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"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite with red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 8 inches (16.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite with red chalk and white gouache on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 8 5/16 inches (16.5 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hare Hunting
Creator:
Francis Barlow, 1622–1704
Date:
undated
Materials & Techniques:
Pen and brown ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 × 9 7/8 inches (17.5 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 × 12 3/8 inches (20 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/16 × 12 1/2 inches (21.1 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pheasant Shooting
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 9/16 × 13 15/16 inches (24.3 × 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"The Poacher's Progress:" 'Poachers Snaring Pheasants'
Creator:
C. Blake, active 1825–1826
Date:
undated
Materials & Techniques:
Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:
Sheet: 12 1/8 × 17 7/16 inches (30.8 × 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Drawing Covert
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 10 11/16 inches (21.9 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Patience in a Punt
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink, and graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 8 1/16 × 12 1/2 inches (20.5 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Jumping a Wooden Fence
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 14 11/16 inches (27 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stag at Bay - Scene near Taplow, Berks.
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1795 and 1801
Materials & Techniques:
Watercolor with pen and red, black, gray and brown ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 16 5/16 x 20 5/8 inches (41.4 x 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection