Genre: religious and mythological subject / Work Type: intaglio print / Subject Terms: necklace - YCBA Collections Search Search Results

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Genre religious and mythological subject

Work Type intaglio print

Subject Terms necklace

1. Cupid Wounded

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1801
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 5/16 × 9 1/2 inches (33.8 × 24.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Joseph Lanman Richards

2. The Triumph of Galatea

The Triumph of Galatea

Creator:: Print made by John Smith, 1652–1743
Date:: 1701
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 × 9 7/8 inches (43.2 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3. Abraham's Servant Presenteth Rebekah

Abraham's Servant Presenteth Rebekah

Creator:: Print made by John Simon, 1675–1755
Date:: between 1700 and 1725
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 12 3/16 × 8 15/16 inches (31 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

4. Miss O'Neill as Hebe

Miss O'Neill as Hebe

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1811
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 7/8 × 16 5/8 inches (55.6 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

5. Cornelia, Mother of the Gracchi

Cornelia, Mother of the Gracchi

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1783
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 3/8 x 9 1/4 inches (21.3 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection