Genre: sporting art / Height [cm]: 27 - YCBA Collections Search Search Results

1. The Quorn Hunt: a Sketch of the Artist and his Friends Moving Off

Creator:: John Ferneley, 1782–1860
Date:: ca. 1825
Materials & Techniques:: Oil on canvas
Dimensions:: 10 3/4 x 23 1/2 inches (27.3 x 59.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. The Pink Jockey

Creator:: Sir Alfred J. Munnings, 1878–1959
Date:: ca. 1950
Materials & Techniques:: Oil on plywood panel
Dimensions:: 10 1/2 x 14 inches (26.7 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. After the Race

Creator:: John Willis Good, 1845–1879
Date:: 1875
Materials & Techniques:: Bronze
Dimensions:: Overall: 10 3/4 x 11 7/8 x 4 inches (27.3 x 30.2 x 10.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Polo Pony: Perfection

Creator:: Herbert Haseltine, 1877–1962
Date:: cast 1963 (original model 1933)
Materials & Techniques:: Bronze
Dimensions:: Overall: 10 1/2 x 12 5/8 x 3 3/4 inches (26.7 x 32.1 x 9.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. The Kill

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Black and red chalk on thin, smooth, brown wove paper
Dimensions:: Sheet: 10 3/4 x 17 5/8 inches (27.3 x 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

6. Game Keeper and Boy Ferreting a Rabbit

Creator:: John Frederick Lewis, 1804–1876
Date:: ca. 1828
Materials & Techniques:: Watercolor, pen and brown ink, and graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 7 5/8 inches (26.7 x 19.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Study of a Cow

Creator:: attributed to James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Graphite and brown wash on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 10 1/2 x 15 inches (26.7 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Richmond Horse Show

Creator:: Anna Katrina Zinkeisen, 1901–1976
Date:: 1934
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 10 7/16 x 12 1/2 inches (26.5 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

9. Snipe Shooting

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 3/8 inches (26.7 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Full Cry

Creator:: Cecil Charles Windsor Aldin, 1870–1935
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Image: 9 11/16 × 14 3/16 inches (24.6 × 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Snipe Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/16 x 20 13/16 inches (38.3 x 52.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Grouse Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 5/8 x 20 7/8 inches (37.2 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Partridge Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/4 x 20 7/8 inches (37.4 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Pheasant Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 3/16 x 20 13/16 inches (38.5 x 52.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Up and Over

Creator:: Cecil Charles Windsor Aldin, 1870–1935
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Image: 9 13/16 × 13 15/16 inches (24.9 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Sporting Parson: "He Sheweth Them the Way They Should Go"

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Black chalk, watercolor and gouache on moderately thick, moderately textured, gray-brown wove paper
Dimensions:: Sheet: 10 3/4 × 15 1/16 inches (27.3 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Sporting Parson: "Next a Little Low Church"

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Black chalk, watercolor and gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 10 5/8 × 14 7/8 inches (27 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Sporting Parson: "He Trieth a Little 'High Church' Style"

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Black chalk, watercolor and gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 10 11/16 × 14 13/16 inches (27.1 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Sporting Parson: "He Then Goes in For Baptism"

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Black chalk, watercolor and gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 10 11/16 × 14 11/16 inches (27.1 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Sporting Parson: "D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' "

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Black chalk, watercolor and gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 10 11/16 × 14 7/8 inches (27.1 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The Sporting Parson: "Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!"

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Black chalk, watercolor and white gouache on medium, slightly textured, gray-green, wove paper
Dimensions:: Sheet: 10 5/8 × 14 7/8 inches (27 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The Huntsman and a Rider Encouraging the Hounds

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 × 14 7/16 inches (26.5 × 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Jumping a Low Rail and a Brook

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 × 14 1/2 inches (27.1 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Steeplechasing: Three Riders Taking a Brook, Spectators on Right

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 7/16 × 14 11/16 inches (26.5 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Steeplechasing: The Field Jumping in and Out of a Lane

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Steeplechasing: Two Riders Taking a Wooden Fence

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 3/4 inches (27 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Steeplechasing: The Field taking a Stone Wall and Gate

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 × 14 5/8 inches (26.8 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Steeplechasing: The Field taking a Low Rail and a Brook

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 7/8 inches (27 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Three Racehorses with Jockeys Up Galloping in a Group to Left

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 × 17 3/4 inches (27.1 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Groom with a Rearing Horse

Creator:: Samuel Alken, 1756–1815
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 × 14 7/16 inches (27.1 × 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Foxhunting: The Meet, With Hounds Coming Out of Kennel

Creator:: Samuel Alken, 1756–1815
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 17 7/16 inches (27.3 × 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. After the Race: Owner or Trainer Riding and Conversing with Jockey on Trainer's Hack; at Right, a Racehouse Being Watered and Rugged after Racing (one of pair)

After the Race: Owner or Trainer Riding and Conversing with Jockey on Trainer's Hack; at Right, a Racehouse Being Watered and Rugged after Racing (one of pair)

Creator:: Samuel Alken, 1756–1815
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 16 11/16 inches (27.3 × 42.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Stag Hunting - The Hind at Bay: In a Mill-Stream Below a Water-Mill, Right...

Creator:: Samuel Alken, 1756–1815
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, graphite, and gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/2 × 15 inches (26.7 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Woodcock Shooting

Creator:: Edwin Gill, active 1810, died 1868
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 3/4 × 13 1/2 inches (27.3 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Stag Hunting - Full Cry: the Stag Hounds Tear Down a Slop at Right...

Creator:: Samuel Alken, 1756–1815
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, graphite, and gouache on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 13/16 inches (27 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. A Meet of the Quorn at Garrendon Park, Loughborough, Leicestershire

Creator:: John Ferneley, 1782–1860
Date:: undated
Materials & Techniques:: Oil, watercolor, gouache, and graphite on medium, slightly textured, brown wove paper mounted on wood
Dimensions:: Sheet: 10 3/4 × 15 3/4 inches (27.3 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Grouse Shooting

Creator:: Edwin Gill, active 1810, died 1868
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 5/8 × 13 7/16 inches (27 × 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Setters and Pheasant

Creator:: Edwin Gill, active 1810, died 1868
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 3/4 × 13 5/16 inches (27.3 × 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. A Stable Boy rubbing down a Racehorse

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Black chalk and stumping on medium, moderately textured, cream laid paper
Dimensions:: Mount: 12 7/8 × 19 1/8 inches (32.7 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Fallen Horse and Rider, The Hunt Disappearing Left

Creator:: George Morland, 1763–1804
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 10 11/16 × 14 1/8 inches (27.1 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Partridge Shooting

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 3/8 inches (27.3 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The St. Leger, Doncaster: Preparing to Start

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 5/16 inches (27.3 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. How to Vault in the Saddle

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1813
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 13 x 10 3/4 inches (33 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Horse and Rider seen from the Rear

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, white wove paper
Dimensions:: Sheet: 10 5/8 × 10 inches (27 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. "You're Not Going to Follow, Belle, Are You?"

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Graphite, watercolor and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Mount: 16 × 21 15/16 inches (40.6 × 55.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Black chalk, watercolor and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Sporting Parson: "He Joins to Cheer Them on Hallelujah!!!!"

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Black chalk, watercolor and gouache on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 10 3/4 × 14 13/16 inches (27.3 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Sporting Parson: "A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves"

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Black chalk, watercolor, and white gouavhe on moderately thick, slightly textured, gray-brown, wove paper
Dimensions:: Sheet: 10 11/16 × 14 3/4 inches (27.1 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Sporting Parson: "He Sends Mother Eve's Apples Flying"

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Black chalk, watercolor, and gouache on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 10 3/4 × 14 13/16 inches (27.3 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Jumping a Wooden Fence

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 11/16 inches (27 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Jumping a Double Oxer - A Rider in Difficulties

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 5/8 inches (27.3 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Steeplechasing: The Finish

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 × 14 11/16 inches (26.5 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Treeing a Fox

Creator:: Samuel Alken, 1756–1815
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 16 1/2 inches (26.7 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Retrieving a Rabbit

Creator:: Edwin Gill, active 1810, died 1868
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 13/16 × 13 7/16 inches (27.5 × 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Hounds in a Landscape

Creator:: John Wootton, 1682–1764
Date:: undated
Materials & Techniques:: Gray wash, pen and brown ink, black ink, charcoal crayon, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 14 5/16 × 12 1/4 inches (36.4 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Racing: Two Racehorses With Jockeys up, Galloping to the Right

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 5/8 × 17 1/4 inches (27 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Captain A. S. M. Summers of the 19th Hussars on Cossack II, April 3, 1909

Creator:: Sir Alfred J. Munnings, 1878–1959
Date:: 1909
Materials & Techniques:: Watercolor and gouache with scratching out on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 1/2in. (26.7 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Llandberis Lake, Wales

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1834
Materials & Techniques:: Etching and engraving on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/2 × 14 3/4 inches (26.7 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Winander-Mere, Westmoreland

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1837
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 11/16 inches (27.3 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 15 1/2 inches (26.7 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Position pour le Garde en Tierce et le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 16 1/8 inches (26.7 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Quatrieme Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 10 15/16 inches (26.7 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Risposte Aprés Avoir Trompé la Parade du Poignard

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 7/16 inches (27.3 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Hastings Races

Creator:: George Bryant Campion, 1796–1870
Date:: undated
Materials & Techniques:: Graphite, black chalk, watercolor and gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 10 7/16 x 17 7/8in. (26.5 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Boy Holding a Dead Rabbit, Tied to a Stick, by its Hind Legs, in His Left Hand, While Holding a Dead Fowl by the Neck, in His Right Hand

Creator:: Print made by Wallerant Vaillant, 1623–1677
Date:: between 1660 and 1675
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/16 × 9 1/16 inches (28.7 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

66. Premiere Position pour tirer L'Epée

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 10 9/16 × 8 5/16 inches (26.8 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Position pour la Garde en Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/16 × 11 7/8 inches (26.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Position pour la Garde en Quarte et le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 9/16 × 15 1/2 inches (26.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 16 5/8 inches (27 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. De la Parade de Tierce, sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 16 15/16 inches (26.7 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. De la Risposte de Quarte apres la Parade de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 16 5/16 inches (27 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. De la Parade Dequinte sur le Coup de Quinte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 17 1/2 inches (27.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. De la Risposte en Quinte de Pied forme sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 17 1/4 inches (27 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 inches (27.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Position de la Garde Italienne de L'Epée & Poignard

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 11/16 × 15 1/4 inches (27.1 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Okehampton, Devonshire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1828
Materials & Techniques:: Line engraving, 3rd state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 1/2 inches (27 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Games at Vauxhall: Playing at Cricket

Creator:: Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:: ca. 1743
Materials & Techniques:: Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 x 14 13/16 inches (26.7 x 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Eton Cricket Match

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pastel, black chalk, and white chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 5/8 x 14 3/4in. (27 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Whitney Collections of Sporting Art

YCBA Collections Search

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Genre sporting art

Height [cm] 27

Search Results

1. The Quorn Hunt: a Sketch of the Artist and his Friends Moving Off

2. The Pink Jockey

3. After the Race

4. Polo Pony: Perfection

5. The Kill

6. Game Keeper and Boy Ferreting a Rabbit

7. Study of a Cow

8. Richmond Horse Show

9. Snipe Shooting

10. Full Cry

11. Snipe Shooting

12. Grouse Shooting

13. Partridge Shooting

14. Pheasant Shooting

15. Up and Over

16. The Sporting Parson: "He Sheweth Them the Way They Should Go"

17. The Sporting Parson: "Next a Little Low Church"

18. The Sporting Parson: "He Trieth a Little 'High Church' Style"

19. The Sporting Parson: "He Then Goes in For Baptism"

20. The Sporting Parson: "D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' "

21. The Sporting Parson: "Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!"

22. The Huntsman and a Rider Encouraging the Hounds

23. Jumping a Low Rail and a Brook

24. Steeplechasing: Three Riders Taking a Brook, Spectators on Right

25. Steeplechasing: The Field Jumping in and Out of a Lane

26. Steeplechasing: Two Riders Taking a Wooden Fence

27. Steeplechasing: The Field taking a Stone Wall and Gate

28. Steeplechasing: The Field taking a Low Rail and a Brook

29. Three Racehorses with Jockeys Up Galloping in a Group to Left

30. Groom with a Rearing Horse

31. Foxhunting: The Meet, With Hounds Coming Out of Kennel

32. After the Race: Owner or Trainer Riding and Conversing with Jockey on Trainer's Hack; at Right, a Racehouse Being Watered and Rugged after Racing (one of pair)

33. Stag Hunting - The Hind at Bay: In a Mill-Stream Below a Water-Mill, Right...

34. Woodcock Shooting

35. Stag Hunting - Full Cry: the Stag Hounds Tear Down a Slop at Right...

36. A Meet of the Quorn at Garrendon Park, Loughborough, Leicestershire

37. Grouse Shooting

38. Setters and Pheasant

39. A Stable Boy rubbing down a Racehorse

40. Fallen Horse and Rider, The Hunt Disappearing Left

41. Partridge Shooting

42. The St. Leger, Doncaster: Preparing to Start

43. How to Vault in the Saddle

44. Horse and Rider seen from the Rear

45. "You're Not Going to Follow, Belle, Are You?"

46. The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "

47. The Sporting Parson: "He Joins to Cheer Them on Hallelujah!!!!"

48. The Sporting Parson: "A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves"

49. The Sporting Parson: "He Sends Mother Eve's Apples Flying"

50. Jumping a Wooden Fence

51. Jumping a Double Oxer - A Rider in Difficulties

52. Steeplechasing: The Finish

53. Treeing a Fox

54. Retrieving a Rabbit

55. Hounds in a Landscape

56. Racing: Two Racehorses With Jockeys up, Galloping to the Right

57. Captain A. S. M. Summers of the 19th Hussars on Cossack II, April 3, 1909

58. Llandberis Lake, Wales

59. Winander-Mere, Westmoreland

60. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

61. Position pour le Garde en Tierce et le Coup de Tierce

62. Quatrieme Position du Salut

63. Risposte Aprés Avoir Trompé la Parade du Poignard

64. Hastings Races

65. Boy Holding a Dead Rabbit, Tied to a Stick, by its Hind Legs, in His Left Hand, While Holding a Dead Fowl by the Neck, in His Right Hand

66. Premiere Position pour tirer L'Epée

67. Position pour la Garde en Quarte

68. Position pour la Garde en Quarte et le Coup de Quarte

69. De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte

70. De la Parade de Tierce, sur le Coup de Tierce

71. De la Risposte de Quarte apres la Parade de Quarte

72. De la Parade Dequinte sur le Coup de Quinte

73. De la Risposte en Quinte de Pied forme sur le Coup de Seconde

74. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes