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Genre religious and mythological subject
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1
- "The Lady of Shalott"
- ca. 1875
- Not on view
2
- Venus and Cupid
- 1809
- Not on view
3
- The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
- ca. 1715
- Not on view
4
- The Vine
- 1852
5
- The Vine
- 1852
6
- The Vine
- 1852
7
- The Vine
- 1852
8
- The Cypress Grove
- plate etched between ca. 1880 and 1883; impression printed in 1924
9
- The Morning of Life
- 1860-1861
10
- The Morning of Life
- 1860-1861
11
- Glaucus and Scylla
- between 1813 and 1823
12
- Apuleia in Search of Apuleius
- between 1813 and 1823
13
- Apuleia in Search of Apuleius
- between 1813 and 1823
14
- Christ and the Woman of Samaria
- 1819
15
- Glaucus and Scylla
- between 1813 and 1823
16
- Glaucus and Scylla
- 1813 to 1823
17
- The Deluge
- between 1813 and 1823
18
- Procris and Cephalus
- 1812
19
- Rispah: 2nd Book of Samuel, Chap. 21
- 1812
20
- Jason
- 1807
21
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
22
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
23
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
24
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
25
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
26
- Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
- 1789
27
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
28
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
29
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
30
- Jerusalem, Plate 38, "His face and bosom...."
- 1804 to 1820
31
- America. A Prophecy, Plate 14, "So Cried He...."
- 1793
32
- America. A Prophecy, Plate 16, "In the Flames Stood...."
- 1793
33
- America. A Prophecy, Plate 18, "Over the Hills...."
- 1793
34
- The Poems of Thomas Gray, Design 3, "Ode on the Spring."
- between 1797 and 1798
35
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
36
- Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
- 1789
37
- Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
- 1789
38
- America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
- 1793
39
- America. A Prophecy, Plate 4, "Silent as despairing love...."
- 1793
40
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
41
- Jerusalem, Plate 49, "The secret coverts of Albion...."
- 1804 to 1820
42
- Jerusalem, Plate 76
- 1804 to 1820
43
- The Poems of Thomas Gray, Design 53, "The Bard."
- between 1797 and 1798
44
- The Poems of Thomas Gray, Design 55, "The Bard."
- between 1797 and 1798
45
- The Poems of Thomas Gray, Design 57, "The Bard."
- between 1797 and 1798
46
- Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
- 1789
47
- The Book of Thel, Plate 4, "Why should the mistress . . . ."
- 1789
48
- America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
- 1793
49
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
50
- The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
- 1794
51
- Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
- 1789
52
- Songs of Innocence, Plate 26, "Spring" (Bentley 23)
- 1789
53
- The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
54
- Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
- 1797
55
- Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
- 1797
56
- Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
- 1797
57
- For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
- 1826
58
- For the Sexes: The Gates of Paradise, Plate 4, "Water"
- 1826
59
- For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
- 1826
60
- The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
- 1794
61
- The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
- 1794
62
- For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
- 1826
63
- For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
- 1826
64
- Tobias and the Angel
- ca. 1685
65
- Illustration to Tonson's Ovid Metamorphosis (two of four)
- ca. 1710
66
- Florence, from the Chiesa al Monte
- 1820
67
- Diana and Actaeon: A Study for a Panel on a Staircase
- undated
68
- One of eighteen designs for a series of plates illustrating Venus and Adonis
- undated
69
- One of eighteen designs for a series of plates illustrating Venus and Adonis
- undated
70
- Cain and Abel
- undated
71
- The Rescue of Lot
- 1833
72
- The Daughters of Jerusalem Weeping by the Waters of Babylon
- 1834
73
- The Woman at the Well
- undated
74
- Christ with Three Figures
- undated
75
- The Baptism of Christ
- undated
76
- Romance
- 1922
77
- Jupiter and Callisto: Ovid, Metamorphoses, Book 2
- ca. 1723
78
- The Rising of the Waters
- undated
79
- Apollo and Daphne
- between 1770 and 1799
80
- The Rape of Persephone
- undated
81
- Florence, from the Chiesa al Monte
- 1820
82
- Adam and Eve
- undated
83
- Madonna with a Rabbit
- undated
84
- Classical Scene: Minerva as the Goddess of Arts and Sciences
- undated
85
- An Allegory of Love
- Undated
86
- Lot and His Family
- ca. 1718
87
- A Large Christmas Card
- 1895
88
- Florence, from the Chiesa al Monte
- 1820
89
- The Miraculous Draught of Fishes
- after 1855
90
- The Miraculous Draught of Fishes
- after 1855
91
- The Death of Ananias
- after 1855
92
- Frontispiece design for John Fayram's "Eight Views after Nature"
- ca. 1739
93
- Mrs. Abington as Thalia
- 1783
94
- The Holy Tree of Metereeah
- 1856
95
- Expulsion from Eden
- undated
96
- Sensibility
- 1789
97
- Sensibility
- 1789
98
- Hope Nursing Love
- 1771
99
- A Landscape, with the Story of Europa
- 1802
100
- Epiphany
- 1919