A Morning at Tattersalls (with further sketches in left margin folded over)
undated
7
Robert Polhill Bevan, 1865–1925
The Kill
undated
8
John R. Skeaping, 1901–1980
Pulling Up
1962
9
John R. Skeaping, 1901–1980
No Danger
1963
10
John R. Skeaping, 1901–1980
Setting Off, No. 1
1963
11
John R. Skeaping, 1901–1980
Taking Down Steady
1963
12
John R. Skeaping, 1901–1980
Coming Home Alone
1963
13
Robert Polhill Bevan, 1865–1925
The Flying Pack
undated
14
Robert Polhill Bevan, 1865–1925
Hounds in Covert
ca. 1896
15
Robert Polhill Bevan, 1865–1925
The Hunt
undated
16
Robert Polhill Bevan, 1865–1925
The Meet
1898
17
Robert Polhill Bevan, 1865–1925
The Meet
between 1901 and 1925
18
Robert Polhill Bevan, 1865–1925
Huntsman and Hounds
ca. 1898
19
George Romney, 1734–1802
Sketches for a Man with a Horse
undated
20
George Romney, 1734–1802
Studies of Horses
undated
21
George Romney, 1734–1802
Frolicking Goat: Three Sketches
undated
22
Arthur James Stark, 1831–1902
Stable Boy on a Pony
undated
23
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
24
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
25
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider
1912
26
Gangaram Chintaman Navgire Tambat, active 1790s
Two Jeyties Exercising
between 1790 and 1796
27
Gangaram Chintaman Navgire Tambat, active 1790s
Jeytie Lifting Weights
between 1790 and 1796
28
Gangaram Chintaman Navgire Tambat, active 1790s
Two Jeyties
1792
29
Sadanand Vyas, active late 18th century
An Arab in the Clothes of Gujarat
undated
30
Sadanand Vyas, active late 18th century
Archer on Horseback
undated
31
Sawrey Gilpin, 1733–1807
Flying Christian From the Life
1760
32
Sawrey Gilpin, 1733–1807
A View of the Ascot Heath
undated
33
Sawrey Gilpin, 1733–1807
A Horse and Three Groomers
1760
34
unknown artist
The Eton Boat on the Towpath of the Thames: Windsor Castle in Background
ca. 1845
35
John Martin, 1789–1854
Archers Stalking a Stag
1821
36
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
37
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
38
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
39
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
40
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
41
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
42
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
43
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
44
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
45
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
46
Tessa Pullan, born 1953
Racing Scene: three racehorses with jockeys up
1994
47
James Seymour, 1702–1752
Six Studies of Horses and Riders
undated
48
unknown artist
Morning
1799
49
unknown artist
Evening
1799
50
unknown artist
Mid-Day
1799
51
George Alken, 1794–active 1837
Foxhunting: Rider, Taking a Fence
undated
52
George Alken, 1794–active 1837
Exercising a Racehorse
undated
53
George Alken, 1794–active 1837
Foxhunting: Full Cry
between 1827 and 1837
54
Henry Thomas Alken, 1785–1851
A Gentleman Riding With a Groom, and Coversing
undated
55
George Alken, 1794–active 1837
Foxhunting: Drawing Covert
undated
56
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
57
Henry Thomas Alken, 1785–1851
"Scraps", no 17: Racing, Three Horses with Jockeys Up Galloping to Right
undated
58
Henry Thomas Alken, 1785–1851
"Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
1823
59
Henry Thomas Alken, 1785–1851
"Scraps", No. 28: Skittle Alley With Players and Spectators
1823
60
Henry Thomas Alken, 1785–1851
"Scraps", no. 22: Hunting, Unkennelling with Two Riders Watching
undated
61
Henry Thomas Alken, 1785–1851
"Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds
undated
62
Henry Thomas Alken, 1785–1851
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
63
Henry Thomas Alken, 1785–1851
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
64
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
65
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
66
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
67
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
68
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
69
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
70
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman on a Horse
undated
71
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
72
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman, Right Arm with Curved Sword Upraised
between 1827 and 1851
73
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
74
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
75
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
76
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
77
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
78
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
79
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
80
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
81
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
82
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
83
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
84
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
85
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
86
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
87
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
88
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
89
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
90
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
1818
91
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
92
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
1818
93
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it No How
1818
94
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
95
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" The Down Leap Done
1818
96
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it Somehow
1818
97
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can
1818
98
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
between 1848 and 1851
99
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Fall
between 1848 and 1851
100
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Dive