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Genre religious and mythological subject

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1. Jerusalem, Frontispiece (Plate 1)

Jerusalem, Frontispiece (Plate 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
White-line etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Jerusalem, Plate 28 Proof Impression

Jerusalem, Plate 28 Proof Impression
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1820
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink; proof on medium, smooth wove paper
Dimensions:
Sheet: 4 3/8 x 6 1/4 inches (11.1 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. "And that toward Eden, four..." (Plate 13)

"And that toward Eden, four..." (Plate 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. "From every-one of the Four Regions..." (Plate 18)

"From every-one of the Four Regions..." (Plate 18)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. "His Children exil'd from his breast..." (Plate 19)

"His Children exil'd from his breast..." (Plate 19)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief and white-line etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. "But when they saw Albion fall'n..." (Plate 20)

"But when they saw Albion fall'n..." (Plate 20)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. "Condens'd his Emanations..." (Plate 9)

"Condens'd his Emanations..." (Plate 9)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. "To the Jews..." (Plate 27)

"To the Jews..." (Plate 27)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. "Then the Divine Vision like a silent Sun..." (Plate 29)

"Then the Divine Vision like a silent Sun..." (Plate 29)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. "To the Public. After my three years slumber..." (Plate 3)

"To the Public. After my three years slumber..." (Plate 3)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. "His western heaven with rocky clouds..." (Plate 31)

"His western heaven with rocky clouds..." (Plate 31)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. "Leaning against the pillars..." (Plate 32)

"Leaning against the pillars..." (Plate 32)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. "And One stood forth from the Divine Family..." (Plate 37)

"And One stood forth from the Divine Family..." (Plate 37)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. "His face and bosom with petrific hardness..." (Plate 38)

"His face and bosom with petrific hardness..." (Plate 38)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. "By Satan's Watch-fiends tho' they search..." (Plate 39)

"By Satan's Watch-fiends tho' they search..." (Plate 39)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. "Los shudder'd at beholding Albion..." (Plate 40)

"Los shudder'd at beholding Albion..." (Plate 40)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. "Bath who is Legions..." (Plate 41)

"Bath who is Legions..." (Plate 41)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. "Thus Albion sat, studious of others..." (Plate 42)

"Thus Albion sat, studious of others..." (Plate 42)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. "They saw their Wheels rising up poisonous..." (Plate 43)

"They saw their Wheels rising up poisonous..." (Plate 43)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. "Bath, healing City!..." (Plate 45)

"Bath, healing City!..." (Plate 45)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. "Bath, mild Physician of Eternity..." (Plate 46)

"Bath, mild Physician of Eternity..." (Plate 46)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief and white-line etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. "The banks of the Thames are clouded..." (Plate 5)

"The banks of the Thames are clouded..." (Plate 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Chapter 3 Frontispiece (Plate 51)

Chapter 3 Frontispiece (Plate 51)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief and white-line etching printed in black ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)

"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. "To decide Two Worlds with a great decision..." (Plate 65)

"To decide Two Worlds with a great decision..." (Plate 65)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)

"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. "Was living: panting like a frighted wolf..." (Plate 7)

"Was living: panting like a frighted wolf..." (Plate 7)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. "And this the form of mighty Hand..." (Plate 70)

"And this the form of mighty Hand..." (Plate 70)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Chapter 4 Frontispiece (Plate 76)

Chapter 4 Frontispiece (Plate 76)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief and white-line etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. "My tents are fall'n! my pillars are in ruins!..." (Plate 79)

"My tents are fall'n! my pillars are in ruins!..." (Plate 79)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. "Rose up against me thundering..." (Plate 8)

"Rose up against me thundering..." (Plate 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. "Encompass'd by the frozen Net..." (Plate 80)

"Encompass'd by the frozen Net..." (Plate 80)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. "I have heard Jerusalems groans..." (Plate 82)

"I have heard Jerusalems groans..." (Plate 82)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. "Corruptability appears upon thy limbs..." (Plate 83)

"Corruptability appears upon thy limbs..." (Plate 83)
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Two Figures: Probably for the Bath of Diana

Two Figures: Probably for the Bath of Diana
Creator:
George Romney, 1734–1802
Date:
early 1770s
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 7/8 x 6 3/8 inches (12.4 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

46. Capuchins of Our Lady of Médoux

Capuchins of Our Lady of Médoux
Creator:
Henry Swinburne, 1743–1803
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 16 5/16 × 11 1/8 inches (41.4 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Christ Appears to Mary Magdalene (John 20:13-14)

Christ Appears to Mary Magdalene (John 20:13-14)
Creator:
Richard Westall, 1765–1836
Date:
before 1836
Materials & Techniques:
Graphite with red pencil on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 3/4 x 4 3/8 inches (14.6 x 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

48. St. Michael and Lucifer

St. Michael and Lucifer
Creator:
Benjamin West, 1738–1820
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 11/16 x 6 1/4 inches (24.6 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Vulcan and The Gods and Goddesses

Vulcan and The Gods and Goddesses
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 × 6 1/4 inches (13 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

50. Diana and Actaeon: A Study for a Panel on a Staircase

Diana and Actaeon: A Study for a Panel on a Staircase
Creator:
follower of Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 6 1/4in. (15.2 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. The Fall of Phaeton: A Study for a Ceiling

The Fall of Phaeton: A Study for a Ceiling
Creator:
follower of Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 x 6 3/8 inches (15.2 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Design for a Mythological Scene, with Jupiter and Juno

Design for a Mythological Scene, with Jupiter and Juno
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Pen and black and brown ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/8 x 6 3/8 inches (13.7 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Musician and Dancer from Bacchantes and Rustic Nymphs

Musician and Dancer from Bacchantes and Rustic Nymphs
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 6 3/8 inches (20.3 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

54. Scene from the Temptation of Christ: Devils?

Scene from the Temptation of Christ: Devils?
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 6 1/8 inches (14 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

55. Scene in Hell

Scene in Hell
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 × 6 1/4 inches (14.6 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

56. Initiation of a Rustic Nymph

Initiation of a Rustic Nymph
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 × 6 1/8 inches (19.7 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

57. Drawing for the Frontispiece of Erasmus Darwin's "The Botanic Garden"

Drawing for the Frontispiece of Erasmus Darwin's "The Botanic Garden"
Creator:
Henry Fuseli, 1741–1825
Date:
1791
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 x 6 3/8 inches (22.2 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Lowell Libson

58. Head of Diana

Head of Diana
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 6 3/8 inches (19.7 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

59. Sketch for Dance for the Initiation of a Nymph

Sketch for Dance for the Initiation of a Nymph
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink with graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 6 3/8 inches (20 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

60. Selling of Cupids

Selling of Cupids
Creator:
Giovanni Battista Cipriani, 1727–1785
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, white laid paper
Dimensions:
Sheet: 5 1/4 × 6 3/8 inches (13.3 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

61. Neptune and Britannia

Neptune and Britannia
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and brown ink and brown wash on medium, slightly textured, cream wove paper, mounted to medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 × 6 1/4 inches (15.2 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Two Columns with a Head of a Woman and a Grotesque Head

Two Columns with a Head of a Woman and a Grotesque Head
Creator:
Attributed to Augustin Heckel, 1690–1770
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red chalk, and gray wash on medium, slightly textured, cream laid paper mounted on thin blue laid paper
Dimensions:
Sheet: 7 1/4 × 6 1/8 inches (18.4 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Design for a Cartouche

Design for a Cartouche
Creator:
Attributed to Augustin Heckel, 1690–1770
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, and gray and brown wash on medium, slightly textured, cream laid paper mounted on thin blue laid paper
Dimensions:
Sheet: 7 5/8 × 6 1/8 inches (19.4 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Design for a Cartouche with Putti

Design for a Cartouche with Putti
Creator:
Attributed to Augustin Heckel, 1690–1770
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red chalk, and gray and brown wash on medium, slightly textured, cream laid paper mounted on thin blue laid paper
Dimensions:
Sheet: 7 5/8 × 6 1/8 inches (19.4 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Design for a Cartouche with Putti

Design for a Cartouche with Putti
Creator:
Attributed to Augustin Heckel, 1690–1770
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red chalk, brown and gray wash on medium, slightly textured, cream laid paper mounted on thin blue laid paper
Dimensions:
Sheet: 7 3/4 × 6 1/8 inches (19.7 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Sketches of Figures

Sketches of Figures
Creator:
Attributed to Augustin Heckel, 1690–1770
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, and red chalk on medium, slightly textured, cream laid paper mounted on thin blue laid paper
Dimensions:
Sheet: 3 3/4 × 6 1/8 inches (9.5 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Design for a Cartouche with Putto

Design for a Cartouche with Putto
Creator:
Attributed to Augustin Heckel, 1690–1770
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, and gray wash on medium, slightly textured, cream laid paper mounted on thin blue laid paper
Dimensions:
Sheet: 7 1/2 × 6 1/8 inches (19.1 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Design for a Cartouche

Design for a Cartouche
Creator:
Attributed to Augustin Heckel, 1690–1770
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, and gray wash on medium, slightly textured, cream laid paper mounted on thin blue laid paper
Dimensions:
Sheet: 6 3/4 × 6 1/4 inches (17.1 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Design for a Cartouche

Design for a Cartouche
Creator:
Attributed to Augustin Heckel, 1690–1770
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red chalk, and gray wash on medium, slightly textured, cream laid paper mounted on thin blue laid paper
Dimensions:
Sheet: 7 5/8 × 6 1/4 inches (19.4 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Design for a Cartouche of Cupid and Diana

Design for a Cartouche of Cupid and Diana
Creator:
Attributed to Augustin Heckel, 1690–1770
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red chalk, and gray wash on medium, slightly textured, cream laid paper mounted on thin blue laid paper
Dimensions:
Sheet: 4 3/8 × 6 1/4 inches (11.1 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Design for a Cartouche with Mythological Figures

Design for a Cartouche with Mythological Figures
Creator:
Attributed to Augustin Heckel, 1690–1770
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, gray wash, and red chalk on medium, slightly textured, cream laid paper mounted on thin blue laid paper
Dimensions:
Sheet: 7 1/4 × 6 1/4 inches (18.4 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection