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Genre sporting art

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Studies for or after "The third Duke of Richmond with the Charleton Hunt"
Creator:
George Stubbs, 1724–1806
Date:
late 1750s
Materials & Techniques:
Oil on four pieces of paper conjoined on canvas
Dimensions:
10 1/4 × 11 7/8 inches (26 × 30.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Foxhound
Creator:
George Stubbs, 1724–1806
Date:
ca. 1760
Materials & Techniques:
Oil on paper laid on board
Dimensions:
5 3/4 x 8 3/4 inches (14.6 x 22.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Hare Hunting
Creator:
Jan Wyck, ca. 1645–1700
Date:
ca. 1690
Materials & Techniques:
Oil on canvas
Dimensions:
56 x 48 inches (142.2 x 121.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Lough Erne from Knock Ninney, with Bellisle in the distance, County Fermanagh, Ireland
Creator:
Thomas Roberts, 1748–1778
Date:
1771
Materials & Techniques:
Oil on canvas
Dimensions:
22 1/2 x 36 inches (57.2 x 91.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Death of the Hare
Creator:
John Wootton, 1682–1764
Date:
ca. 1735
Materials & Techniques:
Oil on canvas
Dimensions:
40 1/2 x 50 1/4 inches (102.9 x 127.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Heron Hawking below Stirling Castle
Creator:
Jan Wyck, ca. 1645–1700
Date:
ca. 1690
Materials & Techniques:
Oil on canvas
Dimensions:
24 1/2 × 24 1/8 inches (62.2 × 61.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Death of the Hare
Creator:
unknown artist
Date:
between 1760 and 1770
Materials & Techniques:
Oil on canvas
Dimensions:
60 x 99 inches (152.4 x 251.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view