<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Genre religious and mythological subject

Remove constraint Genre: religious and mythological subject

Search Results

701. Cloisters of Whalley Abbey

Cloisters of Whalley Abbey
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1800
Materials & Techniques:
Line engraving, published state
Dimensions:
Sheet: 9 1/4 × 11 3/4 inches (23.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

702. View of Redcliff Church &c. Bristol

View of Redcliff Church &c. Bristol
Creator:
Print made by John Pye, 1782–1874
Date:
1814
Materials & Techniques:
Line engraving, engraver's proof
Dimensions:
Sheet: 8 7/8 × 11 1/8 inches (22.5 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

703. Crypt in Kirkstall Abbey, Yorkshire

Crypt in Kirkstall Abbey, Yorkshire
Creator:
Print made by John Scott, 1774–1828
Date:
1814
Materials & Techniques:
Line engraving, open etching
Dimensions:
Sheet: 9 7/8 × 11 3/4 inches (25.1 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

704. Taking the Veil

Taking the Veil
Creator:
Print made by William Humphrys, 1794–1865
Date:
1830
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/8 × 12 inches (44.1 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

705. A Bacchanalian Vase

A Bacchanalian Vase
Creator:
Print made by Daniel Allen, active 1830s
Date:
1830
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/8 × 12 1/8 inches (44.1 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

706. St. Herbert's Chapel

St. Herbert's Chapel
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, creame wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

707. Columbus and his Son

Columbus and his Son
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/2 × 9 1/16 inches (36.8 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

708. The Betrayal of Christ

The Betrayal of Christ
Creator:
Print made by William Faithorne, ca. 1620–1691
Date:
1653
Materials & Techniques:
Line engraving with stipple engraving on moderately thick, slightly textured cream laid paper
Dimensions:
Sheet: 9 5/8 × 8 inches (24.4 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

709. An Allegory of Love

An Allegory of Love
Creator:
Lady Diana Beauclerk, 1734–1808
Date:
Undated
Materials & Techniques:
Watercolor and colored chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/2 x 24 7/16 inches (49.5 x 62.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

710. Lot and His Family

Lot and His Family
Creator:
Print made by John Alexander, 1686–before 1768
Date:
ca. 1718
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/16 x 15 1/16 inches (28.8 x 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

711. A Large Christmas Card

A Large Christmas Card
Creator:
Print made by unknown artist
Date:
1895
Materials & Techniques:
Line block print on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 9 1/4 x 6 1/8 inches (23.5 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

712. Dryden's Monument

Dryden's Monument
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

713. New Abbey, Near Dumfries

New Abbey, Near Dumfries
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

714. Shakespeare's Monument at the Church at Stratford upon Avon

Shakespeare's Monument at the Church at Stratford upon Avon
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834
Materials & Techniques:
Etching and engraving, first published state
Dimensions:
Image: 4 1/8 x 2 7/8in. (10.5 x 7.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

715. Milan

Milan
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1835
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

716. Mount Moriah

Mount Moriah
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

717. Solomon's Pools

Solomon's Pools
Creator:
Print made by James Stephenson, 1808–1886
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

718. Babylon

Babylon
Creator:
Print made by John Cousen, 1804–1880
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

719. Santa Sabas and the Brook Kidron

Santa Sabas and the Brook Kidron
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

720. The Valley in Which the Children of Israel, Were Encamped, Mount Sinai in the Distance

The Valley in Which the Children of Israel, Were Encamped, Mount Sinai in the Distance
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1834
Materials & Techniques:
Etching and engraving, engraver's proof touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

721. Ramah and Rachel's Tomb

Ramah and Rachel's Tomb
Creator:
Print made by William Finden, 1787–1852
Date:
1835-1836
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

722. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

723. The Garden

The Garden
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

724. Brass Chrism of Constance Bownell and her Baby from Heston Church

Brass Chrism of Constance Bownell and her Baby from Heston Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
1796-1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

725. Stone Henge, Wiltshire

Stone Henge, Wiltshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1829
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

726. Eaton College, Berkshire

Eaton College, Berkshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

727. Eaton College, Berkshire

Eaton College, Berkshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1831
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

728. Brinkburn Priory, Northumberland

Brinkburn Priory, Northumberland
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1832
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

729. Brinkburn Priory, Northumberland

Brinkburn Priory, Northumberland
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1832
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

730. Ely Cathedral, Cambridgeshire

Ely Cathedral, Cambridgeshire
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1833
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

731. A Hindu Austere

A Hindu Austere
Creator:
Robert Mabon, died 1798
Date:
ca. 1792
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 5 1/4 inches (18.1 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

732. Ravana Shaking Mount Kailasa below Shiva and Parvati

Ravana Shaking Mount Kailasa below Shiva and Parvati
Creator:
Gangaram Chintaman Tambat, active 1790s
Date:
undated
Materials & Techniques:
Black wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 × 8 1/8 inches (27.3 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

733. Figure from Indus Sabha

Figure from Indus Sabha
Creator:
Gangaram Chintaman Tambat, active 1790s
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/8 × 8 3/4 inches (28.3 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

734. Nazareth

Nazareth
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

735. Bethlehem

Bethlehem
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

736. Jerusalem from the Mount of Olives

Jerusalem from the Mount of Olives
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

737. Jerusalem from the Latin Convent

Jerusalem from the Latin Convent
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

738. Mount Lebanon and the Convent of St. Antonio

Mount Lebanon and the Convent of St. Antonio
Creator:
Print made by William Finden, 1787–1852
Date:
1835-1836
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

739. The Fall of the Rebel Angels

The Fall of the Rebel Angels
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Line engraving, first published state
Dimensions:
Plate: 8 7/16 x 5 7/8in. (21.5 x 14.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

740. Mustering of the Warrior Angels

Mustering of the Warrior Angels
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1835
Materials & Techniques:
Line engraving, 1st published state
Dimensions:
Sheet: 17 3/16 × 11 3/4 inches (43.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

741. The Expulsion from Paradise

The Expulsion from Paradise
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Line engraving, 1st published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

742. The Temptation on the Mountain

The Temptation on the Mountain
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

743. The Temptation on the Pinnacle

The Temptation on the Pinnacle
Creator:
Print made by Frederick Bacon, 1803–1887
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

744. Ludlow Castle - Rising of the Water - Nymphs

Ludlow Castle - Rising of the Water - Nymphs
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

745. Frontispiece for 'Pilgrim's Progress'

Frontispiece for 'Pilgrim's Progress'
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1836
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

746. St. Michael's Mount - Shipwreck of Lycidas

St. Michael's Mount - Shipwreck of Lycidas
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

747. The Temptation on the Mountain

The Temptation on the Mountain
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, with scraping out and touched with graphite (Engraver's Proof b)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

748. Part of the Ghaut at Hurdwar

Part of the Ghaut at Hurdwar
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1836
Materials & Techniques:
Etching and line engraving; engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

749. Sinai's Thunder

Sinai's Thunder
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Dimensions:
Plate: 11 9/16 x 6in. (29.4 x 15.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

750. Rolandseck

Rolandseck
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

751. The Ring

The Ring
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

752. The Chaplet

The Chaplet
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

753. The Nile

The Nile
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1839
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

754. Christ Church College, Oxford

Christ Church College, Oxford
Creator:
Print made by James Redway, active 1827–1838
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

755. Christ Church College, Oxford

Christ Church College, Oxford
Creator:
Print made by James Redway, active 1827–1838
Date:
1834
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

756. The Resurrection of the Dead

The Resurrection of the Dead
Creator:
Conrad Martin Metz, 1749–1827
Date:
1801
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 13/16 × 24 1/16 inches (42.7 × 61.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Geoffrey and Renée Hartman

757. Victorious Hero Takes Occasion to Conclude Peace

Victorious Hero Takes Occasion to Conclude Peace
Creator:
Bernard Lens III, 1682–1740
Date:
1720
Materials & Techniques:
Watercolor and gouache heightened with gold on vellum
Dimensions:
Frame: 17 1/4 x 20 1/2 x 1 1/2 inches (43.8 x 52.1 x 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

758. The Healing of the Lame Man

The Healing of the Lame Man
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching and stipple engraving with color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:
Image: 4 9/16 x 7 3/16 inches (11.6 x 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

759. The Sacrifice at Lystra

The Sacrifice at Lystra
Creator:
George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on beige card
Dimensions:
Image: 4 1/2 x 7 3/16 inches (11.5 x 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

760. St Paul Preaching in Athens

St Paul Preaching in Athens
Creator:
George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper mounted on moderately thick, smooth, beige wove paper
Dimensions:
Image: 5 7/8 x 7 3/8 inches (14.9 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

761. The Miraculous Draught of Fishes

The Miraculous Draught of Fishes
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Etching and stipple engraving with aquatint on cream card
Dimensions:
Image: 5 5/16 x 6 3/4 inches (13.5 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

762. The Miraculous Draught of Fishes

The Miraculous Draught of Fishes
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching and stipple engraving with color woodcut on cream card mounted on contemporary cream card
Dimensions:
Mount: 7 3/4 x 8 9/16 inches (19.7 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

763. The Healing of the Lame Man

The Healing of the Lame Man
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth cream wove paper mounted on contemporary cream card
Dimensions:
Mount: 8 3/8 x 9 15/16 inches (21.2 x 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

764. Penitent Magdalene

Penitent Magdalene
Creator:
John Michael Rysbrack, 1694–1770
Date:
undated
Materials & Techniques:
Pen and brown ink and gray wash over red chalk on medium, slightly textured, cream laid paper mounted on medium, moderately textured, white paper
Dimensions:
Sheet: 5 7/16 x 5 3/4in. (13.8 x 14.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

765. Drawing after The Transfiguration

Drawing after The Transfiguration
Creator:
Sir Thomas Lawrence, 1769–1830
Date:
1782
Materials & Techniques:
Pastel on medium, slightly textured, gray wove paper mounted on linen
Dimensions:
Sheet: 46 1/4 x 29 inches (117.5 x 73.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

766. The Raising of Lazarus

The Raising of Lazarus
Creator:
Walter Richard Sickert, 1860–1942
Date:
1927
Materials & Techniques:
Matte sliver gelatin print on double weight paper
Dimensions:
Sheet: 15 7/8 x 6 7/8 inches (40.3 x 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

767. Nymphs at a Roman Bath

Nymphs at a Roman Bath
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 13/16 x 7 7/16 inches (22.4 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

768. The Death of Ananias

The Death of Ananias
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper mounted on cream card with cream card cutout pasted on top
Dimensions:
Mount: 7 15/16 x 9 5/8 inches (20.2 x 24.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

769. The Conversion of the Proconsul

The Conversion of the Proconsul
Creator:
Print made by George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 11/16 x 7 1/4 inches (14.4 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

770. The Sacrifice at Lystra

The Sacrifice at Lystra
Creator:
George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Etching and stipple engraving with aquatint and red color woodcut on thick, smooth, cream wove paper
Dimensions:
Image: 5 1/4 x 8 1/4 inches (13.4 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

771. The Sacrifice at Lystra

The Sacrifice at Lystra
Creator:
George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on contemporary cream card
Dimensions:
Mount: 6 15/16 x 7 7/8 inches (17.7 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

772. A Scene on Mount Olympus

A Scene on Mount Olympus
Creator:
John Michael Rysbrack, 1694–1770
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, and white gouache on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 x 11 1/4in. (21 x 28.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

773. Cassandra

Cassandra
Creator:
Print made by Reg Butler, 1913–1981
Date:
1952
Materials & Techniques:
Lithograph with crayon on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 15/16 x 10 15/16 inches (38 x 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

774. The Presentation in the Temple

The Presentation in the Temple
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

775. The Baptism

The Baptism
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

776. The Flight into Egypt

The Flight into Egypt
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

777. The Temptation in the Wilderness

The Temptation in the Wilderness
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

778. Rejection at Nazareth

Rejection at Nazareth
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

779. The Pool of Bethsada

The Pool of Bethsada
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

780. The Confrontation with the Pharisees over the Disciples Eating Grain on the Sabbath

The Confrontation with the Pharisees over the Disciples Eating Grain on the Sabbath
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

781. The Healing of the Man with the Withered Hand

The Healing of the Man with the Withered Hand
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

782. The Raising of the Widow’s Son at Nain

The Raising of the Widow’s Son at Nain
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

783. The Centurion’s Servant

The Centurion’s Servant
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

784. The Parables by the Sea

The Parables by the Sea
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

785. The Anointing of Jesus in the House of Simon the Pharisee

The Anointing of Jesus in the House of Simon the Pharisee
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

786. The Raising of Jairus’s Daughter

The Raising of Jairus’s Daughter
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

787. The Woman with the Issue of Blood

The Woman with the Issue of Blood
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

788. The Healing of the Dumb Man and the Defiance of the Pharisees

The Healing of the Dumb Man and the Defiance of the Pharisees
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

789. The Stilling of the Tempest

The Stilling of the Tempest
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

790. The Mission of the Twelve

The Mission of the Twelve
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

791. The Healing of the Two Blind Men

The Healing of the Two Blind Men
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

792. The Healing of the Dumb Man

The Healing of the Dumb Man
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

793. The Confession of Saint Peter

The Confession of Saint Peter
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

794. The Woman Taken in Adultery

The Woman Taken in Adultery
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

795. The Departure of the Rich Young Ruler

The Departure of the Rich Young Ruler
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

796. Infant Shakespeare, wih Comedy and Tragedy

Infant Shakespeare, wih Comedy and Tragedy
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Brown wash and graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 9 1/8 inches (14.3 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

797. Sketch for Dance for the Initiation of a Nymph

Sketch for Dance for the Initiation of a Nymph
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink with graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 6 3/8 inches (20 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

798. The Shekel in the Fish’s Mouth

The Shekel in the Fish’s Mouth
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

799. The Woman Healed on the Sabbath

The Woman Healed on the Sabbath
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

800. The Healing of the Man Born Blind

The Healing of the Man Born Blind
Creator:
Francis Hoyland, born 1930
Date:
2000
Materials & Techniques:
Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964