Genre: sporting art / Subject Terms: men / Classification: Drawings & Watercolors

John R. Skeaping, 1901–1980

Arab Horsemen, Two Grey Horses

1965

Robert Polhill Bevan, 1865–1925

Sale at Ward's Repository, No. 2

ca. 1918

Robert Polhill Bevan, 1865–1925

A Morning at Tattersalls (with further sketches in left margin folded over)

undated

Robert Polhill Bevan, 1865–1925

Over the Bank, Exmoor

ca. 1895

Robert Polhill Bevan, 1865–1925

The Meet

between 1901 and 1925

John Henry Müntz, 1727–1798

Landscape with Sportsman and Guns

1779

Hubert-François Gravelot, 1699–1773

Two Prize Fighters

ca. 1742

James Gillray, 1756–1815

Two Men at Fisticuffs

undated

Robert Dighton, 1752–1814

A Country Amusement - Bull Baiting

undated

Robert Dighton, 1752–1814

Modern Exercise

undated

Thomas Rowlandson, 1756–1827

Drawing Cover

undated

Thomas Rowlandson, 1756–1827

Landscape with a Hunting Party

undated

Lionel Edwards, 1878–1966

`Now then! Are you ready?'

1905

Jan Wyck, ca. 1645–1700

A Race Meeting at Newmarket Heath

ca. 1671

Capt. Francis Grose, 1731–1791

Holy Island and Castle, Northumberland

undated

James Seymour, 1702–1752

Six Studies of Horses and Riders

undated

unknown artist

Morning

1799

unknown artist

Evening

1799

Henry Thomas Alken, 1785–1851

"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door

1823

Henry Thomas Alken, 1785–1851

"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds

1823

Henry Thomas Alken, 1785–1851

Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week

between 1818 and 1822

Henry Thomas Alken, 1785–1851

Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck

between 1818 and 1822

Henry Thomas Alken, 1785–1851

Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth

between 1818 and 1822

Henry Thomas Alken, 1785–1851

Knight Falling From His Horse at a Squire's Tilt

undated

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'

between 1831 and 1832

Henry Thomas Alken "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'

between 1831 and 1832

Henry Thomas Alken "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

Henry Thomas Alken, 1785–1851

"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'

between 1831 and 1832

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

undated

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '

between 1831 and 1832

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

undated

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

undated

Henry Thomas Alken, 1785–1851

An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

1842

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'

undated

Henry Thomas Alken, 1785–1851

"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can

1818

Henry Thomas Alken, 1785–1851

"Doing the Thing: and the Thing Done:" Doing the Down Leap

1818

Henry Thomas Alken, 1785–1851

"Doing the Thing: and the Thing Done:" Doing it No How

1818

Henry Thomas Alken, 1785–1851

"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]

1818

Henry Thomas Alken, 1785–1851

"Doing the Thing: and the Thing Done:" Doing it Somehow

1818

Henry Thomas Alken, 1785–1851

"Doing the Thing: and the Thing Done:" The Down Leap Done

1818

Henry Thomas Alken, 1785–1851

"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can

1818

Henry Thomas Alken, 1785–1851

"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty

between 1848 and 1851

Henry Thomas Alken, 1785–1851

"Some Do and Some Don't: It is All a Notion:" Getting a Dive

between 1848 and 1851

Henry Thomas Alken, 1785–1851

"Some Do and Some Don't: It is All a Notion:" Getting into a Bog

between 1848 and 1851

Henry Thomas Alken, 1785–1851

"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat

between 1848 and 1851

Henry Thomas Alken, 1785–1851

Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could

between 1809 and 1823

Henry Thomas Alken Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty

Henry Thomas Alken, 1785–1851

Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty

between 1822 and 1827

Henry Thomas Alken Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark.

Henry Thomas Alken, 1785–1851

Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark

between 1822 and 1827

Robert Dighton, 1752–1814

"The King and Noblemen Before the Stag is Turn'd Out"

undated

Edward Duncan, 1803–1882

Pheasant Shooting

1825

Edward Duncan, 1803–1882

Wild Duck Shooting

1825

Sawrey Gilpin, 1733–1807

Two Riders Conversing

undated

Sawrey Gilpin, 1733–1807

Rubbing Down a Horse in a Paddock at a Racetrack

undated

Sawrey Gilpin, 1733–1807

Hunting Sketch: Gone to Earth

undated

Samuel Howitt, 1756–1822

Coursing: Setting Out

1794

Samuel Howitt, 1756–1822

Coursing: The Kill

1794

Samuel Howitt, 1756–1822

Going out of Kennel

undated

Samuel Howitt, 1756–1822

Going to Cover

undated

Samuel Howitt, 1756–1822

Full Cry

undated

Samuel Howitt, 1756–1822

The Check

undated

Samuel Howitt, 1756–1822

The Death

undated

James Pollard, 1792–1867

Coursing: a Group of Riders Galloping From Left After a Couple of Greyhounds

undated

Thomas Rowlandson, 1756–1827

The Annual Sculling Race for Doggett's Coat and Badge

between 1805 and 1810

Thomas Rowlandson, 1756–1827

Breakfast before the Hunt

between 1785 and 1790

James Seymour, 1702–1752

Riders and Hounds in an Open Landscape

undated

James Seymour, 1702–1752

A Boar Hunt

undated

Peter Tillemans, 1684–1734

Racing: a Match in Progress

undated

Francis Barlow, 1622–1704

Hare Hunting

undated

James Pollard, 1792–1867

Partridge Shooting

undated

James Pollard, 1792–1867

Grouse Shooting

undated

Gilbert Joseph Holiday, 1879 –1937

'Join the Hickers Old Boy - You're Well Rid of the Brute'

undated

John James Chalon, 1778–1854

Skating in the Park

undated

C. Blake, active 1825–1826

"The Poacher's Progress:" Poachers Before the Magistrates

undated

William Turner of Oxford, 1789–1862

The Exeter College Eight on the Isis, Oxford

1824

Henry Thomas Alken, 1785–1851

The St. Leger, Doncaster: The Finish

undated

Cecil Charles Windsor Aldin, 1870–1935

`Hold Back, Sir!'

1904

Cecil Charles Windsor Aldin, 1870–1935

`Ar Never Gets Off' - Hunting Scene

undated

Henry Thomas Alken, 1785–1851

Grouse Shooting: The Right Sort

undated

Henry Thomas Alken, 1785–1851

Grouse Shooting: The Wrong Sort

undated

George Denholm Armour, 1864–1949

Some Have Greatness Thrust Upon Them

undated

Lionel Edwards, 1878–1966

Newmarket - Pulling Up

1933

Samuel Howitt, 1756–1822

The Kill

undated

Robert Pollard, 1755–1838

Anglers Packing Up

undated

Robert Pollard, 1755–1838

Bottom Fishing Near Totten Mill

undated

Joseph Crawhall, 1861–1913

The Loose Shoe

undated

Cecil Charles Windsor Aldin, 1870–1935

Up and Over

undated

possibly John Frederick Tayler, 1802–1889

Hunting Scene: The Meet

undated