<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Genre religious and mythological subject

Remove constraint Genre: religious and mythological subject

Height [cm] 42

Remove constraint Height [cm]: 42

Classification Prints

Remove constraint Classification: Prints

Search Results

1. Night the First. On Life, Death, and Immortality; Title Page

Night the First. On Life, Death, and Immortality; Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. 'Oft bursts my song beyond the bounds of life' (Page 16)

'Oft bursts my song beyond the bounds of life' (Page 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. 'Emblem of that which shall awake the dead' (Page 19)

'Emblem of that which shall awake the dead' (Page 19)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. 'We censure nature for a span too short' (Page 23)

'We censure nature for a span too short' (Page 23)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. 'Time, in advance, behind him hides his wings' (Page 24)

'Time, in advance, behind him hides his wings' (Page 24)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. 'Behold him, when past by; what then is seen' (Page 25)

'Behold him, when past by; what then is seen' (Page 25)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. 'Measuring his motions by revolving spheres' (Page 26)

'Measuring his motions by revolving spheres' (Page 26)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. 'O treacherous conscience! while she seems to sleep" (Page 27)

'O treacherous conscience! while she seems to sleep" (Page 27)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. 'Tis greatly wise to talk with our past hours' (Page 31)

'Tis greatly wise to talk with our past hours' (Page 31)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. 'Like that, the dial speaks; and points to thee' (Page 33)

'Like that, the dial speaks; and points to thee' (Page 33)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Night the Third. Narcissa; Title Page

Night the Third. Narcissa; Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Christian Triumph; Title Page

The Christian Triumph; Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. 'Till death, that mighty hunter, earths them all' (Page 70)

'Till death, that mighty hunter, earths them all' (Page 70)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. 'The thunder, if in that the Almighty dwells' (Page 80)

'The thunder, if in that the Almighty dwells' (Page 80)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. 'His hand the good man fastens on the skies' (Page 86)

'His hand the good man fastens on the skies' (Page 86)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. 'Teaching, we learn; and giving, we retain' (Page 35)

'Teaching, we learn; and giving, we retain' (Page 35)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. 'The longest night though longer far, would fail' (Page 15)

'The longest night though longer far, would fail' (Page 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Illustrations of The Book of Job

Illustrations of The Book of Job
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Bound volume of twenty-one engravings on medium, slightly textured, cream wove paper
Dimensions:
Spine: 16 1/2 inches (41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Noble Behavior of Caractacus, before the Emperor Claudius

The Noble Behavior of Caractacus, before the Emperor Claudius
Creator:
Print made by Charles Grignion, 1717–1810
Date:
1751
Materials & Techniques:
Engraving
Dimensions:
Sheet: 16 1/2 x 15 7/16in. (41.9 x 39.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Paphian Bower

The Paphian Bower
Creator:
George H. Phillips, active 1819–1825
Date:
1826
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 5/8 × 26 11/16 inches (52.4 × 67.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Barbara Palmer (née Villiers) Countess of Castlemaine

Barbara Palmer (née Villiers) Countess of Castlemaine
Creator:
Thomas Watson, 1743–1781
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 16 11/16 × 13 1/16 inches (42.4 × 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Reverend John Moore, Lord Archbishop of Canterbury

Reverend John Moore, Lord Archbishop of Canterbury
Creator:
John Jones, ca. 1745–1797
Date:
1792
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 19 3/8 × 14 11/16 inches (49.2 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Johannes Potter, Archiepiscopus Cantuariensis

Johannes Potter, Archiepiscopus Cantuariensis
Creator:
George Vertue, 1684–1756
Date:
1741
Materials & Techniques:
Stipple engraving, line engraving and etching on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 16 7/16 × 11 3/4 inches (41.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Isabella Clara Eugenia

Isabella Clara Eugenia
Creator:
Print made by Lucas Vorsterman I, 1595–1675
Date:
ca. 1635
Materials & Techniques:
Stipple engraving, line engraving and etching on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 16 7/16 × 12 3/4 inches (41.8 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. A Vestal Virgin

A Vestal Virgin
Creator:
Print made by William Humphrey, 1745–1810
Date:
1770
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 16 9/16 × 11 13/16 inches (42.1 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

27. The Triumph of Galatea

The Triumph of Galatea
Creator:
Print made by John Smith, the mezzotinter, 1652–1743
Date:
1701
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 17 × 9 7/8 inches (43.2 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

28. Judith with Head of Holofernes

Judith with Head of Holofernes
Creator:
Print made by Wallerant Vaillant, 1623–1677
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 11/16 × 10 5/16 inches (42.4 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

29. Cupid in the Character of a Link Boy

Cupid in the Character of a Link Boy
Creator:
Print made by John Dean, 1754–1798
Date:
1777
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 11/16 x 12 1/4 inches (42.4 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

30. Cupid and Psyche

Cupid and Psyche
Creator:
Print made by William Say, 1768–1834
Date:
1816
Materials & Techniques:
Mezzotint (second state) on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 5/8 × 21 1/4 inches (49.8 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

31. St. John

St. John
Creator:
Print made by Joseph Grozer, ca. 1755–1798
Date:
c.1799
Materials & Techniques:
Mezzotint (first state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 3/8 × 16 1/4 inches (51.8 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

32. Richard Beadon, Bishop of Bath & Wells

Richard Beadon, Bishop of Bath & Wells
Creator:
George Siegmund Facius, 1750–1804
Date:
undated
Materials & Techniques:
Stipple engravaing on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/2 × 12 1/16 inches (41.9 × 30.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. St. Nil

St. Nil
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1762
Materials & Techniques:
Etching on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 19 9/16 x 12 15/16 inches (49.7 x 32.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Atalanta and Hippomanes

Atalanta and Hippomanes
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1763
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 11/16 x 11 5/16 inches (42.4 x 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Cupid Disarmed by Venus

Cupid Disarmed by Venus
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1804
Materials & Techniques:
Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 13/16 x 15 3/16 inches (50.4 x 38.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Ludlow Castle, Rising of the Water-Nymphs

Ludlow Castle, Rising of the Water-Nymphs
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Etching and engraving with chine-collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 5/8 × 11 inches (42.2 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. The Garden

The Garden
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/2 × 11 1/8 inches (41.9 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. The Nile

The Nile
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Etching and engraving with chine-collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 5/8 × 11 1/8 inches (42.2 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Eaton College, Berkshire

Eaton College, Berkshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1831
Materials & Techniques:
Etching and engraving with chine-collé; engraver's proof (a) on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/2 × 22 1/2 inches (41.9 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Christ Church College, Oxford

Christ Church College, Oxford
Creator:
Print made by James Redway, active 1827–1838
Date:
1834
Materials & Techniques:
Etching with chine-collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/2 × 22 1/2 inches (41.9 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Christ Church College, Oxford

Christ Church College, Oxford
Creator:
Print made by James Redway, active 1827–1838
Date:
1834
Materials & Techniques:
Etching and engraving with chine-collé; engraver's proof (b) on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/2 × 22 1/2 inches (41.9 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. The Briar Wood

The Briar Wood
Creator:
After Edward Burne-Jones, 1833–1898
Date:
1892
Materials & Techniques:
Photogravure on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/2 × 32 3/4 inches (41.9 × 83.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Joseph F. McCrindle, Yale LLB 1948, Fund

43. The Rose Bower

The Rose Bower
Creator:
After Edward Burne-Jones, 1833–1898
Date:
1892
Materials & Techniques:
Photogravure on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/2 × 30 3/4 inches (41.9 × 78.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Joseph F. McCrindle, Yale LLB 1948, Fund

44. The Garden Court

The Garden Court
Creator:
After Edward Burne-Jones, 1833–1898
Date:
1892
Materials & Techniques:
Photogravure on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/2 × 30 1/2 inches (41.9 × 77.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Joseph F. McCrindle, Yale LLB 1948, Fund

45. Unbound Facsimile Edition of William Blake's Illustrations for "The Poems of Thomas Gray"

No cover image available
Creator:
Print made by Arnold Fawcus, 1917–1979
Date:
1972
Materials & Techniques:
Facsimile printed in color
Dimensions:
Sheet: 16 1/2 x 12 13/16in. (41.9 x 32.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Archbishop Laud

No cover image available
Creator:
after James Watson, 1740–1790
Date:
1779
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 3/8 × 11 7/8 inches (41.6 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. First Uncorrected Proof of Arnold Fawcus's Facsimile of Blake's Water-Colour Designs for the Poems of Thomas Gray

No cover image available
Creator:
Print made by Arnold Fawcus, 1917–1979
Date:
1967
Materials & Techniques:
Hand-colored collotype on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 5/8 × 12 7/8 inches (42.2 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. The Wine Drinkers

No cover image available
Creator:
Print made by William Strang, 1859–1921
Date:
1904
Materials & Techniques:
Etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 5/8 × 13 3/8 inches (42.2 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

49. Cupid and Hymen

No cover image available
Creator:
Francesco Bartolozzi, 1728–1815
Materials & Techniques:
Stipple engraving on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 16 9/16 × 13 inches (42.1 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Cupid and Psyche

No cover image available
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1789
Materials & Techniques:
Stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 5/8 × 13 1/8 inches (42.2 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. The Nile

No cover image available
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Etching and engraving with chine-collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 5/8 × 11 1/8 inches (42.2 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Moses Brought to Pharaoh's Daughter

No cover image available
Creator:
Print made by Luke Sullivan, 1705–1771
Date:
1752
Materials & Techniques:
Line engraving
Dimensions:
Sheet: 16 5/8 × 20 5/8 inches (42.2 × 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker