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Genre religious and mythological subject
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1
- Between Olavano and Civitella
- 1842
- Not on view
2
- "The Lady of Shalott"
- ca. 1875
- Not on view
3
- Venus and Cupid
- 1809
- Not on view
4
- The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
- ca. 1715
- Not on view
5
- The Cypress Grove
- plate etched between ca. 1880 and 1883; impression printed in 1924
6
- The Morning of Life
- 1860-1861
7
- The Vine
- 1852
8
- The Vine
- 1852
9
- The Vine
- 1852
10
- The Vine
- 1852
11
- The Morning of Life
- 1860-1861
12
- Christ and the Woman of Samaria
- 1819
13
- Apuleia in Search of Apuleius
- between 1813 and 1823
14
- Glaucus and Scylla
- between 1813 and 1823
15
- Glaucus and Scylla
- 1813 to 1823
16
- Glaucus and Scylla
- between 1813 and 1823
17
- Apuleia in Search of Apuleius
- between 1813 and 1823
18
- The Deluge
- between 1813 and 1823
19
- Jason
- 1807
20
- Procris and Cephalus
- 1812
21
- Rispah: 2nd Book of Samuel, Chap. 21
- 1812
22
- "To labours mighty, with vast strength..." (Plate 11)
- 1804 to 1820
23
- Chapter II, "Muster around the bleak desarts..." (Plate 6)
- 1794
24
- "My son! my Son!" (Plate 10)
- 1826
25
- Aged Ignorance (Plate 13)
- 1826
26
- "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
- 1793
27
- "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
- 1793
28
- "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
- 1793
29
- Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
- 1793
30
- "Silent as despairing love, and strong as jealousy..." (Plate 4)
- 1793
31
- "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
- 1793
32
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
33
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
34
- The First Book of Urizen; Title Page (Plate 1)
- 1794
35
- Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
- 1794
36
- "I found him beneath a Tree" (Plate 3)
- 1826
37
- Water (Plate 4)
- 1826
38
- Alas! (Plate 9)
- 1826
39
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
40
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
41
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
42
- The Divine Image (Plate 12)
- 1789
43
- Infant Joy (Plate 14)
- 1789
44
- The Little Boy Lost (Plate 20)
- 1789
45
- Spring (Plate 26)
- 1789
46
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
47
- 'What, though my soul fantastick measures trod' (Page 4)
- 1797
48
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
49
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
50
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
51
- There Is No Natural Religion; Frontispiece (Plate 1)
- ca. 1788
52
- "And One stood forth from the Divine Family..." (Plate 37)
- 1804 to 1820
53
- "His face and bosom with petrific hardness..." (Plate 38)
- 1804 to 1820
54
- "The secret coverts of Albion & the hidden places of America..." (Plate 49)
- 1804 to 1820
55
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
56
- The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
- between 1797 and 1798
57
- Ode on the Spring; Title Page
- between 1797 and 1798
58
- Ode to Adversity; Title Page
- between 1797 and 1798
59
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
60
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
61
- The Bard, A Pindaric Ode; Title Page
- between 1797 and 1798
62
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
63
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
64
- The Bacchante
- ca. 1827
65
- Allegorical Scene
- undated
66
- Figure Study of a Bacchanalia Celebration in a Wooded Landscape
- undated
67
- Figure Study of a Bacchanalia Celebration in a Wooded Landscape
- undated
68
- Capuchins of Our Lady of Médoux
- undated
69
- Adonis dies in the arms of Venus
- undated
70
- The Honourable Mrs. Beresford with the Marchioness Townshend and the Hon. Mrs. Gardiner Adoring a Term of Hymen
- 1776
71
- Miss Frances Greville and her Brother as 'Hebe' and 'Cupid'
- 1762
72
- Marchioness of Townshend and Child
- 1792
73
- Susanna and the Elders
- 1769
74
- Hagar and Ishmael
- 1812
75
- Prométhée
- undated
76
- Venus and Adonis
- between 1680 and 1725
77
- Susanna and the Elders
- between 1670 and 1690
78
- Hercules before the Temple of Janus
- between 1680 and 1690
79
- An Allegory of Love
- Undated
80
- Lot and His Family
- ca. 1718
81
- A Large Christmas Card
- 1895
82
- Virgin and Child
- undated
83
- Christ's Charge to Peter
- after 1855
84
- The Death of Ananias
- after 1855
85
- Iris
- 1808
86
- Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
- 1789
87
- Madona Col Bambino
- 1791
88
- The Convent of St. Nicholas
- 1802-1804
89
- Mercury and Argus
- 1841
90
- Mercury and Argus
- 1841
91
- Dido and Aeneas; The Morning of the Chase
- 1842
92
- Mercury and Argus
- 1841
93
- Mercury and Herse
- 1842
94
- Mercury and Herse
- 1842
95
- Reverend Richard Robinson, Archibishop of Armagh
- 1775
96
- Florence, from the Chiesa al Monte
- 1820
97
- The Satyrs
- 1937
98
- Romance
- 1922
99
- Cupid in Masquerade
- undated
100
- A Bacchanian Scene
- undated