see thy Form O lovely mild Jerusalem..." (Plate 86)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. "Repelling weeping Enion blind & age-bent..." (Plate 87)

"Repelling weeping Enion blind & age-bent..." (Plate 87)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)

"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)

"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. "The Feminine separates from the Masculine..." (Plate 90)

"The Feminine separates from the Masculine..." (Plate 90)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. "It is easier to forgive an enemy..." (Plate 91)

"It is easier to forgive an enemy..." (Plate 91)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. "What do I see! The Briton Saxon Roman Norman..." (Plate 92)

"What do I see! The Briton Saxon Roman Norman..." (Plate 92)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. "Albion cold lays on his Rock..." (Plate 94)

"Albion cold lays on his Rock..." (Plate 94)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. "Awake! Awake Jerusalem..." (Plate 97)

"Awake! Awake Jerusalem..." (Plate 97)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. "Then each an Arrow flaming from his Quiver..." (Plate 98)

"Then each an Arrow flaming from his Quiver..." (Plate 98)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. "And the Two that escaped..." (Plate 30)

"And the Two that escaped..." (Plate 30)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. "Turning his back to the Divine Vision..." (Plate 33)

"Turning his back to the Divine Vision..." (Plate 33)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. "Elevate into the Region of Brotherhood..." (Plate 34)

"Elevate into the Region of Brotherhood..." (Plate 34)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. "Reuben return'd to his place, in vain..." (Plate 36)

"Reuben return'd to his place, in vain..." (Plate 36)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. "With one accord in love sublime..." (Plate 44)

"With one accord in love sublime..." (Plate 44)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. "The secret coverts of Albion & the hidden places of America..." (Plate 49)

"The secret coverts of Albion & the hidden places of America..." (Plate 49)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. "In Great Eternity every particular Form..." (Plate 54)

"In Great Eternity every particular Form..." (Plate 54)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. "When those who disregard all Mortal Things..." (Plate 55)

"When those who disregard all Mortal Things..." (Plate 55)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. "In beauty the Daughters of Albion divide..." (Plate 58)

"In beauty the Daughters of Albion divide..." (Plate 58)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. "And formed into Four precious stones..." (Plate 59)

"And formed into Four precious stones..." (Plate 59)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. "The clouds of Albions Druid Temples..." (Plate 60)

"The clouds of Albions Druid Temples..." (Plate 60)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. "Repose on me till the morning of the Grave..." (Plate 62)

"Repose on me till the morning of the Grave..." (Plate 62)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. "Jehovah stood among the Druids..." (Plate 63)

"Jehovah stood among the Druids..." (Plate 63)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. "Of the Mundane Shell which froze..." (Plate 64)

"Of the Mundane Shell which froze..." (Plate 64)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. "By those who drink their blood & the blood of their Covenant..." (Plate 67)

"By those who drink their blood & the blood of their Covenant..." (Plate 67)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. "O Skofield why art thou cruel?..." (Plate 68)

"O Skofield why art thou cruel?..." (Plate 68)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. "Then all the Males conjoined into One Male..." (Plate 69)

"Then all the Males conjoined into One Male..." (Plate 69)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. "Such are Cathedrons golden Halls..." (Plate 73)

"Such are Cathedrons golden Halls..." (Plate 73)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. "I have mock'd those who refused cruelty..." (Plate 81)

"I have mock'd those who refused cruelty..." (Plate 81)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Satan before the Throne of God

Satan before the Throne of God
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Overall: 15 1/2 × 10 3/8 inches (39.4 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

63. Job's Evil Dreams

Job's Evil Dreams
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Overall: 15 3/4 × 10 1/2 inches (40 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

64. The Vision of Christ

The Vision of Christ
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Overall: 15 7/8 × 10 5/8 inches (40.3 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

65. When the Morning Stars Sang Together

When the Morning Stars Sang Together
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Overall: 15 7/8 × 10 3/4 inches (40.3 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

66. Job Rebuked by His Friends

Job Rebuked by His Friends
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 7/8 inches (37.8 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Samson Overpowered

Samson Overpowered
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 5/8 x 5 7/8 inches (11.7 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

68. Seated Female Nude, Probably for "Susannah and the Elders"

Seated Female Nude, Probably for "Susannah and the Elders"
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 x 5 7/8 inches (13 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

69. Possibly Lapland Witches

Possibly Lapland Witches
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 x 6 inches (14 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

70. The Temptation of Christ

The Temptation of Christ
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 5 3/4 inches (13.7 x 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

71. Fiends for the Temptation of Christ

Fiends for the Temptation of Christ
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite and gray wash on medium slightly textured cream wove paper
Dimensions:
Sheet: 5 1/2 x 5 3/4 inches (14 x 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

72. Temptation of Christ

Temptation of Christ
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 x 6 inches (14 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

73. Temptation of Christ

Temptation of Christ
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 6 inches (13.7 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

74. Allegorical Scene

Allegorical Scene
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Image: 2 3/16 × 6 1/16 inches (5.6 × 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Head of Christ, Crowned with Thorns

Head of Christ, Crowned with Thorns
Creator:
Print made by Theodore Casper von Furstenberg, ca. 1615–1675
Date:
between 1656 and 1675
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 8 9/16 x 6 1/8 inches (21.8 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

76. Isaac Watts

Isaac Watts
Creator:
Simon François Ravenet, 1706–1774
Date:
undated
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 9 1/8 × 6 11/16 inches (23.2 × 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Dryden's Monument

Dryden's Monument
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/2 × 8 1/2 inches (34.3 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Dryden's Monument

Dryden's Monument
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Shakespeare's Monument at the Church at Stratford upon Avon

Shakespeare's Monument at the Church at Stratford upon Avon
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. New Abbey, near Dumfries

New Abbey, near Dumfries
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Ramah and Rachel's Tomb

Ramah and Rachel's Tomb
Creator:
Print made by William Finden, 1787–1852
Date:
1835-1836
Materials & Techniques:
Etching and engraving with chine-collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 17 1/2 inches (30.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. The Fall of the Rebel Angels

The Fall of the Rebel Angels
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Etching and engraving with chine-collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 11 5/8 inches (43.5 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. The Expulsion from Paradise

The Expulsion from Paradise
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Etching and engraving with chine-collé; 1st published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Mustering of the Warrior Angels

Mustering of the Warrior Angels
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1835
Materials & Techniques:
Etching and engraving with chine-collé; 1st published state on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. The Temptation on the Mountain

The Temptation on the Mountain
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. The Temptation on the Mountain

The Temptation on the Mountain
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 1/4 × 11 5/8 inches (43.8 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Ludlow Castle, Rising of the Water-Nymphs

Ludlow Castle, Rising of the Water-Nymphs
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Etching and engraving with chine-collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. St. Michael's Mount, Shipwreck of Lycidas

St. Michael's Mount, Shipwreck of Lycidas
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/4 × 8 1/2 inches (33.7 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. The Temptation of the Pinnacle

The Temptation of the Pinnacle
Creator:
Print made by Frederick Bacon, 1803–1887
Date:
1835
Materials & Techniques:
Etching and engraving with chine-collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Sinai's Thunder

Sinai's Thunder
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1837
Materials & Techniques:
Etching and engraving with chine-collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Rolandseck

Rolandseck
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Etching and engraving with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. The Garden

The Garden
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Etching and engraving with chine-collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/8 × 12 inches (44.1 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. The Chaplet

The Chaplet
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 7/8 × 11 7/8 inches (42.9 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. The Ring

The Ring
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Etching and engraving with chine-collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 7/8 × 11 7/8 inches (42.9 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. A Parsi Priest or Adam

A Parsi Priest or Adam
Creator:
Sadanand Vyas, active late 18th century
Date:
undated
Materials & Techniques:
Watercolor, graphite, and gouache, with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/16 × 5 7/8 inches (15.4 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. A Lewsa of Jettee - A Kind of Hindu Monk

A Lewsa of Jettee - A Kind of Hindu Monk
Creator:
Sadanand Vyas, active late 18th century
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 × 5 3/4 inches (14.3 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. A Gosain - A Tribe of Hindu Religious Beggars

A Gosain - A Tribe of Hindu Religious Beggars
Creator:
Sadanand Vyas, active late 18th century
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 × 6 inches (14.3 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Portrait of a Priest of the Bohras

Portrait of a Priest of the Bohras
Creator:
Gangaram Chintaman Navgire Tambat, active 1790s
Date:
1794
Materials & Techniques:
Watercolor, pen and ink, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 6 inches (24.4 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. The Satyrs

The Satyrs
Creator:
Stephen Frederick Gooden, 1892–1955
Date:
1937
Materials & Techniques:
Line engraving and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 11/16 x 10 3/16 inches (32.2 x 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Daniel Bell

100. Study of the Pieta

Study of the Pieta
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 3/4 × 6 1/16 inches (9.5 × 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection