The Countess of Coningsby in the Costume of the Charlton Hunt
ca. 1760
Not on view
2
George Stubbs, 1724–1806
Studies for or after "The third Duke of Richmond with the Charleton Hunt"
late 1750s
Not on view
3
John R. Skeaping, 1901–1980
The York Trophy
1977
Not on view
4
Thomas Hand, died 1804
George Morland on his Hunter
1794
Not on view
5
Francis Calcraft Turner, active 1782–1846
Bachelor's Hall: Capping on Hounds
1835 to 1836
Not on view
6
John R. Skeaping, 1901–1980
One of Burch's
1974
7
John R. Skeaping, 1901–1980
Arab Horsemen, Two Grey Horses
1965
8
Robert Polhill Bevan, 1865–1925
Over the Bank, Exmoor
ca. 1895
9
Robert Polhill Bevan, 1865–1925
The Meet
between 1901 and 1925
10
Sawrey Gilpin, 1733–1807
Hound Trial with hounds named
undated
11
Lionel Edwards, 1878–1966
`Now then! Are you ready?'
1905
12
Jan Wyck, ca. 1645–1700
A Race Meeting at Newmarket Heath
ca. 1671
13
James Seymour, 1702–1752
Six Studies of Horses and Riders
undated
14
unknown artist
Morning
1799
15
unknown artist
Evening
1799
16
George Alken, 1794–active 1837
Foxhunting: Rider, Taking a Fence
undated
17
Henry Thomas Alken, 1785–1851
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
18
Henry Thomas Alken, 1785–1851
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
19
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
20
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
21
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
22
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
23
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
24
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
25
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
26
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
27
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
28
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
29
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
30
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
31
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
32
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
33
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
34
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
35
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
36
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
37
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
1818
38
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
39
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it No How
1818
40
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
1818
41
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it Somehow
1818
42
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" The Down Leap Done
1818
43
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can
1818
44
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
between 1848 and 1851
45
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
46
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
between 1848 and 1851
47
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
between 1848 and 1851
48
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
49
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
50
Henry William Bunbury, 1750–1811
An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'
undated
51
Robert Dighton, 1752–1814
"The King and Noblemen Before the Stag is Turn'd Out"
undated
52
Sawrey Gilpin, 1733–1807
Two Riders Conversing
undated
53
Sawrey Gilpin, 1733–1807
Hunting Sketch: Gone to Earth
undated
54
Samuel Howitt, 1756–1822
Coursing: Setting Out
1794
55
Samuel Howitt, 1756–1822
Coursing: The Kill
1794
56
Samuel Howitt, 1756–1822
Going out of Kennel
undated
57
Samuel Howitt, 1756–1822
Going to Cover
undated
58
Samuel Howitt, 1756–1822
Full Cry
undated
59
Samuel Howitt, 1756–1822
The Check
undated
60
Samuel Howitt, 1756–1822
The Death
undated
61
Henry William Bunbury, 1750–1811
The Sporting Undergraduate
1772
62
James Seymour, 1702–1752
Riders and Hounds in an Open Landscape
undated
63
James Seymour, 1702–1752
A Boar Hunt
undated
64
Francis Barlow, 1622–1704
Hare Hunting
undated
65
Julius Caesar Ibbetson, 1759–1817
Galloping Rider With Whip Under His Arm
undated
66
Gilbert Joseph Holiday, 1879 –1937
Over the Gate: Lady Huntsman Taking a Fence
undated
67
Gilbert Joseph Holiday, 1879 –1937
'Join the Hickers Old Boy - You're Well Rid of the Brute'
undated
68
Henry Thomas Alken, 1785–1851
The St. Leger, Doncaster: The Finish
undated
69
Cecil Charles Windsor Aldin, 1870–1935
`Hold Back, Sir!'
1904
70
Cecil Charles Windsor Aldin, 1870–1935
`Ar Never Gets Off' - Hunting Scene
undated
71
George Denholm Armour, 1864–1949
Taking a Fence Side-Saddle
undated
72
George Denholm Armour, 1864–1949
Some Have Greatness Thrust Upon Them
undated
73
Samuel Howitt, 1756–1822
The Kill
undated
74
James Seymour, 1702–1752
Foxhunting
undated
75
Joseph Crawhall, 1861–1913
Horse and Rider: a Stout Huntsman on a Galloping Horse
undated
76
unknown artist
A Dangerous Leap
ca. 1850
77
James Seymour, 1702–1752
A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider
undated
78
Cecil Charles Windsor Aldin, 1870–1935
Up and Over
undated
79
James Seymour, 1702–1752
Victorious
undated
80
possibly John Frederick Tayler, 1802–1889
Hunting Scene: The Meet
undated
81
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Sheweth Them the Way They Should Go"
undated
82
Hablot Knight Browne, 1815–1882
The Sporting Parson: "Next a Little Low Church"
undated
83
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Trieth a Little 'High Church' Style"
undated
84
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Then Goes in For Baptism"
undated
85
Hablot Knight Browne, 1815–1882
The Sporting Parson: "D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' "
undated
86
George Alken, 1794–active 1837
Full Cry. 1821: Riders Taking a Wooden Fence
1821
87
Henry Thomas Alken, 1785–1851
Two Riders and a Couple of Hounds Clearing a Wall
1845
88
Henry Thomas Alken, 1785–1851
Two Riders Exercising Horses at a Gallop
undated
89
Henry Thomas Alken, 1785–1851
A Whipper-In and a Couple of Hounds Running Hard in Open Country
undated
90
Henry Thomas Alken, 1785–1851
Two Riders Taking a Double Fence
undated
91
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
undated
92
Hablot Knight Browne, 1815–1882
The Sporting Parson: "Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!"
undated
93
Possibly Henry Thomas Alken, 1785–1851
Full Cry
undated
94
Possibly Henry Thomas Alken, 1785–1851
Gone Away
undated
95
Henry William Bunbury, 1750–1811
Illustration to H. Bunbury ('Geoffrey Gambado') Annals of Horsemanship: '6 Love and Wind'
undated
96
Henry Thomas Alken, 1785–1851
Two Riders Jumping a Wooden Fence
undated
97
Possibly Henry Thomas Alken, 1785–1851
The Death
undated
98
Henry Thomas Alken, 1785–1851
Rider on a Brown Horse Going at a Wall
undated
99
Henry Thomas Alken, 1785–1851
The Huntsman, Galloping to Left and Encouraging Hounds